Mark Steven

A Literary History

Class War

American Poetry and the Spirit of Communism

Red Modernism

Splatter Capital shows how a popular sub-genre of cinematic horror has developed a uniquely sensitive perspective on the cycles of capitalism. It argues that the emphatically messy brand of horror mobilised in gore or "splatter" films is extremely responsive to the internal contradictions that threaten the future sustainability of capitalist accumulation. And, while responding to the prospect of that end, splatter promotes an extant truth: capitalist accumulation is and always has been a nightmare of systematised bloodshed. This book provides an account of that nightmare as told through a combination of economic history and filmic analysis. The story it tells will serve as a source of both theoretical and practical knowledge for surviving the horror movie we collectively inhabit.

A guide for surviving the horror movie we collectively inhabit

Splatter Capital

Julian Murphet

Styles of Extinction: Cormac McCarthy's The Road brings together several leading literary scholars, one major philosopher, as well as a handful of emerging critical voices, all of whom deploy their own specialist methods in order to think through this bestselling, Zeitgeist-defining event of contemporary literature. There are two dominant modes of analysis gathered here: the first, performed by Julian Murphet, Paul Sheehan, and Mark Steven, is to locate the novel within its political, spiritual, and economic climates; the second, whose exponents include Paul Patton, Sean Pryor, Chris Danta, and Grace Hellyer, deals with the formal dimensions of McCarthy's characteristically brilliant prose in relation to its sparse narrative. By coupling historically sensitive analysis with incisive formal criticism, the contributors not only account for the matchless form of this exemplary novel; they also suggest that The Road has something unique to disclose about the world we inhabit.

Styles of Extinction: Cormac McCarthy's The Road

A TRUE KISS & TELL BOOK WHO WOULD HAVE BELIEVED A MIDDLE-AGED,OVERWEIGHT, COLOR BLIND,TRIFOCAL WEARING, 5 3 MAN WITH FLAT FEET COULD BE A CASANOVA? MY RULEBOOK FOR INTERNET DATING (AS SEEN THROUGH THE MIDDLE-AGED EYES OF A COMPUTER ILLITERATE BOZO!) IS A COLLECTION OF TRUE, YES, IT REALLY HAPPENED! PERSONAL ONLINE DATING EXPERIENCES. GUARANTEED TO MAKE YOU LAUGH ALOUD AND PASS THIS BOOK ONTO FAMILY AND FRIENDS. ENJOY THE ESCAPADES OF SOMEONE NOT FUNCTIONALLY COMPETENT TO UPLOAD A PICTURE FROM HIS WALLET TO HIS COMPUTER DATING PROFILE. YOU WILL CHUCKLE AT THE TOUNGUE -IN-CHEEK RULES SERVING AS CHAPTER TITLES: SCRATCH YOUR HEAD: THEN THINK, HMM, THAT RULE MAKES SENSE.

My Rulebook For Internet Dating

A concentrated study of the relationships between modernism and transformative left utopianism, this volume provides an introduction to Marx and Marxism for modernists, and an introduction to modernism for Marxists. Its guiding hypothesis is that Marx's writing absorbed the lessons of artistic and cultural modernity as much as his legacy concretely shaped modernism across multiple media.

Understanding Marx, Understanding Modernism

Large Cats notebook with 120 blank pages (front and back) for notes, sketches, musings, and more Archival-quality pages made from acid-free paper

Cats Journal: Cats Journal (Diary, Notebook)

A TRUE KISS & TELL BOOK WHO WOULD HAVE BELIEVED A MIDDLE-AGED,OVERWEIGHT, COLOR BLIND,TRIFOCAL WEARING, 5’3” MAN WITH FLAT FEET COULD BE A CASANOVA? “MY RULEBOOK FOR INTERNET DATING” (AS SEEN THROUGH THE MIDDLE-AGED EYES OF A COMPUTER ILLITERATE BOZO!) IS A COLLECTION OF TRUE,“YES, IT REALLY HAPPENED!” PERSONAL ONLINE DATING EXPERIENCES. GUARANTEED TO MAKE YOU LAUGH ALOUD AND PASS THIS BOOK ONTO FAMILY AND FRIENDS. ENJOY THE ESCAPADES OF SOMEONE NOT FUNCTIONALLY COMPETENT TO UPLOAD A PICTURE FROM HIS WALLET TO HIS COMPUTER DATING PROFILE. YOU WILL CHUCKLE AT THE “TOUNGUE -IN-CHEEK” RULES SERVING AS CHAPTER TITLES: SCRATCH YOUR HEAD: THEN THINK, “HMM, THAT RULE MAKES SENSE.”

Alec Marsh

Alex Niven

Peter Nicholls

Richard Parker

Alexander Howard

Roxana Preda

Michael Kindellan

Alex Pestell

Mark Byron

James Dowthwaite

Archie Henderson

Sean Pryor

Miranda Hickman

Kristin Grogan

GLOSSATOR 10 (2018) Astern in the Dinghy: Commentaries on Ezra’s Pound’s Thrones de los Cantares 96-109 Edited by Alexander Howard You in the dinghy (piccioletta) astern there! (CIX/788) Mr. Pound Goes to Washington Alexander Howard (University of Sydney) Some Contexts for Canto XCVI Richard Parker (University of Surrey) Gold and/or Humaneness: Pound’s Vision of Civilization in Canto XCVII Roxana Preda (University of Edinburgh) Hilarious Commentary: Ezra Pound’s Canto XCVIII Peter Nicholls (New York University) “Tinkle, tinkle, two tongues”: Sound, Sign, Canto XCIX Michael Kindellan (University of Sheffield) “In the intellect possible”: Revisionism and Aesopian Language in Canto C Alex Pestell (Independent Scholar) Deep Rustication in Canto CI Mark Byron (University of Sydney) Shipwrecks and Mountaintops: Notes on Canto CII Mark Steven (University of Exeter) Revised Intentions: James Buchanan and the Antebellum White House in Canto CIII James Dowthwaite (University of Göttingen) Exploring Permanent Values: Canto CIV Archie Henderson (Independent Scholar) Canto CV: A Divagation? Alec Marsh (Muhlenberg College) So Slow: Canto CVI Sean Pryor (University of New South Wales) ‘The clearest mind ever in England’: Pound’s Late Paradisal in Canto CVII Miranda Hickman (McGill University) Three Ways of Looking at a Canto: Navigating Canto CVIII Kristin Grogan (Exeter College, University of Oxford) ‘To the king onely to put value’: Monarchy and Commons in Pound’s Canto CIX Alex Niven (University of Newcastle)

Glossator 10: Thrones

Astern in the Dinghy: Commentaries on Ezra’s Pound’s Thrones de los Cantares XCVI—CIX

This collection shows how Cormac McCarthy's The Road reacts aesthetically to many of the ethical, ontological, and political concerns that define our times.

Mark Steven

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