Mark Holborn

Nan Goldin

Marvin Heiferman

Suzanne Fletcher

Glimpses of the photographer's extended family taken at any time

The Ballad of Sexual Dependency

Annie Leibovitz

This monumental survey is the first to do justice to Cecil Beaton's astonishing photographic career spanning six decades, from the 1920s to the 1970s. To create it, Mark Holborn thoroughly explored Beaton's vast studio archive, revealing an artist of extraordinary energy and ambition who made definitive portraits of the leading figures of his time, including Pablo Picasso, Gertrude Stein, Greta Garbo, Audrey Hepburn, Lucian Freud, Francis Bacon, David Hockney, and Mick Jagger. Beaton immerses the reader in memorable social and cultural scenes, including the ceremony of the British royal family, the society of the 1920s, the glamour of Hollywood, the drama of World War II, the high artistic bohemia of Paris and London, and the pop royalty of the 1960s. Holborn contributes an introductory essay, and Annie Leibovitz offers an appreciation of Beaton as a portrait photographer.

Beaton Photographs

The first in-depth look at the lively, hip, and often controversial contemporary art scene in India. Indian art has gone through a boom period paralleling the country’s extraordinary economic rise from an agrarian state to a high-tech axis of the new global economy. With new money came bigger gallery spaces and bigger art—the scale of ambition led to a break onto the international art market. The new art also often reflects a background of religious divide and violence. The exploration of identity, a common enterprise for artists internationally, is all the more challenging in the context of India under transformation. The book features the richest collection of contemporary art assembled to date. It brings together the most compelling and interesting artists from this young and vibrant art scene, some of whom have not shown outside their native country.

Indian Art Today

The Empire Strikes Back

Dimitri Levas

The definitive collection of Robert Mapplethorpe's flower photographs in a sophisticated new edition Robert Mapplethorpe is one of the twentieth century's most important artists, known for his ground-breaking and provocative work. He studied painting, drawing, and sculpture in Brooklyn in the 1960s and started taking photographs when he acquired a Polaroid camera, in 1970. Beginning in 1973 and until his death in 1989, Mapplethorpe explored the flower with extraordinary dedication, using a range of photographic processes - from Polaroids to dye-transfer color works. In carefully constructed compositions, he captured roses, orchids, snapdragons, daisies, tulips and other species - both common and rare - and forever transformed the way we perceive a classic and familiar subject. The result - a stunning body of work - is collected in this elegant book, with a foreword by Mapplethorpe's close friend Dimitri Levas and an introduction by Herbert Muschamp.

The Complete Flowers

Mapplethorpe Flora

Irving Penn

The synergy between photographer Irving Penn and designer Issey Miyake is captured in this tour of Miyake's clothing across his long career and working relationship with Penn.

Photographs 1975-1998

Irving Penn Regards the Work of Issey Miyake

Goldin charts the loss of innocence through barrooms and parties on the social periphery of New York's East Village and through the harrowing worlds of drugs and prostitution. The Ballad of Sexual Dependency is a visual diary chronicling the struggle for intimacy and understanding between friends, and lovers--collectively described by Nan Goldin as her "tribe." Her work describes a world that is visceral, charged, and seething with life . . . . As Goldin writes: "Real memory, which these pictures trigger, is an invocation of the color, smell, sound, and physical presence, the density and flavor of life."

Bunny documents a project by the internationally renowned photographer Polly Borland. This publication is produced in conjunction with the exhibition ‘Bunny’ which will take place at Michael Hoppen Contemporary in 2008. It takes the viewer through an assemblage of photographs of a giant woman called Gwen that explore femininity and deconstruct the idea of the bunny girl of the playboy world. The book constructs the ‘Bunny’ story with pictorial intelligence and an understanding of the full potential of photography as art form with narrative displacement and construct. Bunny also includes a witty and seductive short poem by Nick Cave, and an equally funny and eccentric modern fairytale by Will Self: “Well now, the bunny was a silly thing and not quite right. She didn’t look like a proper bunny, she had pink fur and her muzzle was sort of bulgy and cartoonish.”

Bunny

In Butoh Ethan Hoffman creates virtually a new genre of photographic theater and gives us an invaluable contribution to the literature of contemporary dance and theater. 100 full-color photographs.

Dance of the Dark Soul

Butoh

William Eggleston

Los Alamos

A spectacular pictorial history of astronomical exploration, for anyone who has gazed at the sky and wondered what lies beyond From the beginning of time, human beings have looked up at the stars and speculated on other worlds. Published to mark the fiftieth anniversary of the first moon landing, Sun and Moon tells the story of that burning human need to comprehend the universe, from Neolithic observatories that mark the solstice to the latest space telescopes. It shows, for the first time, how the development of photography and cartography – the means of documenting other worlds – is linked indelibly to the charting of the heavens, from the first image on a glass plate to the Hubble Space Telescope.

A Story of Astronomy, Photography and Mapping

Sun and Moon

Hilary Roberts

A pictorial history published to coincide with World War I's 100th anniversary collects striking, evocative black-and-white photographs from Imperial War Museums in London that span its many battlefronts while offering poignant insight into the experiences of its soldiers.

