Mark LeVine

Offers a surprising look at the growing influence of rock, hip-hop, and heavy metal music in various areas of the Middle East, examining the influence of Western music and furnishing profiles of key musicians who have created their own distinctive musical careers in such nations as Morocco, Egypt, Israel, Palestine, Lebanon, Iran, and Pakistan. Original. 30,000 first printing.

Rock, Resistance, and the Struggle for the Soul of Islam

Heavy Metal Islam

Mathias Mossberg

One Land, Two States imagines a new vision for Israel and Palestine in a situation where the peace process has failed to deliver an end of conflict. “If the land cannot be shared by geographical division, and if a one-state solution remains unacceptable,” the book asks, “can the land be shared in some other way?” Leading Palestinian and Israeli experts along with international diplomats and scholars answer this timely question by examining a scenario with two parallel state structures, both covering the whole territory between the Mediterranean and the Jordan River, allowing for shared rather than competing claims of sovereignty. Such a political architecture would radically transform the nature and stakes of the Israel-Palestine conflict, open up for Israelis to remain in the West Bank and maintain their security position, enable Palestinians to settle in all of historic Palestine, and transform Jerusalem into a capital for both of full equality and independence—all without disturbing the demographic balance of each state. Exploring themes of security, resistance, diaspora, globalism, and religion, as well as forms of political and economic power that are not dependent on claims of exclusive territorial sovereignty, this pioneering book offers new ideas for the resolution of conflicts worldwide.

Israel and Palestine as Parallel States

One Land, Two States

In his iconic musical travelogue Heavy Metal Islam, Mark LeVine first brought the views and experiences of a still-young generation to the world. In We'll Play till We Die, he joins with this generation's leading voices to write a definitive history of the era, closing with a cowritten epilogue that explores the meanings and futures of youth music from North Africa to Southeast Asia. We'll Play till We Die dives into the revolutionary music cultures of the Middle East and larger Muslim world before, during, and beyond the waves of resistance that shook the region from Morocco to Pakistan. This sequel to Mark LeVine's celebrated Heavy Metal Islam shows how some of the world's most extreme music not only helped inspire and define region-wide protests, but also exemplifies the beauty and diversity of youth cultures throughout the Muslim world. Two years after Heavy Metal Islam was published in 2008, uprisings and revolutions spread like wildfire. The young people organizing and protesting on the streets—in dozens of cities from Casablanca to Karachi—included the very musicians and fans LeVine spotlighted in that book. We'll Play till We Die revisits the groundbreaking stories he originally explored, sharing what has happened to these musicians, their music, their politics, and their societies since then. The book covers a stunning array of developments, not just in metal and hip hop scenes, but with emo in Baghdad, mahraganat in Egypt, techno in Beirut, and more. LeVine also reveals how artists have used global platforms like YouTube and SoundCloud to achieve unprecedented circulation of their music outside corporate or government control. The first collective ethnography and biography of the post-2010 generation, We'll Play till We Die explains and amplifies the radical possibilities of music as a revolutionary force for change.

Journeys across a Decade of Revolutionary Music in the Muslim World

We'll Play till We Die

Martin Stokes

Karin van Nieuwkerk

Popular culture serves as a fresh and revealing window on contemporary developments in the Muslim world because it is a site where many important and controversial issues are explored and debated. Aesthetic expression has become intertwined with politics and religion due to the uprisings of the “Arab Spring,” while, at the same time, Islamist authorities are showing increasingly accommodating and populist attitudes toward popular culture. Not simply a “westernizing” or “secularizing” force, as some have asserted, popular culture now plays a growing role in defining what it means to be Muslim. With well-structured chapters that explain key concepts clearly, Islam and Popular Culture addresses new trends and developments that merge popular arts and Islam. Its eighteen case studies by eminent scholars cover a wide range of topics, such as lifestyle, dress, revolutionary street theater, graffiti, popular music, poetry, television drama, visual culture, and dance throughout the Muslim world from Indonesia, Africa, and the Middle East to Europe. The first comprehensive overview of this important subject, Islam and Popular Culture offers essential new ways of understanding the diverse religious discourses and pious ethics expressed in popular art productions, the cultural politics of states and movements, and the global flows of popular culture in the Muslim world.

