Mark Godfrey

This guide is a leaflet and not a book. https://www.tate.org.uk/whats-on/tate-modern/exhibition/olafur-eliasson/exhibition-guide. Olafur Eliasson In Real Life Tate Modern 2019-20 Exhibition Booklet / guide / leaflet. Folds out to a plan of the exhibition layout. Approximate size 15cm by 10.5cm.

Olafur Eliasson: In Real Life

In the period of radical change that was 1963-83, young black artists at the beginning of their careers in the USA confronted key questions and pressures. How could they make art that would stand as innovative, original, formally and materially complex, while also making work that reflected their concerns and experience as black Americans? This significant new publication, accompanying an exhibition at Tate Modern, surveys this crucial period in American art history, bringing to light previously neglected histories of twentieth-century black artists, including Sam Gilliam, Melvin Edwards, Jack Whitten, William T. Williams and Frank Bowling. This book features substantial essays from co-curators Mark Godfrey and Zoe Whitley, writing on abstraction and figuration respectively. It will also explore the art historical and social contexts with subjects including black feminism; AfriCOBRA and other artist-run groups; the role of museums in the debates of the period; and where visual art sat in relation to the Black Arts Movement. 00Exhibition: Tate Modern, London, United Kingdom (12.07.2017-22.10.2017).

Art in the Age of Black Power

Soul of a Nation

Markus D. Dubber

Heikki Pihlajamäki

European law, including both civil law and common law, has gone through several major phases of expansion in the world. European legal history thus also is a history of legal transplants and cultural borrowings, which national legal histories as products of nineteenth-century historicism have until recently largely left unconsidered. The Handbook of European Legal History supplies its readers with an overview of the different phases of European legal history in the light of today's state-of-the-art research, by offering cutting-edge views on research questions currently emerging in international discussions. The Handbook takes a broad approach to its subject matter both nationally and systemically. Unlike traditional European legal histories, which tend to concentrate on "heartlands" of Europe (notably Italy and Germany), the Europe of the Handbook is more versatile and nuanced, taking into consideration the legal developments in Europe's geographical "fringes" such as Scandinavia and Eastern Europe. The Handbook covers all major time periods, from the ancient Greek law to the twenty-first century. Contributors include acknowledged leaders in the field as well as rising talents, representing a wide range of legal systems, methodologies, areas of expertise and research agendas.

The Oxford Handbook of European Legal History

Matt's Gallery (London)

The Last Silent Movie

Dieter Roelstraete

British conceptual artist Simon Starling (born 1967) interrogates the histories of art and science, as well as other subjects such as economic and environmental issues, through a wide variety of media including film, installation and photography. Published for his first survey exhibition at a major American museum, Simon Starling: Metamorphology highlights a fundamental principle of Starling's practice: an almost alchemistic conception of the transformative potential of art, or of transformation as art.

Simon Starling: Metamorphology

Leading scholars discuss how changing ideas of law and authority were embedded in the historical development of British legal systems.

Law and Authority in British Legal History, 1200-1900

Nicholas Serota

Dorothée Brill

Camille Morineau

Original edition published 2011 by Tate Publishing.

Panorama

Gerhard Richter

Mark Godfrey looks closely at a series of American art and architectural projects that respond to the memory of the Holocaust. He investigates how abstract artists and architects have negotiated Holocaust memory without representing the Holocaust figuratively or symbolically.

Abstraction and the Holocaust

Gary Carrion-Murayari

Briony Fer

Phyllida Barlow

Julienne Lorz

Julia Peyton-Jones

A handsome compendium of speculations on art and artists by a revered protagonist of postwar British sculpture Alongside her career as an artist, Phyllida Barlow (born 1944) has written, taught, lectured and been the subject of numerous interviews. Over the course of her lengthy career, she has become as well known for her writing and pedagogy as for her imposing, colorful and playful installations. This massive volume compiles 50 texts by Barlow--prose, presentations, reflections on artists and conversations. Edited by Sara Harrison, this reader gives access to nearly 50 years of Barlow's thoughts on making, teaching, drawing and artists such as Louise Bourgeois, Marcel Duchamp, Eva Hesse, Eduardo Chillida, Henry Moore and David Smith. Among her interlocutors in the conversations are Hans Ulrich Obrist, Fiona Bradley, Briony Fer and Mark Godfrey.

Phyllida Barlow: Collected Lectures, Writings, and Interviews

Walter Abish

Thomas Demand

Nationalgalerie (Berlin)

Thomas Demands work lures the viewer into a reality that is not what it appears to be. His images present scenes of political and social events, which the artist recreates out of paper and cardboard, in a scale that is true to the original size of the setting. Demand then photographs these sculptures, creating images in which specific traces of the events and the protagonists are removed, leaving possible evidence of a crime scene, one which appears familiar but yet out of reach. The exhibition and book Nationalgalerie brings together Demands work of the last 15 years which is rooted in German imagery. Demand examines the Deutschlandbild, the German image in photographs from a variety of scenarios in the post-war period. From a selection both known and new of key images of decisive political events and private moments Demand offers a kaleidoscopic vision of a society.

Mark Godfrey

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