Mark Payne

The president of innovation consultancy firm Fahrenheit 212 describes the company's methodology for combining "magic" with money to bring to market unique products and ideas that will transform a company's business and growth.

How the World's Hottest Innovation Factory Builds Bold Ideas That Make It to Market

How to Kill a Unicorn

On Postapocalyptic Fiction

Flowers of Time

How can literary imagination help us engage with the lives of other animals? The question represents one of the liveliest areas of inquiry in the humanities, and Mark Payne seeks to answer it by exploring the relationship between human beings and other animals in writings from antiquity to the present. Ranging from ancient Greek poets to modernists like Ezra Pound and William Carlos Williams, Payne considers how writers have used verse to communicate the experience of animal suffering, created analogies between human and animal societies, and imagined the kind of knowledge that would be possible if human beings could see themselves as animals see them. The Animal Part also makes substantial contributions to the emerging discourse of the posthumanities. Payne offers detailed accounts of the tenuousness of the idea of the human in ancient literature and philosophy and then goes on to argue that close reading must remain a central practice of literary study if posthumanism is to articulate its own prehistory. For it is only through fine-grained literary interpretation that we can recover the poetic thinking about animals that has always existed alongside philosophical constructions of the human. In sum, The Animal Part marks a breakthrough in animal studies and offers a significant contribution to comparative poetics.

Human and Other Animals in the Poetic Imagination

The Animal Part

Make the Numbers, Don't Chase the Numbers

"For all of its current popularity, contemporary apocalyptic fiction-novels set during or after events that devastate the world as we know it-is part of a long tradition that includes the Biblical story of Noah, the epic of Gilgamesh, and the Works and Days of the ancient Greek poet Hesiod, as well as the vast array of modern examples. In this short, essayistic book, the author focuses on twentieth- and twenty-first-century fiction in which new forms of life emerge from catastrophe, how the survivors adapt to the altered conditions of existence, and the various ways in which the past asserts its claims on them-both the immediate past of the world that was lost, and the deep past of prehistory and imagination that returns with this loss. In Payne's view, "post-apocalyptic fiction is political theory in fictional form. Instead of producing arguments in favor of a particular form of life, it shows what it would be like to live that life." In a world in which there is no more capitalism and no more nation state, characters have to relearn basic survival skills and return to earlier forms of social life. They acquire new capabilities, which bring new satisfactions they could not have anticipated in the world that is gone. In the post-apocalyptic world, they disentangle themselves from old ways of thinking and their misconceptions of human happiness. In this way, Payne argues, post-apocalyptic fiction is the pastoral of our time. The individualism and small-scale social relations of post-apocalyptic fiction are not naïve, but instead the necessary ground for choosing the freedoms and capabilities readers would want to see preserved in any future collective that might emerge from them"--

Mark Payne

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