Mary Ellen Miller

The Art of Mesoamerica

Mary Miller

Karl Taube

The myths and beliefs of the great pre-Columbian civilizations of Mesoamerica have baffled and fascinated outsiders ever since the Spanish Conquest. Yet, until now, no single-volume introduction has existed to act as a guide to this labyrinthine symbolic world.

Gods and Symbols of Ancient Mexico and the Maya

A Study of Maya Iconography : [catalogue of an Exhibition Held at the Art Museum, May 3-June 29, 1975]

Jaina Figurines

Khristaan Villela

Analyzed by scholars, deployed by Mexican nationalists, beloved by the public, and reproduced in every medium and scale since its rediscovery in 1790, the Aztec Calendar Stone, or Piedra del Sol, has become the most recognizable Pre-Columbian monument. Commissioned by the Mexican emperor Motecuhzoma I in the last decades before the Spanish invasion of the New World and buried by the conquerors not long afterward, the Aztec Calendar Stone has had a far-reaching afterlife in the modern world. The Aztec Calendar Stone includes an extended scholarly introduction and a selection of twenty-one key sources dating from 1581 to the present on this massive and puzzling sculpture--including works by Antonio de Leon y Gama, Alfredo Chavero, Eduard Seler, Hermann Beyer, Carlos Navarrete and Doris Heyden, Cecelia Klein, H. B. Nicholson, Felipe Solis, Eduardo Matos Moctezuma, and others--many published here for the first time in English.

The Aztec Calendar Stone

Morris Allen Grubbs

Jim Wayne Miller (1936–1996) was a prolific writer, a revered teacher and scholar, and a pioneer in the field of Appalachian studies. During his thirty-three-year tenure at Western Kentucky University, he helped build programs in the discipline in Kentucky, Tennessee, and Ohio, and worked tirelessly to promote regional voices by presenting the work of others as often as he did his own. An innovative poet, essayist, and short story writer, Miller was one of the founding fathers and animating spirits of the Appalachian renaissance. In Every Leaf a Mirror, Morris Allen Grubbs and Mary Ellen Miller have gathered essential selections from the beloved author's oeuvre. Highlights from the volume include touchstone poems; seminal articles; a rare autobiographical essay; a commencement address; and an excerpt from the previously unpublished short story "Truth and Fiction." Revealing the scope and significance of Miller's contributions as an artist and cultural scholar, this reader captures the excitement that surrounded the birth of modern Appalachian literature. With commentary by Mary Ellen Miller, an introduction from well-known author Robert Morgan, and an afterword by the notable Silas House, Every Leaf a Mirror provides an unprecedentedly intimate look at Miller's writing. This long overdue collection not only celebrates the life of this revered ambassador of Appalachian literature and culture but also introduces a new generation of readers to his work.

A Jim Wayne Miller Reader

Every Leaf a Mirror

Megan E. O'Neil

Presents a survey of Mayan art and architecture, focusing on the classical period from 100 B.C. to 909 A.D., covering tombs, palaces, temples, and shrines, and including such art forms as ceramics, sculptures, stone reliefs, and paintings.

Maya Art and Architecture

Linda Schele

'The Blood of Kings' makes full use of the tremendous progress made in deciphering the complicated Maya hieroglyphic code, effectively penetrating the world and minds of the creators of Maya art.

Mary Ellen Miller

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