Islam and Popular Culture

Le metal, c’était vraiment le son qui correspondait parfaitement à l’agressivité qu’on ressentait en vivant dans une dictature. Et c’est ce qui nous a permis de faire sortir sainement notre colère (Sajid, Pakistan). Le metal est dans notre sang. C’est pas un divertissement, c’est notre souffrance, et aussi un antidote à l’hypocrisie de la religion qui est injectée en chacun de nous dès notre naissance (Tarantist, Iran). Quand on est palestinien, pakistanais ou même marocain et qu’on a le malheur d’être fan de metal, on comprend très vite que ce n’est pas que de la musique. Non. On comprend qu’on doit engager toute sa vie. Et c’est ce qui renforce paradoxalement le degré d’attachement. Ceux qui auront été emprisonnés pour cela en témoignent dans cette enquête du professeur à l’Université de Californie et docteur en études islamiques, Mark LeVine. Il a réalisé vingt voyages et parcouru seize pays pour en rapporter ce livre fondamental. En tant que guitariste semi-pro, il a pu aussi partager la scène et enregistrer avec les musiciens qu’il interviewait (Orphaned Land, Khalas, Junoon, les filles de Mystik Moods…). Il a rencontré aussi des activistes et des islamistes. Il revient en détail sur les affaires amalgamant metal et satanisme en 1997 en Egypte et au Liban, et en 2003 au Maroc qui virent plusieurs métalleux condamnés et torturés sur de fausses accusations. Plus je voyageais, plus je rencontrais de musiciens et plus je saisissais à quel point on pouvait améliorer notre compréhension de l’Islam en apprenant à connaître ces artistes censés être marginaux. Je connais tous vos artistes et vos icônes : Hendrix, Coltrane, Scott Fitzgerald. Je connais aussi ma culture : Oum Kalthoum, Farid al-Atrache et Adonis. Mais combien d’Américains [ou d’Occidentaux] voudraient ne serait-ce que connaître ma culture, sans parler d’y consacrer du temps ? (Oday Rasheed). Ce livre est justement une façon d’y remédier.

LE METAL DANS LES PAYS MUSULMANS Cette jeunesse qui a contribué au Printemps arabe

CAMION BLANC

This updated reissue of Mark LeVine’s acclaimed, revolutionary book on sub- and countercultural music in the Middle East brings this groundbreaking portrait of the region’s youth cultures to a new generation. Featuring a new preface by the author in conversation with the band The Kominas about the problematic connections between extreme music and Islam. An eighteen-year-old Moroccan who loves Black Sabbath. A twenty-two-year-old rapper from the Gaza Strip. A young Lebanese singer who quotes Bob Marley’s “Redemption Song.” Heavy metal, punk, hip-hop, and reggae are each the music of protest, and are considered immoral by many in the Muslim world. As the young people and subcultures featured in Mark LeVine’s Heavy Metal Islam so presciently predicted, this music turned out to be the soundtrack of countercultures, uprisings, and even revolutions from Morocco to Pakistan. In Heavy Metal Islam, originally published in 2008, Mark LeVine explores the influence of Western music on the Middle East and North Africa through interviews with musicians and fans, introducing us to young people struggling to reconcile their religion with a passion for music and a thirst for change. The result is a revealing tour de force of contemporary cultures across the Muslim majority world through the region’s evolving music scenes that only a musician, scholar, and activist with LeVine’s unique breadth of experience could narrate. A New York Times Editor’s Pick when it was first published, Heavy Metal Islam is a surprising, wildly entertaining foray into a historically authoritarian region where music reveals itself to be a true democratizing force—and a groundbreaking work of scholarship that pioneered new forms of research in the region.

Sune Haugbolle

Building on Timothy Mitchell's seminal 1991 exploration of the "Limits of the State," this book brings together contributions on the state in the Arab world from the past and present in an edited volume. Altered States views the state less as a matter of people and institutions and more as sets of practices, regimes of truth, and capabilities of power, and the effects they have on those under their control. Through analysing case studies - including Tunisia, Syria, Lebanon, Egypt, Palestine, UAE, Rojova, and the Islamic State - the concept of the state is applied and questioned. This book examines the roots of policies that led to the uprisings, focusing on how the "authoritarian bargain", which helped define Arab politics, broke down with the rise of neoliberalism. It also assesses how boundaries between state and society have been redrawn, as various dynamics have brought state forces into more open conflict with citizens and each other. The rapid pace of change in the Arab world has necessitated constant modification of themes and theoretical lens of analysis. This book will, therefore, be of interest to practitioners, graduate students and academics of the Arab world, statehood, and political science.

The Remaking of the Political in the Arab World

Altered States

Gershon Shafir

"This wonderful volume illuminates the human dimensions of the complex and often painful history of modern Palestine/Israel by vividly relating the life stories of a variety of individuals and exploring how their experiences have been profoundly shaped by the recurrent struggles over this land. It highlights the importance of human agency in shaping history, but also the impact of historical events and processes on individuals’ life choices. This book is not only a valuable resource for teaching but is also of great value to anyone interested in the Israeli-Palestinian conflict, and in the perspectives and destinies of those who have lived in its shadows."—Zachary Lockman, New York University. "This book is a welcome and essential addition to the extensive literature on the conflict in Israel/Palestine that tends to overlook the individual and their personal experiences. It is through these personal stories that one best appreciates the complex realities of this land. Each of the powerful narratives chosen by the contributors to this valuable volume is like a microcosmos that teaches us about the diverse realities in Israel and Palestine as a whole. This is a refreshing and original contribution to a field of inquiry that is craving for such a novel approach."—Ilan Pappé, author of The Rise and Fall of a Palestinian Dynasty

