Maryse Conde

The critically acclaimed, award-winning author of the classic historical novel Segu, Maryse Condé has pieced together the life of her maternal grandmother to create a moving and profound novel. Maryse Condé's personal journey of discovery and revelation becomes ours as we learn of Victoire, her white-skinned mestiza grandmother who worked as a cook for the Walbergs, a family of white Creoles, in the French Antilles. Using her formidable skills as a storyteller, Condé describes her grandmother as having "Australian whiteness for the color of her skin...She jarred with my world of women in Italian straw bonnets and men necktied in three-piece linen suits, all of them a very black shade of black. She appeared to me doubly strange." Victoire was spurred by Condé's desire to learn of her family history, resolving to begin her quest by researching the life of her grandmother. While uncovering the circumstances of Victoire's unique life story, Condé also comes to grips with a haunting question: How could her own mother, a black militant, have been raised in the Walberg's home, a household of whites? Creating a work that takes readers into a time and place populated with unforgettable characters that inspire and amaze, Condé's blending of memoir and imagination, detective work and storytelling artistry, is a literary gem that readers won't soon forget.

My Mother's Mother

Victoire

Richard Philcox

Rendered frightened and penniless by her husband's mysterious violent death, Rosalie reluctantly taps her clairvoyant skills in order to support herself in post-apartheid South Africa, an endeavor during which she pursues answers. By the award-winning author of Who Slashed Celanire's Throat? Reprint. 25,000 first printing.

A Novel

The Story of the Cannibal Woman

This wild and entertaining novel expands on the true story of the West Indian slave Tituba, who was accused of witchcraft in Salem, Massachusetts, arrested in 1692, and forgotten in jail until the general amnesty for witches two years later. Maryse Condé brings Tituba out of historical silence and creates for her a fictional childhood, adolescence, and old age. She turns her into what she calls a sort of female hero, an epic heroine, like the legendary 'Nanny of the maroons, ' who, schooled in the sorcery and magical ritual of obeah, is arrested for healing members of the family that owns her.

Yo, Tituba, La Bruja de Salem

In this beautifully crafted, Rashomon-like novel, Maryse Conde has written a gripping story imbued with all the nuances and traditions of Caribbean culture. Francis Sancher--a handsome outsider, loved by some and reviled by others--is found dead, face down in the mud on a path outside Riviere au Sel, a small village in Guadeloupe. None of the villagers are particularly surprised, since Sancher, a secretive and melancholy man, had often predicted an unnatural death for himself. As the villagers come to pay their respects they each--either in a speech to the mourners, or in an internal monologue--reveal another piece of the mystery behind Sancher's life and death. Like pieces of an elaborate puzzle, their memories interlock to create a rich and intriguing portrait of a man and a community. In the lush and vivid prose for which she has become famous, Conde has constructed a Guadeloupean wake for Francis Sancher. Retaining the full color and vibrance of Conde's homeland, Crossing the Mangrove pays homage to Guadeloupe in both subject and structure.

Crossing the Mangrove

Babakar is a doctor living alone, with only the memories of his childhood in Mali. In his dreams, he receives visits from his blue-eyed mother and his ex-lover Azelia, both now gone, as are the hopes and aspirations he's carried with him since his arrival in Guadeloupe. Until, one day, the child Anais comes into his life, forcing him to abandon his solitude. Anais's Haitian mother died in childbirth, leaving her daughter destitute - now Babakar is all she has, and he wants to offer this little girl a future. Together they fly to Haiti, a beautiful, mysterious island plagued by violence, government corruption, and rebellion. Once there, Babakar and his two friends, the Haitian Movar and the Palestinian Fouad, three different identities looking for a more compassionate world, begin a desperate search for Anais's family.

Waiting for the Waters to Rise

« Une date s’impose. Quand ils eurent cinq ans, Simone leur donna un grand bain, les revêtit de leurs meilleurs habits, deux justaucorps de toile écrue, brodés au point de croix et les emmena se faire photographier au studio Catani. (...) Le portrait d’Ivan et Ivana figure à la page quinze du premier volume sous la rubrique : Les Petits Amoureux. On y voit deux enfants se tenant par la main et souriant à l’objectif. » Ivan et Ivana naissent à Dos d’Ane, une bourgade de la Côte sous le vent en Guadeloupe. Autour d’eux ne se pressent que des femmes : leur mère Simone, leur grand-mère Maeva, des belles-tantes, des belles-cousines et autour le souvenir de leur père musicien qui les a quittés. Mais Ivan aime trop sa sœur et un jour un acte de violence enclenche la marche du destin. La famille quitte les îles pour le Mali. La colère et la dérive d’Ivan vont s’amplifier, la douceur d’Ivana se transformer en poison. Jusqu’au jour du grand affrontement où ils comprendront qu’ils ne sont pas seulement frère et sœur et jumeaux : ils sont les héritiers d’une longue histoire, ils sont le bien et le mal et ils sont capables du plus grand amour comme de la haine la plus farouche. Maryse Condé nous raconte ces deux vies qui n’en sont qu’une : le destin d’Ivan et d’Ivana de Pointe à Pitre à Ségou au Mali, de Ségou à Paris.

Le fabuleux et triste destin d'Ivan et d'Ivana

Cet ouvrage étudie les oeuvres de quelques romancières des Caraïbes de langue française afin de découvrir le regard qu'elles portent sur elles-mêmes, sur leur pays et leur société et d'appréhender les problèmes qu'elles affrontent. La parole des romancières est peut-être de nature à éclairer et à faire comprendre le complexe univers antillais.

Essai sur des romancières des Antilles de langue française

La parole des femmes

For nearly four decades, Maryse Condé, best known for her novels Segu and Windward Heights, has been at the forefront of French Caribbean literature. In this collection of essays and lectures, written over many years and in response to the challenges posed by a changing world, she reflects on the ideas and histories that have moved her. From the use of French as her literary language--despite its colonial history--to the agonies of the Middle Passage, at the horrors of African dictatorship, and the politically induced poverty of the Caribbean to migration under globalization, Condé casts her unflinching eye over the world which is her inheritance, her burden, and her future. Even while paying homage to her intellectual and literary influences--including Frantz Fanon, Leopold Sedar Senghor, and Aimé Césaire--Condé establishes in these pages the singularity of her vision and the reason for the enormous admiration that her writing has garnered from readers and critics alike.

The Journey of a Caribbean Writer

Maryse Condé

The award-winning Caribbean novelist delves into her own past for true tales of family life, first love, racism, and regional culture.

True Stories from My Childhood

Tales from the Heart

Winner of the 2018 New Academy Prize in Literature Prizewinning writer Maryse Condé reimagines Emily Brontë's passionate novel as a tale of obsessive love between the "African" Razyé and Cathy, the mulatto daughter of the man who takes Razyé in and raises him, but whose treatment goads him into rebellious flight. Retaining the emotional power of the original, Condé shows the Caribbean society in the wake of emancipation.

Windward Heights

A fictionalized account of the West Indian slave Tituba, who was accused of witchcraft in Salem, Massachusetts in 1692, and was arrested and jailed for two years

I, Tituba, Black Witch of Salem

An illegitimate child searches for mother and father in this novel of redemption set between Mexico, France, and the United States.

Maryse Conde

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