Marleen S. Barr

Oy Pioneer follows feminist Jewish wit and professor Sondra Lear as she makes her inimitable way through the world of learning. As if Mel Brooks and Erica Jong had joined forces to recreate Sex in the City for the intellectual set, this novel mixes feminist and Jewish humour with satire.

A Novel

Oy Pioneer!

Afro-Future Females: Black Writers Chart Science Fiction's Newest New-Wave Trajectory, edited by Marleen S. Barr, is the first combined science fiction critical anthology and short story collection to focus upon black women via written and visual texts. The volume creates a dialogue with existing theories of Afro-Futurism in order to generate fresh ideas about how to apply race to science fiction studies in terms of gender. The contributors, including Hortense Spillers, Samuel R. Delany, Octavia E. Butler, and Steven Barnes, formulate a woman-centered Afro-Futurism by repositioning previously excluded fiction to redefine science fiction as a broader fantastic endeavor. They articulate a platform for scholars to mount a vigorous argument in favor of redefining science fiction to encompass varieties of fantastic writing and, therefore, to include a range of black women's writing that would otherwise be excluded. Afro-Future Females builds upon Barr's previous work in black science fiction and fills a gap in the literature. It is the first critical anthology to address the "blackness" of outer space fiction in terms of feminism, emphasizing that it is necessary to revise the very nature of a genre that has been constructed in such a way as to exclude its new black participants. Black science fiction writers alter genre conventions to change how we read and define science fiction itself. The work's main point: black science fiction is the most exciting literature of the nascent twenty-first century.

Black Writers Chart Science Fiction's Newest New-wave Trajectory

Afro-future Females

Archaeologists and anthropologists discover other civilizations; science fiction writers invent them. In this collection of her major essays, Marleen Barr argues that feminist science fiction writers contribute to postmodern literary canons with radical a

Probing Feminist Science Fiction and Beyond

Lost in Space

Richard Feldstein

Feminism/textual Intervention/psychoanalysis

Discontented Discourses

Feminist science fiction pioneer Marleen S. Barr, together with a talented crew of the field's established and emerging theorists, reveal new critical insights in Future Females, the Next Generation. This groundbreaking collection includes contributors from across the globe who find effective venues for imagining feminist thought experiments. A multinational perspective runs through this innovative volume, focusing on the latest dynamic trends in feminist science fiction, such as race, gender, cyberfeminism, the media, and new writers in the field.

New Voices and Velocities in Feminist Science Fiction Criticism

Future Females, the Next Generation

“A justification for paying serious attention to science fiction may by now be necessary only for other literary critics and scholars. Still, the question of why a book addressing itself to science fiction has to be faced briefly.” This comment, the opening statement of Darko Suvins' recent book, is of concern to Professor Barr, editor of this volume, since Future Females is addressing itself to women in science fiction. Metaphorically speaking, if the mere mention of the genre causes a ruffling of academic feathers, then, relating to women is analogous to placing all those simply ruffled feathers in front of a wind machine. Everyone will not welcome a volume where science fiction is viewed in terms of women, but Professor Barr felt such a volume is needed. As Roger Schlobin's bibliography indicates, women are certainly contributing continuously to the science fiction field. This collection of essays illuminates some of this fiction.

A Critical Anthology

Future Females

"The surprising and controversial thesis of Feminist Fabulation is unflinching: the postmodern canon has systematically excluded a wide range of important women's writing by dismissing it as genre fiction. Marleen Barr issues an urgent call for a corrective, for the recognition of a new meta- or supergenre of contemporary writing - feminist fabulation - which includes both acclaimed mainstream works and works which today's critics consistently denigrate or ignore. In its investigation of the relationship between women writers and postmodern fiction in terms of outer space and canonical space, Feminist Fabulation is a pioneer vehicle built to explore postmodernism in terms of female literary spaces which have something to do with real-world women." "Branding the postmodern canon as a masculinist utopia and a nowhere for feminists, Barr offers the stunning argument that feminist science fiction is not science fiction at all but is really metafiction about patriarchal fiction. Barr's concern is directed every bit as much toward contemporary feminist critics as it is toward patriarchy. Rather than trying to reclaim lost feminist writers of the past, she suggests, feminist criticism should concentrate on reclaiming the present's lost fabulative feminist writers, writers steeped in nonpatriarchal definitions of reality who can guide us into another order of world altogether." "Barr offers very specific plans for new structures that will benefit women, feminist theory, postmodern theory, and science fiction theory alike. Feminist fabulation calls for a new understanding which enables the canon to accommodate feminist difference and emphasizes that the literature called "feminist SF" is an important site of postmodern feminist difference. Barr forces the reader to rethink the whole country club of postmodernism, not just its membership list - and in so doing provides a discourse of this century worthy of a prominent reading by all scholars, feminists, writers, and literary theorists and critics."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Space/postmodern Fiction

Feminist Fabulation

What do Amsterdam prostitutes, NASA astronauts, cross-dressing texts, and Star Trek characters have in common? In Genre Fission, Marleen Barr wittily and eccentrically revitalizes cultural and literary theory by examining the points where such vastly different categories meet, converge, and reemerge as something new.

A New Discourse Practice for Culture Studies

Genre Fission

Suzy McKee Charnas

What would happen if a feminist Jewish wit and scholar invaded David Lodge’s territory? Marleen S. Barr, herself a pioneer in the feminist criticism of science fiction, provides a giddily entertaining answer in this feisty novel. Oy Pioneer! follows professor Sondra Lear as she makes her inimitable way through a world of learning—at times fantastic, at times all too familiar, often hilarious, and always compulsively interesting. As if Mel Brooks and Erica Jong had joined forces to recreate Sex and the City for the intellectual set, the story is a heady mix of Jewish humor, feminist insight, and academic satire. Lear is a tenured radical and a wildly ambitious intellectual, but is subject nonetheless to the husband-hunting imperatives of her Jewish mother. Her adventures expand narrative parameters according to Barr’s term "genre fission." Mixing elements of science fiction, fantasy, ethnic comedy, satire, and authentic experience of academic life, Oy Pioneer! is uncommonly fun—a Jewish feminist scholar’s imaginative text boldly going where no academic satire has gone before—and bringing readers along for an exhilarating ride.

Marleen S. Barr

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