Martina Ghosh-Schellhorn

Transcultural Anglophone Studies (TAS) engages with the cultural production of speakers of World English in any part of the former British Empire, and the migrational diasporas resulting thereof. Anglophone texts - in print or other media - have had a tremendous impact despite their relatively `belated' entry to the cultural field. Since TAS forms a vast, heteronomous research area, this Introduction is a first guide for students and researchers. In providing analytical tools for engaging with these exceptional texts, it situates them in the larger context of globalization and neocolonialism.

An Introduction

Transcultural Anglophone Studies

Karen Aydin

Heinrich Schlange-Schöningen

Brettspiele gehören zu den ältesten kulturellen Praktiken. Sie nehmen mit ihrer spezifischen Form unter den Spielen eine besondere Rolle ein. Zugleich gehört das "Anderssein" im Unterschied zum gewöhnlichen Leben auch zu ihren Grundmerkmalen. In Brettspielen werden Realitäten abgebildet, aber auch neu konstruiert. Sechzehn Beiträge untersuchen, wie sich imperiale Herrschaftsformen unterschiedlicher Epochen auf die Spielkulturen auswirken, wie weit Brettspiele die Mentalität einer Gesellschaft befestigen und welche Reflexionen die Literatur zu ihrer gesellschaftlichen Bedeutung bietet.

Kulturhistorische Konnotationen von Brettspielen in transnationalen und imperialen Kontexten

Games of Empires

Roland Marti

Games form an integral part of life and the rules that determine how they are to be played provide us with rich insights into the specific nature of cultures. Comprising theoretical, philosophical, and legal discussions, the contexts of game playing are comprehensively examined in essays which range widely through time and space. In focussing on the topic of game playing this volume of essays - which stems from a Transcultura symposium on the transcultural key-concept of "the rules of the game" - engages in a fresh way with the field of sports as a unique and yet shared cultural phenomenon.

Jouer Selon Les Regles Du Jeu - Playing by the Rules of the Game - Spielen Nach Den Spielregeln

" Generally held to be rigid, borders and categories are nonetheless expanded when those bounded by the demarcations of hegemony, challenge its strictures. Significant instances of this constructive transgression can be found in the women's writing with which this collection of essays by international critics engages. Whereas in travel writing by women (Sarah Hobson, Dervla Murphy, Jan Morris) `transgression' is seen to have settled into a familiar strategy, in autobiography (Ann Fanshawe. Margaret Cavendish, Christine Brooke-Rose), cultural analysis (Virginia Woolf, Marianna Torgovnick, Donna Haraway), and fiction (Michelle Cliff, Jeanette Winterson, Ellen Galford, Fiona Cooper), women have succeeded in creating an innovative space for themselves. "

Writing Women Across Borders and Categories

Vera Alexander

Prominent scholars in literary and cultural studies, anthropology, sociology, linguistics, media studies, theater production, and translation challenge the center-periphery dichotomy used as a paradigm for relations between colonizers and their erstwhile subjects in this collection of critical interventions. Focussing on India and its diaspora(s) in western industrialized nations and former British colonies, this volume engages with topics of centrality and/or peripherality, particularly in the context of Anglophone Indian writing, the Indian languages, Indian film as art and popular culture, cross-cultural Shakespeare, diasporic pedagogy, and transcultural identity. Martina Ghosh-Schellhorn is professor of new English-speaking cultures at the University of Saarland, (Germany).

Martina Ghosh-Schellhorn

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