Tim Kendall

Mary Jo Salter

Margaret Ferguson

This highly anticipated new edition features NEW poets, NEW poems, and innovative digital resources. The Sixth Edition of The Norton Anthology of Poetry is an even better teaching tool for instructors and remains an unmatched value for students.

Sixth Edition

Norton Anthology of Poetry

Jon Stallworthy

Margaret W. Ferguson

Contains representative selections from the works of the major British and American poets, from modernized medieval texts to contemporary verse

The Norton Anthology of Poetry

poems

Nothing by design

Poems deal with myth, the seasons, reading, religion, Emily Dickinson, art, mortality, Chernobyl, time, and communication

Poems

Unfinished Painting

A beautiful new collection from Mary Jo Salter brings us poems of puzzlement and acceptance in the face of life's surprises. "I'm still alive and now I'm in Bratislava," says the speaker of one of Salter's poems, as she travels with her unlikely late-in-life love, a military man. She never expected to be here, to know someone like him, to be parted from her previous life; how did it happen? Time is hurtling, but these poems try to slow it down to examine its curious by-products--the prints of Dürer, an Afghan carpet, photographs of people we've lost. The title poem, a crown of sonnets, takes up key moments in the poet's past, the quirky advent of poetic inspiration, and the seemingly sci-fi future of the universe. Throughout, in a tone of ironic wonderment, placing rich new love poems alongside some inevitable poems of leavetaking, Salter invites the reader to weigh and ponder the way things have turned out--for herself, for all of us--in this new century, and perhaps to conclude, as she does, "That's funny . . . "

The Surveyors

The timeless and timely intersect in poems about our unique historical moment, from the prizewinning poet. In Zoom Rooms, Mary Jo Salter considers the strangeness of our recent existence, together with the enduring constants in our lives. The title poem, a series of sonnet-sized Zoom meetings--a classroom, a memorial service, an encounter with a new baby in the family--finds humor and pathos in our age of social distancing and technology-induced proximity. Salter shows too how imagination collapses time and space: in "Island Diaries," the pragmatist Robinson Crusoe meets on the beach a shipwrecked dreamer from an earlier century, Shakespeare's Prospero. Poems that meditate on objects--a silk blouse, a hot water bottle--address the human need to heal and console. Our paradoxically solitary but communal experiences find expression, too, in poems about art, from a Walker Evans photograph to a gilded Giotto altarpiece. In these beautiful new poems, Salter directs us to moments we may otherwise miss, reminding us that alertness is itself a form of gratitude.

Zoom Rooms

A collection of poems addresses themes ranging from women's relationships and desires, to reflections on fame, responsibility, and loyalty

Sunday Skaters

A collection of poems on such themes as family life, films, travel in France, works of art, and history

A Kiss in Space

Encompassing both original works and selections from her older poetry, a collection by the author of Open Shutters features the title work, which reflects on the technological simplicity and humanistic truths of the past, as well as such poems as "Dead Letters," "Video Blues," and others. Reprint.

New and Selected Poems

A Phone Call to the Future

A beautiful collection of verse––both light and dark, elegiac and affirmative––from one of our most admired poets. The title Nothing by Design is taken from Salter’s villanelle “Complaint for Absolute Divorce,” in which we’re asked to entertain the thought of a no-fault universe. The wary search for peace, personal and public, is a constant theme in poems as varied as “Our Friends the Enemy,” about the Christmas football match between German and British soldiers in 1914; “The Afterlife,” in which Egyptian tomb figurines labor to serve the dead; and “Voice of America,” where Salter returns to the Saint Petersburg of her exiled friend, the late Joseph Brodsky. A section of charming light verse serves as counterpoint to another series entitled “Bed of Letters,” in which Salter addresses the end of a long marriage. Artfully designed, with a highly intentional music, these poems movingly give form to the often unfathomable, yet very real, presence of nothingness and loss in our lives.

Nothing by Design

Poems explore themes such as love, nature, Japanese culture, and the death of John Lennon

Henry Purcell in Japan

Mary Jo Salter’s sparkling new collection, Open Shutters, leads us into a world where things are often not what they seem. In the first poem, “Trompe l’Oeil,” the shadow-casting shutters on Genoese houses are made of paint only, an “open lie.” And yet “Who needs to be correct / more often than once a day? / Who needs real shadow more than play?” Open Shutters also calls to mind the lens of a camera—in the villanelle “School Pictures” or in the stirring sequence “In the Guesthouse,” which, inspired by photographs of a family across three generations, offers at once a social history of America and a love story. Darkness and light interact throughout the book—in poems about September 11; about a dog named Shadow; about a blind centenarian who still pretends to read the paper; about a woman shaken by the death of her therapist. A section of light verse highlights the wit and grace that have long distinguished Salter’s most serious work. Fittingly, the volume fools the eye once more by closing with “An Open Book,” in which a Muslim family praying at a funeral seek consolation in the pages formed by their upturned palms. Open Shutters is the achievement of a remarkable poet, whose concerns and stylistic range continue to grow, encompassing ever larger themes, becoming ever more open.

Open Shutters

Offers representative selections from the works of major British and American poets, from modernized medieval texts to contemporary verse.

The timeless and timely intersect in poems about our unique historical moment, from the prizewinning poet. In Zoom Rooms, Mary Jo Salter considers the strangeness of our recent existence, together with the enduring constants in our lives. The title poem, a series of sonnet-sized Zoom meetings—a classroom, a memorial service, an encounter with a new baby in the family—finds humor and pathos in our age of social distancing and technology-induced proximity. Salter shows too how imagination collapses time and space: in “Island Diaries,” the pragmatist Robinson Crusoe meets on the beach a shipwrecked dreamer from an earlier century, Shakespeare’s Prospero. Poems that meditate on objects—a silk blouse, a hot water bottle—address the human need to heal and console. Our paradoxically solitary but communal experiences find expression, too, in poems about art, from a Walker Evans photograph to a gilded Giotto altarpiece. In these beautiful new poems, Salter directs us to moments we may otherwise miss, reminding us that alertness is itself a form of gratitude.

Mary Jo Salter

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