Martino Stierli

Kenneth Frampton

Mohsen Mostafavi

Kristin Feireiss

Hans-Jürgen Commerell

Zhang Ke

Nondita Correa Mehrotra

Amanda Ju

ZAO/standardarchitecture

Hutong Metabolism

Saskia Sassen

Eduard Kögel

Jun Wang

Remy Sietchiping

Tiantian Xu

In 2014, Xu Tiantian, founder ofBeijing-based studio Design and Architecture (DnA) began to work inSongyang County, in China's Zhejiang Province. Her exemplary holisticplanning concept of Architectural Acupuncture, which has gained thesupport of local administrative and political leadership, aims atrevitalising rural areas and comprises the renovation of productionplants and of tourist and technical infrastructure as well as thecreation of venues for culture and education and of social housing. Eachof Xu's small-scale interventions at local level is unique, only thesmall budget is common to all of them. Moreover, they are allinter-related with each other and in their entirety serve the broadergoal of mutual enhancement. This book introduces Xu's concept ofArchitectural Acupuncture and discusses the influence of architecture oncultural self-understanding and economic renewal in 21st-century ruralChina. It features some 20 new buildings and conversions of existingstructures with diverse functions. Published alongside are essays byinternational economists, sociologists, and curators as well as by thesecretary of the Songyang County Party Committee, examining the social,political, and economic implications of sustainable planning andcollective action in the Chinese province.

Architectural Acupuncture As Driver for Socio-Economic Progress in Rural China. Projects by Xu Tiantian, DnA_Beijing

The Songyang Story

Lars Müller

Cees Nooteboom

Iwan Baan

In 1960, Braslia was celebrated as the realization of an urban-planning vision based on designs by Lucio Costa and Oscar Niemeyer. At the same time, the city of Chandīgarh, rationally laid out in sectors was taking shape according to plans by Le Corbusier. The 'test-tube' city arose as an export of modernity from a Western planning euphoria that reveals utopian traits. Living with Modernity examines how modernism has been expropriated in the two cities. Commonalites and differences are identified while images of everyday urban life are showcased in photographs by photographer Iwan Baan.

Living with Modernity

Brasilia-Chandigarh

Peter Fischli

Hilar Stadler

This work presents a large selection of Venturi, Scott Brown, and Izenour's pictures in large size. The essays complement the pictures and investigate how they used images to contemplate the phenomenon of the modern city and forge the link to the architectural practice of the past decades.

Images from the Archives of Robert Venturi and Denise Scott Brown

Las Vegas Studio

Mechtild Widrich

If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become the focus of a fierce debate: does 'participatory' art and architecture shape social reality, or is it shaped by it? Contemporary critics see in participation only technocratic control, while others embrace it as a viable politics in an era of global capitalism. This innovative book breaks the impasse by looking at how participants themselves exert power, rather than being victimized or liberated from it. From artists hijacking Google Earth to protesters setting up a museum of the revolution in Cairo, art, architecture and daily life are explored in their participatory dimension.

Spaces of Interaction and Occupation

Participation in Art and Architecture

Nadine Barth

Dubai was rapidly transformed by the discovery of oil in the 1950s. The construction of the world's tallest buildings in the desert metropolis was followed by scores of amusement parks, two hundred artificial islands, tourism, and consumption. Photographer Tor Seidel, resisting the outward allure of the city, instead points his lens towards the yawning gaps and emptiness of Dubai, demonstrating the melancholy and uncanny of the city. Seidel does not reveal whether his photos are digitally altered or not, thus presenting to us the blurred line between reality and illusion that is Dubai.

Tor Seidel

If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st Century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become the focus of a fierce debate: does 'participatory' art and architecture shape social reality, or is it shaped by it? Contemporary critics see in participation only technocratic control, while others embrace it as a viable politics in an era of global capitalism. This volume breaks the impasse by looking at how participants themselves exert power, rather than being victimized or liberated from it. From artists hijacking Google Earth to protesters setting up a museum of the revolution in Cairo, art, architecture, and daily life are explored in their participatory dimension.

Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this groundbreaking new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century avant-gardes, and its eventual appropriation in the postmodern period. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe's spatial experiments, and Rem Koolhaas's use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city. Beautifully illustrated, this interdisciplinary book looks at architecture, photography, film, literature, and visual culture, featuring works by artists and architects including Mies, Koolhaas, Paul Citroen, George Grosz, Hannah Höch, El Lissitzky, and Le Corbusier.

Architecture, Modernity, and the Representation of Space

Montage and the Metropolis

Stanislaus Von Moos

At the peak of the 1968/69 students? riots at American Universities, Robert Venturi and Denise Scott Brown, together with Steven Izenour, pursued their Design and Research Studio on the topic of Las Vegas at Yale School of Architecture. The results of this were condensed into the book Learning from Las Vegas that became a classic almost instantly upon its first publication in 1972. The treatise excited the 1970s architecture world and has remained influential to architects, teachers and theoreticians to the present day.0Some forty years later, 'Eyes that Saw: Architecture after Las Vegas' offers a richly illustrated collection of essays by renowned scholars of art and architectural history, eminent architects, and artists, investigating Learning from Las Vegas and its heritage from various perspectives.

Architecture After Las Vegas

Eyes That Saw

An illustrated reevaluation of the seminal architectural manifesto Learning from Las Vegas. It explores the significance of this controversial publication by situating it in the artistic, architectural, and urbanist discourse of the 1960s and '70s, and by evaluating the book's enduring influence of visual studies and architectural research.

The City in Theory, Photography, and Film

Las Vegas in the Rearview Mirror

Since it was first published in 1972, Learning from Las Vegas has become a classic in the theory of architecture and one of the most influential architecture texts of the twentieth century. The treatise by Robert Venturi (*1925), Denise Scott Brown (*1931), and Steven Izenour (1940–2001) enjoys a reputation as a signal work of postmodernism in architecture and urban planning. Yet none of the book's editions have ever featured high-quality color images of the field research the authors conducted to illustrate their argument. Las Vegas Studio, originally published in 2008, was the first book ever to present these significant photographs in large color reproductions. Now available again in a new paperback edition, this unique book features 102 of these iconic images and film stills, alongside essays by Swiss scholars Stanislaus von Moos Martino Stierli that explore how the pictures contemplate the phenomenon of the modern city. Also included is a discussion by curator and critic Hans Ulrich Obrist with Dutch architect Rem Koolhaas and Swiss artist Peter Fischli that speaks to the strong and lasting influence these images still have on contemporary art and movies. A unique opportunity to experience the full intent and import of the Learning from Las Vegas project,Las Vegas Studio continues to appeal to architects, architectural historians, and scholars alike.

Martino Stierli

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