Mary Jane Lupton

Janice Delaney

Emily Toth

"In its hard headed, richly documented concreteness, it is worth a thousand polemics." -- New York Times, from a review of the first edition "The Curse deserves a place in every women's studies library collection." -- Sharon Golub, editor of Lifting the curse of Menstruation "A stimulating and useful book, both for the scholarly and the general reader." -- Paula A. Treichler, co-author of A Feminist Dictionary

A Cultural History of Menstruation

The Curse

Menstruation and Psychoanalysis

Through both his fiction and non-fiction writing, James Welch gives voice to the history, heritage, and cultural identity of the American Indian. This companion provides a fascinating exploration of the man, his writing, and the impact and influence of his literary output. With information based on a series of personal interviews conducted for this book, the biographical chapter offers an insightful account of Welch's life as a Blackfoot Indian, and as a poet and novelist. Readers will gain further appreciation for Welch's literary contributions through an exploration of the themes and genres investigated in his writing. Welch and his work—including his work with film—are situated within the Indian literary and cultural heritage. Five subsequent chapters, organized chronologically, focus on full-length fictional works. Clear, accessible critical analyses are given for the novels Winter in the Blood (1974), The Death of Jim Loney (1979), Fools Crow (1986), The Indian Lawyer (1991), and The Heartsong of Charging Elk (2000).

A Critical Companion

James Welch

This book presents the extraordinary life and writings of Maya Angelou. It examines the changing viewpoints in her six autobiographies within the context of women's and African American autobiographies, with specific reference to the slave narrative and to contemporary fiction and film. Maya Angelou: The Iconic Self examines this iconic artist's work as an autobiographer, offering an up-to-date assessment of Angelou's contributions to American literature and to American and international culture. This is the only book to interpret Angelou's autobiographies as unique experiments in the history of black narrative. It attests to Angelou's creativity in transforming the typical single-volume autobiography into a six-volume personal and cultural adventure that tells the truth but reads like fiction. The narratives cover the years from the Great Depression (1941) to the days following the assassinations of Malcolm X (1965) and Martin Luther King (1968), emphasizing Angelou's roles as mother, daughter, granddaughter, wife, and friend. This revised edition also presents information about Maya Angelou's funeral and her continuing legacy since her death in 2014. The depth and scope of the book's observations regarding Angelou's autobiographies will be of great interest to readers seeking an analysis of the interconnections among Angelou's writings as well as serve students taking courses in women's studies or black culture studies.

The Iconic Self

Maya Angelou

Based on personal interviews, this companion offers a fascinating biographical account of an important Native American writer, along with critical perspectives on five of his major works.

Critically examines Angelou's five autobiographical novels, bringing in important comparative figures in African American literature and in autobiography.

A lively and timely biography of an African American poet and children's writer who also served as Chancellor of the Academy of American Poets.

Mary Jane Lupton

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