Geeta Dharmarajan

Mary Ellis Gibson

A diverse anthology of short fiction by modern-day Indian women writers introduces fifteen short stories that represent the rich variety of language, culture, traditions, and regions of the Indian subcontinent in works by Varsha Das, Rajee Seth, Mahasweta Devi, Anupama Niranjana, Anita Desi, Rupavati, and others. Original.

Short Stories by Contemporary Indian Women

Separate Journeys

In Epic Reinvented, Mary Ellis Gibson examines Ezra Pound's Cantos to trace connections between his aesthetics and his politics. She treats little-known and unpublished writings, including many early poems. One substantial poem, "In Praise of the Masters," appears here in print for the first time. Discussing Pound's relationship to his Victorian predecessors, particularly Robert Browning and nineteenth-century historians, Gibson demonstrates how Pound's attempt to write a post-Romantic epic both confronted questions of genre and social order and led to the unpredictabilities of his politics. She develops a rhetorical tropology to account for the formal and cultural dimensions of Pound's contradictions. Exploring fin-de-siecle publishing, Gibson investigates how Pound's utopian political vision was rooted in nineteenth-century and fascist ideologies of gender. Violence is implicit in both. For Gibson, the aesthetic Pound and the political Pound, Pound the visionary and Pound the historian, are one.

Ezra Pound and the Victorians

Epic Reinvented

Indian Angles is a new historical approach to Indian English literature. It shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and recreates the historical webs of affiliation and resistance that writers in colonial India--writers of British, Indian, and mixed ethnicities--experienced.

English Verse in Colonial India from Jones to Tagore

Indian Angles

Critical Essays on Robert Browning

Anglophone Poetry in Colonial India, 1780–1913: A Critical Anthology makes accessible for the first time the entire range of poems written in English on the subcontinent from their beginnings in 1780 to the watershed moment in 1913 when Rabindranath Tagore won the Nobel Prize in Literature.Mary Ellis Gibson establishes accurate texts for such well-known poets as Toru Dutt and the early nineteenth-century poet Kasiprasad Ghosh. The anthology brings together poets who were in fact colleagues, competitors, and influences on each other. The historical scope of the anthology, beginning with the famous Orientalist Sir William Jones and the anonymous “Anna Maria” and ending with Indian poets publishing in fin-de-siècle London, will enable teachers and students to understand what brought Kipling early fame and why at the same time Tagore’s Gitanjali became a global phenomenon. Anglophone Poetry in Colonial India, 1780–1913 puts all parties to the poetic conversation back together and makes their work accessible to American audiences.With accurate and reliable texts, detailed notes on vocabulary, historical and cultural references, and biographical introductions to more than thirty poets, this collection significantly reshapes the understanding of English language literary culture in India. It allows scholars to experience the diversity of poetic forms created in this period and to understand the complex religious, cultural, political, and gendered divides that shaped them.

Mary Ellis Gibson

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