Donald Mackenzie

Mark Stern

William Henry Mason

William F. Ballhaus (Jr.)

Juanita Frick

This appendix volume contains the program listing and flowchart for the program described in Volume I and Volume II. The program is a numerical method that predicts the detailed pressure distribution on wing-body combinations at transonic Mach numbers less than one and integrates the pressures to obtain aircraft force and moment data. The code has been developed with the intent of providing the user with an easy to use and reliable tool. The basic inviscid prediction method is the modified transonic small disturbance theory program. In order to provide accurate surface pressure predictions on the wing, several additional features of the typical transonic flowfield have been incorporated. These consist of the viscous displacement effect, local strong viscous interaction at the shock wave foot and at the trailing edge (including an approximate treatment of local shallow separations), and finally, the interaction effect of the fuselage.

Program unser's manual and code description. Computer code listing and flowchart. Volume II. Appendix A

An Automated Procedure for Computing the Three-dimensional Transonic Flow Over Wing-body Combinations, Including Viscous Effects

Woman in Chains, Etc

Robert B. Marchesani

Face stage fright and self-doubt with new courage! The experience of awe has rarely been considered by psychologists, but this extraordinary book makes up for that neglect. Frightful Stages explores all the shades of that strange emotion from reverence to terror. At its heart, awe is the condition of human suffering in situations that require you to act in all the senses of that deceptively simple word, whether on stage or off, whether in the presence of many or alone. Frightful Stages provides a multifaceted view of the semiotics of awe. It deals with its manifestations in film, on stage, in poetry, in ordinary lives as well as in the more extraordinary ones, including Bessie Smith, Carl Van Vechten, Barbra Streisand, Federico Fellini, Thomas Merton, and John Ashbery. This unprecedented book delineates the experience of awe in moments of stage fright, performance anxiety, and everyday interpersonal relations. Frightful Stages takes place on and off stage, before the curtain and behind, in the audience and on the screen. It explores the mysterious experience of awe in a multitude of contexts, including: Thomas Merton's psychoanalytic showdown with Gregory Zilboorg the chronic tensions between Apollonian reason and Dionysian instinct in myth, psychoanalysis, creation, and performance the ill-fated encounter between the greatest of all blues singers and a brilliant, self-loathing literary critic the moment of awe in experiential psychotherapy as seen by both the analyst and client the differences and similarities between stage fright and social phobia the intricate interrelationships between pernicious envy, emotional awkwardness, and fear a personal diary chronicling one man's crisis of panic, anguish, and self-doubt the complexities of feeling, offering, and accepting reverence in the psychotherapeutic relationship Frightful Stages gives clinicians and lay readers a variety of approaches from the analytic to the unanalytic, from the psychodynamic to the humanistic. It will appeal to a diverse audience, including therapists, clients, social theorists, cultural anthropologists, performers, and writers. Additionally, this book is intended to help artists deal with creative blocks, therapists cope with their own terrors, and all helping professionals understand bizarre phenomena.

From the Primitive to the Therapeutic

Frightful Stages

Mark Stern

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