Martin Gibbs

Arthur Graham

A famous philosopher. A giant meat cleaver. A sordid tale of love, revenge, hatred, and interstellar shenanigans, all stirred in a giant copper pot and boiled with leeks. This is the never-before-told bizarro history of the illustrious François-Marie Arouet, known to the world as Voltaire. This is pain! This is suffering! This is wild, sticky-sweat-between-the-sheets action! Inter-dimensional space and time travel, space-brides, desiccated planets, great literature, and Slobodan Milosevic, too.We invite you to the party. Please bring your own soap and Quaaludes.

And Other Improbable Tales

Voltaire's Adventures Before Candide

Our Gibbs Ancestors

Seven Generations

Every winter between 1836 to 1879 small wooden boats left the bays of southwest Western Australia to hunt for migrating Humpback and Right whales.

Historical Archaeology of a Maritime Frontier

The Shore Whalers of Western Australia

Every winter between 1836 to 1879 small wooden boats left the bays of southwest Western Australia to hunt for migrating Humpback and Right whales. In the early years of European settlement these small shore whaling parties and the whale oil they produced were an important part of the colonial economy, yet over time their significance diminished until they virtually vanished from the documentary record. Using archival research and archaeological evidence, The Shore Whalers of Western Australia examines the history and operation of this almost forgotten industry on the remote maritime frontier of the British Empire and the role of the whalers in the history of early contact between Europeans and Aboriginal people. Dr Martin Gibbs is a senior lecturer in the Department of Archaeology of the University of Sydney and the President of the Australasian Society for Historical Archaeology.

Brad Duncan

This book explores the historical and archaeological evidence of the relationships between a coastal community and the shipwrecks that have occurred along the southern Australian shoreline over the last 160 years. It moves beyond a focus on shipwrecks as events and shows the short and long term economic, social and symbolic significance of wrecks and strandings to the people on the shoreline. This volume draws on extensive oral histories, documentary and archaeological research to examine the tensions within the community, negotiating its way between its roles as shipwreck saviours and salvors.

Responses to Shipwreck in a 19th Century Australian Community

Please God Send Me a Wreck

Tamara Kohn

Michael Arnold

James Meese

Bjorn Nansen

Death and Digital Media provides a critical overview of how people mourn, commemorate and interact with the dead through digital media. It maps the historical and shifting landscape of digital death, considering a wide range of social, commercial and institutional responses to technological innovations. The authors examine multiple digital platforms and offer a series of case studies drawn from North America, Europe and Australia. The book delivers fresh insight and analysis from an interdisciplinary perspective, drawing on anthropology, sociology, science and technology studies, human-computer interaction, and media studies. It is key reading for students and scholars in these disciplines, as well as for professionals working in bereavement support capacities.

Death and Digital Media

Luke van Ryn

This book provides a critical overview of the changing ways people mourn, commemorate and interact with the remains of the dead, including bodies, materials and digital artefacts. It focuses on how residues of death persist and circulate through different spaces, materials, data and mediated memories, refiguring how the disposal of the dead is understood, enacted and contested across the globe. The volume contains contributions by scholars from a number of disciplines and includes a diverse range of case studies drawn from Asia, Europe and North America. Together they reveal how rapidly changing practices, industries and experiences around death’s remains involve the entwining of digital technologies with other material and ritualised forms of commemoration, as well as with shifting boundaries between the sacred and the profane, the institutional and the vernacular, the public and the private.

Martin Gibbs

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