Martin Flanagan

Aunty Patsy Cameron

Trouwerner is an inviting yarn between Elder Aunty Patsy Cameron, the 28th Tasmanian Governor Kate Warner, and journalist Martin Flanagan. It weaves through the coming-into-being time, Trouwerner’s colonisation and the lies of history, to the power of truth-telling and hope for the future. It is a story of kinship and respect, of realism and optimism, welcoming the reader into the conversation.

“Down the gravel road where Patsy lived as a child is a stretch of tall bush. Like a stage curtain, it hides the vista of Franklin Sound. Walking through that bush with Patsy is like entering a crowded room where you are a stranger and your companion seems to know everyone.”

A Tasmanian Elder's story of ancient wisdom and hope

Trouwerner

Arch Flanagan

Arch Flanagan, 91, is a retired school teacher. In 1943, as a sergeant in the Australian Army, he was forced to labor on the infamous Burma Railway upon which it is said one man died for every sleeper laid. In the 50 years since, Arch has written four separate pieces reflecting on the experience, two short stories, a memoir and an obituary for his commanding officer, Sir Edward "Weary" Dunlop. Martin Flanagan is a poet, writer and a journalist and is the fourth of Arch's six children.

A Man's Experience; a Son's Quest to Understand

The Line

Andrew Livingstone

Mike McKenny

Marvel Studios has provided some of the biggest worldwide cinematic hits of the last eight years, from Iron Man (2008) to the record-breaking The Avengers (2012), and beyond. Having announced plans to extend its production of connected texts in cinema, network and online television until at least 2028, the new aesthetic patterns brought about by Marvel's 'shared' media universe demand analysis and understanding. The Marvel Studios Phenomenon evaluates the studio's identity, as well as its status within the structures of parent Disney. In a new set of readings of key texts such as Captain America: The Winter Soldier, Guardians of the Galaxy and Agents of S.H.I.E.L.D., the thematics of superhero fiction and the role of fandom are considered. The authors identify milestones from Marvel's complex and controversial business history, allowing us to appraise its industrial status: from a comic publisher keen to exploit its intellectual property, to an independent producer, to successful subsidiary of a vast entertainment empire.

Inside a Transmedia Universe

The Marvel Studios Phenomenon

Martin Flanagan, journalist at the Age, has often written of the great Wonders of Australian Sport, his love of the AFL, of the importance of Aboriginal players in the highest echelons of Australian sport. A few years ago he threw himself at the mysterious and distressed figure of Tom Wills - our early Colonial cricket celebrity, who put together the Aboriginal Cricket Team set for Great Britain in 1868 - and helped write the original Code for Australian Rules. A hero for several original clubs - Melbourne, Collingwood and Richmond for example. Yet things fall apart, as things have often done for our sporting stars... So Flanagan went deeper: "I dared myself to actually picture Tom Wills in the various situations I knew him to have been in during his life and backed my fancy. It was like entering a creative delirium. Pictures appeared before me which I wrote down in scenes. If I do the same thing in ten years' time, I may come up with a different story but I doubt that will happen. I doubt the energy that accompanied the writing of this treatment will ever return." And so we have his TOM WILLS PICTURE SHOW, shedding light on a most complex character...

The Tom Wills Picture Show

"The Marvel Studios Phenomenon evaluates the studio's identity, as well as its status within the structures of parent Disney. In a new set of readings of key texts such as Captain America: The Winter Soldier, Guardians of the Galaxy and Agents of S.H.I.E.L.D., the thematics of superhero fiction and the role of fandom are considered. The authors identify milestones from Marvel's complex and controversial business history, allowing us to appraise its industrial status: from a comic publisher keen to exploit its intellectual property, to an independent producer, and latterly, successful subsidiary of a vast entertainment empire. As it drives the process whereby large-scale cinematic practice encounters a converged entertainment age, what kind of organization is Marvel Studios? How does it co-ordinate a transmedia storyworld to the satisfaction of niche fan communities as well as a popular audience?"--

Matthew Richardson

"Matthew Richardson, known as Richo, retired in 2009 as the most popular player in the AFL. Why was that? The careers of other great players like Nathan Buckley and Michael Voss amount to a sort of sporting perfection. Richo's career didn't. He was fallible. His kicking was flawed and he had an inability to hide his feelings on the ground but in other respects he was extraordinarily gifted. He was one of the best marks in the competition and it is said he could have run for Australia. His father, Alan "Bull" Richardson, played in Richmond's 1967 premiership team, a pivotal result in the history of the club. On his mother's side, he is descended from a black American sailor who arrived in Sydney in 1840. The average AFL career lasts three years. Richo's lasted 17 seasons. In that time, the general public got to appreciate his great bravery and his passion for both the game and his club. They also learned that, off the field, he was a humble, polite man who was always last on to the team bus because he was signing autographs. "Richo", the book, is essentially an account of the last two years of his football life with flashbacks that trace the outline of his long career. In the

Richo

'This moving book masterfully gets to the heart of what makes Jane Tewson and Igniting Change such unique, uniting powers. I’ve never met anyone quite like Jane. She is an unassuming force of nature who quietly goes about transforming the world and lighting up lives wherever she goes.' – Sir Richard Branson In the early 1980s, Jane Tewson transformed how charity worked in Britain, giving status to people who had previously been given to. The cream of English comedy gathered around her vision, bringing about Comic Relief, now a British institution; and brilliant, fun ideas like Red Nose Day. In 1999, Jane moved to Australia and started her 'intentionally tiny charity', Igniting Change. In The Art of Pollination, Martin Flanagan tells Jane Tewson's inspirational story as a spark for social change.

The Art of Pollination

A portrait of Michael Long, the man who changed the Australian game. In 1995, Aboriginal footballer Michael Long gave the AFL its ‘Mandela moment’. He quietly revolutionised Australian sport by refusing to let a racial insult pass during the Anzac Day match between Essendon and Collingwood. When the overwhelmingly white football public backed a black man against a white institution (the AFL), the culture of the game flipped and the AFL became a leader in Australian race relations. A decade later, he again impacted on the nation when he set out to walk from Melbourne to Canberra to confront the Howard government over Aboriginal issues. This is a portrait of a shy black kid from Darwin who became one of the most notable figures in the history of Australian sport, of a footballer who tore apart the 1993 grand final within seven minutes of the start, of a man known as a joker who is a serious social and political thinker. It is also the story of a white sportswriter who is taken to his limits, and a long way beyond, seeking to understand a man who can only be understood through his Aboriginality. Funny, incisive and revealing, The Short Long Book is a compelling portrait of a man who could be described as the soul of the game, as seen by Australia's greatest sportswriter.

Martin Flanagan

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