A Photographic Narrative

The Great War

Susan Meiselas

Susan Meiselas, one of the most influential photographers of our time and an important contributor to the evolution of documentary storytelling, provides an insightful personal commentary on the trajectory of her career in Susan Meiselas: On the Frontline. She guides us through her ideas, practices, and decision-making along her journey--from Carnival Strippers (1976) and Nicaragua: June 1978-July 1979 (1981; reissued by Aperture 2008, 2016) to Kurdistan: In the Shadow of History (1997) and Cova da Moura, Portugal (2004). This book includes over one hundred photographs from her earliest work and most iconic images, along with previously unpublished photographs.

SUSAN MEISELAS ON THE FRONTLIN

Black Sun is an unprecedented portrait of postwar Japan through the eyes of four of the nation's most significant photographers. It encompasses and connects ancient Japanese prophecies, the terror of nuclear destruction, and the results of swift and massive westernization. Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama are widely acknowledged in Japan as masters of photography. Their work ranges from the metaphoric to the documentary, from the presentation of post-apocalyptic artifacts to portraits of crows and crowded city streets. However varied the approach, this work is unified by a sense of innovation and a persistent search for native roots. In the accompanying text, Mark Holborn creates his own picture of Japan's creative climate, one in which audacious exploration crashes against a legacy of tradition and refinement. He provides previously undocumented links between the photographers and other leading Japanese artists of our time, such as filmmaker Nagisa Oshima, graphic designer Tadanori Yokoo, and dancer Tatsumi Hijikata.

The Eyes of Four : Roots and Innovation in Japanese Photography

Black Sun

Inspired by the work of an earlier generation of Japanese photographers, especially by Shomei Tomatsu, and by William Klein's seminal photographic book on New York, Daido Moriyama moved from Osaka to Tokyo in the early sixties to become a photographer. He became the leading exponent of a fierce new photographic style that corresponded perfectly to the abrasive and intense climate of Tokyo during a period of great social upheaval. His black and white pictures were marked by fierce contrast and fragmentary, even scratched, frames, which concealed his virtuoso printing. Between June 1972 and July 1973 he produced his own magazine publication, Kiroku, which was then referred to as Record. It became a diaristic journal of his work as it developed. Ten years ago he was able to resume publication of Record, which gradually expanded in extent. To date he has published thirty issues, a number of them including colour. The publication of Record as a book enables work from all thirty issues to be edited into a single sequence, punctuated by Moriyama's own text as it appeared in the magazines. It used to be assumed that Moriyama's peculiarly Japanese style was tied to his Tokyo roots. The evidence of the last ten years demonstrates that Moriyama, a restless world traveller, has been able to apply his unique vision to northern Europe, southern France, the cities of Florence, London, Barcelona, Taipei, Hong Kong, New York and Los Angeles as well as to the alleys of Osaka, and the landscape of Hokkaido. The book ends in Afghanistan.

Daido Moriyama

Richard Avedon

Hiro

A comprehensive collection of the beautiful photographs of the legendary and influential fashion photographer Hiro offers a wide-ranging look at his unforgettable work, which encompasses starting fashion images, an Apollo 11 photo, a portrait of the Rolling Stones, and more.

Photographs

A revised and updated edition of the most comprehensive survey published of Mapplethorpe's photography Robert Mapplethorpe was one of the twentieth century's most important and influential artists, known for his groundbreaking and provocative work. He studied painting, drawing, and sculpture in Brooklyn in the 1960s and started taking photographs when he acquired a Polaroid camera in 1970. This comprehensive monograph is an overview of the artist's black-and-white photography of floral still lifes, nudes, selfportraits, and portraits, among other subjects-and also includes a selection of his color images.

Robert Mapplethorpe

"Following the publication of Chromes in 2011 and Los Alamos Revisited in 2012, the reassessment of Eggleston's career continues with the publication of The Democratic Forest, his most ambitious project. This ten-volume set containing more than a thousand photographs is drawn from a body of twelve thousand pictures made by Eggleston in the 1980s. Following an opening volume of work in Louisiana, which serves as a visual preface, the remaining books cover Eggleston's travels from his familiar ground in Memphis and Tennessee to Dallas, Pittsburgh, Miami, Boston, the pastures of Kentucky, and as far as the Berlin Wall. The final volume leads the viewer back to the South of small towns, cotton fields, the Civil War battlefield of Shiloh and the home of Andrew Jackson, the President from Tennessee. The democracy of Eggleston's title refers to his democracy of vision, through which he represents the most mundane subjects with the same complexity and significance as the most elevated. The exhaustive editing process of The Democratic Forest--a rarely shown body of work of which only a fraction has been published to date--has taken over three years, and was guided by the belief that only on this large scale can the magnitude of Eggleston's achievement be represented. With no precedent in American art, Eggleston's photography seen as a whole has all the grandeur of an epic piece of fiction."--Publisher's website

The Democratic Forest: The Louisiana project

A breathtaking visual biography of Freud, told through his own words, unpublished private photographs, and painted portraits This unprecedented look at the private life of Lucian Freud begins with childhood snapshots and ends with rarely seen photographs made in his studio in the last weeks of his life. In between, the life of one of the most important artists of the twentieth and twenty-first centuries is vividly documented - through family photos, in images of the painter in his studio with some of his most celebrated sitters, and in portraits by his peers, first among them Francis Bacon.

Mark Holborn

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