Struggle and Survival in Palestine/Israel

This landmark book offers a truly integrated perspective for understanding the formation of Jewish and Palestinian Arab identities and relations in Palestine before 1948. Beginning with the late Ottoman period Mark LeVine explores the evolving history and geography of two cities: Jaffa, one of the oldest ports in the world, and Tel Aviv, which was born alongside Jaffa and by 1948 had annexed it as well as its surrounding Arab villages. Drawing from a wealth of untapped primary sources, including Ottoman records, Jaffa Shari'a court documents, town planning records, oral histories, and numerous Zionist and European archival sources, LeVine challenges nationalist historiographies of Jaffa and Tel Aviv, revealing the manifold interactions of the Jewish and Palestinian Arab communities that lived there. At the center of the book is a discussion of how Tel Aviv's self-definition as the epitome of modernity affected its and Jaffa's development and Jaffa's own modern pretenses as well. As he unravels this dynamic, LeVine provides new insights into how popular cultures and public spheres evolved in this intersection of colonial, modern, and urban space. He concludes with a provocative discussion of how these discourses affected the development of today's unified city of Tel Aviv–Yafo and, through it, Israeli and Palestinian identities within in and outside historical Palestine.

Jaffa, Tel Aviv, and the Struggle for Palestine, 1880-1948

Overthrowing Geography

In his iconic musical travelogue Heavy Metal Islam, Mark LeVine first brought the views and experiences of a still-young generation to the world. In We'll Play till We Die, he joins with this generation's leading voices to write a definitive history of the era, closing with a cowritten epilogue that explores the meanings and futures of youth music from North Africa to Southeast Asia. We'll Play till We Die dives into the revolutionary music cultures of the Middle East and larger Muslim world before, during, and beyond the waves of resistance that shook the region from Morocco to Pakistan. This sequel to Mark LeVine's celebrated Heavy Metal Islam shows how some of the world's most extreme music not only helped inspire and define region-wide protests, but also exemplifies the beauty and diversity of youth cultures throughout the Muslim world. Two years after Heavy Metal Islam was published in 2008, uprisings and revolutions spread like wildfire. The young people organizing and protesting on the streets--in dozens of cities from Casablanca to Karachi--included the very musicians and fans LeVine spotlighted in that book. We'll Play till We Die revisits the groundbreaking stories he originally explored, sharing what has happened to these musicians, their music, their politics, and their societies since then. The book covers a stunning array of developments, not just in metal and hip hop scenes, but with emo in Baghdad, mahraganat in Egypt, techno in Beirut, and more. LeVine also reveals how artists have used global platforms like YouTube and SoundCloud to achieve unprecedented circulation of their music outside corporate or government control. The first collective ethnography and biography of the post-2010 generation, We'll Play till We Die explains and amplifies the radical possibilities of music as a revolutionary force for change.

Journeys Across a Decade of Revolutionary Music in the Muslim World

We'll Play Till We Die

Popular culture serves as a fresh and revealing window on contemporary developments in the Muslim world because it is a site where many important and controversial issues are explored and debated. Aesthetic expression has become intertwined with politics and religion due to the uprisings of the "Arab Spring," while, at the same time, Islamist authorities are showing increasingly accommodating and populist attitudes toward popular culture. Not simply a "westernizing" or "secularizing" force, as some have asserted, popular culture now plays a growing role in defining what it means to be Muslim. With well-structured chapters that explain key concepts clearly, Islam and Popular Culture addresses new trends and developments that merge popular arts and Islam. Its eighteen case studies by eminent scholars cover a wide range of topics, such as lifestyle, dress, revolutionary street theater, graffiti, popular music, poetry, television drama, visual culture, and dance throughout the Muslim world from Indonesia, Africa, and the Middle East to Europe. The first comprehensive overview of this important subject, Islam and Popular Culture offers essential new ways of understanding the diverse religious discourses and pious ethics expressed in popular art productions, the cultural politics of states and movements, and the global flows of popular culture in the Muslim world.

Too often, the study of Israel/Palestine has focused on elite actors and major events. Struggle and Survival in Palestine/Israel takes advantage of new sources about everyday life and the texture of changes on the ground to put more than two dozen human faces on the past and present of the region. With contributions from a leading cast of scholars across disciplines, the stories here are drawn from a variety of sources, from stories passed down through generations to family archives, interviews, and published memoirs. As these personal narratives are transformed into social biographies, they explore how the protagonists were embedded in but also empowered by their social and historical contexts. This wide-ranging and accessible volume brings a human dimension to a conflict-ridden history, emphasizing human agency, introducing marginal voices alongside more well-known ones, defying "typical" definitions of Israelis and Palestinians, and, ultimately, redefining how we understand both "struggle" and "survival" in a troubled region.

Is the Muslim world really a seething mass of anti-Western hatred, or is the true situation more complicated than that? In this important and ambitious new work, Mark Levine presents a vivid and compelling picture of the human face behind the veil of the ‘Axis of Evil’ and sets out an alternative roadmap for better relations between the West and the Muslim world. Going beyond the stereotypes and below the media radar, this book explains why, contrary to the popular perception, ‘they’ don’t hate ‘us’ – or at least, not yet.

Mark LeVine

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