Natsume Sōseki

Marvin Marcus

Ikuo Tsunematsu

210th Day

Japanese Literature: From Murasaki to Murakami provides a concise introduction to the literature of Japan that traces its origins in the seventh century and explores a literary legacy--and its cultural contexts--marked by the intersection of aristocratic elegance and warrior austerity. Coverage extends to the present day with a focus on the complex twists and turns that mark Japan's literature in the modern period. In under one-hundred pages of narrative, Marcus's account of Japanese literature ranges from the 712 CE publication of Japan's first literary work, the Kojiki, to internationally-famous 21st century authors. Readers get a sense of past and contemporary literary themes and well written vignettes of the men and women who produced works that are an integral part of Japan's literary traditions. Readers are introduced to Japanese literature, but Marcus's linkages to history and culture increase the likelihood that many readers will be inspired to learn more about Japan and its rich history. Marcus's compelling interpretations of significant works of Japanese literature and their historical moments complement carefully selected passages of literary prose, poetry, and images from Japan's long literary and cultural history. This small gem of a book is essential for students, teachers, and general audiences interested in Japan and its long literary traditions.

From Murasaki to Murakami

Japanese Literature

Much has been written about Natsume Soseki (1867–1916), one of Japan’s most celebrated writers. Known primarily for his novels, he also published a large and diverse body of short personal writings (shohin) that have long lived in the shadow of his fictional works. The essays, which appeared in the Asahi shinbun between 1907 and 1915, comprise a fascinating autobiographical mosaic, while capturing the spirit of the Meiji era and the birth of modern Japan. In Reflections in a Glass Door, Marvin Marcus introduces readers to a rich sampling of Soseki’s shohin. The writer revisits his Tokyo childhood, recalling family, friends, and colleagues and musing wistfully on the transformation of his city and its old neighborhoods. He painfully recounts his two years in London, where he immersed himself in literary research even as he struggled with severe depression. A chronic stomach ailment causes Soseki to reflect on his own mortality and what he saw as the spiritual afflictions of modern Japanese: rampant egocentrism and materialism. Throughout he adopts a number of narrative voices and poses: the peevish husband, the harried novelist, the convalescent, the seeker of wisdom. Marcus identifies memory and melancholy as key themes in Soseki’s personal writings and highlights their relevance in his fiction. He balances Soseki’s account of his Tokyo household with that of his wife, Natsume Kyoko, who left a straightforward record of life with her celebrated husband. Soseki crafted a moving and convincing voice in his shohin, which can now be pondered and enjoyed for their penetrating observation and honesty, as well as the fresh perspective they offer on one of Japan’s literary giants.

Memory and Melancholy in the Personal Writings of Natsume Soseki

Reflections in a Glass Door

Outstanding undergraduate text, suitable for non-mathematics majors, introduces fundamentals of linear algebra and theory of convex sets. Includes 150 worked examples and over 1,200 exercises. Answers to selected exercises. Bibliography. 1969 edition.

A Survey of Finite Mathematics

Introduction to Modern Algebra

B. N. Moyls

Roy Westwick

Extremal Properties of Hermitian Matrices II

Computer Application : Final Report

Task Analysis in Dentistry

Robert J. Wheaton

A Selected Bibliography

Plea Bargaining

Finite Dimensional Multilinear Algebra

Paragons of the Ordinary is about a quite extraordinary literary achievement: a series of biographies of obscure scholar-literati written by Mori Ogai, one of Japan's most prominent writers and intellectuals. Deeply concerned about the cultural toll taken by Japan's headlong modernization early in this century, Ogai employed the format of newspaper serialization in presenting meticulously researched accounts of individuals who had come to embody exemplary traits and traditional virtues. His unique project, undertaken over the period 1916-1921, resulted in nine interconnected works, the centerpiece of which is based on the life of Shibue Chusai, an all-but-unknown individual toward whom Ogai developed a deep bond of kinship and reverence, much like the sense of discipleship that Marvin Marcus holds toward Ogai. In exploring Ogai's biographical project, Marcus' aim is to convey a sense of its unique power and authority and to show how this power derives from Ogai's deft use of anecdotal episodes to highlight the exemplary character of his subject. Marcus places Ogai's work in the context of a long tradition of biographical narrative in Japan; at the same time he calls attention to the author's relationship to the contemporary literary scene and its journalistic orientation. Ogai's biographical works stand on their own as the unique artistic achievement of a giant of modern Japanese literature and culture. They also constitute a brilliant critique of a society that had lost touch with its traditional values. Marcus' reading of a literature often considered "inaccessible" or "elitist" will be relevant to the study of Japanese literature and history as well as to the craft of biographical research and of journalistic conventions that influence writers - in Japan as elsewhere.

The Biographical Literature of Mori Ogai

Paragons of the Ordinary

Henryk Minc

Concise, masterly survey of a substantial part of modern matrix theory introduces broad range of ideas involving both matrix theory and matrix inequalities. Also, convexity and matrices, localization of characteristic roots, proofs of classical theorems and results in contemporary research literature, more. Undergraduate-level. 1969 edition. Bibliography.

A Survey of Matrix Theory and Matrix Inequalities

Marvin Marcus

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