Mateo Kries

Amelie Klein

Christoph Thun-Hohenstein

"Only a few decades ago the robot was still just a figure of science fiction. Nowadays, however, robots and robotic systems seem to be taking over our lives. Design has a key role to play in this process, for it is designers who shape the interface between humans and machines. Hello, Robot. shows intelligent machines in industry and in the military, in children's rooms and retirement homes, in shopping and sex, in art, computers games and of course films an literature. Detailed essays and interviews examine how we respond to our increasingly digital, smart, and autnonmous environment. They illuminate our - often ambivalent - relationship with these new technologies and broaden our view of the ethical and political questions they raise. With contributions and works by Douglas Coupland, Dunne & Raby, Gesche Joost, robotlob, Bruce sterling, and many others."--Page 4 de la couverture.

Design Between Human and Machine

Hello, Robot

Jochen Eisenbrand

In 2019, the Vitra Design Museum will publish the Atlas of Furniture Design, the definitive, encyclopedic overview of the history of modern furniture design. Featuring over 1700 objects by more than 500 designers and 121 manufacturers, it includes approximately 2800 images ranging from detailed object photographs to historical images documenting interiors, patents, brochures, and related works of art and architecture. The basis for the Atlas of Furniture Design is the collection held by the Vitra Design Museum, one of the largest of its kind with more than 7000 works. The book presents selected pieces by the most important designers of the last 230 years and documents key periods in design history, including early nineteenth-century industrial furniture in bentwood and metal, Art Nouveau and Secessionist pieces and works by protagonists of classical modernism and postwar design, as well as postmodern and contemporary pieces. The Atlas of Furniture Design employed a team of more than 70 experts and features over 550 detailed texts about key objects. In-depth essays provide sociocultural and design-historical context to four historical epochs of furniture design and the pieces highlighted here, enriched by a detailed annex containing designer biographies, glossaries, and elaborate information graphics. The Atlas of Furniture Design is an indispensable resource for collectors, scholars and experts, as well as a beautifully designed object that speaks to design enthusiasts.

Atlas of Furniture Design

Catharine Rossi

Katarina Serulus

A history of the nightclub from Studio 54 to the Double Club Nightclubs and discothèques are hotbeds of contemporary culture. Throughout the 20th century, they have been centres of the avant-garde that question the established codes of social life and experiment with different realities, merging interior and furniture design, graphics and art with sound, light, fashion and special effects to create a modern Gesamtkunstwerk. Night Fever: A Design History of Club Culture examines the history of the nightclub, with examples ranging from Italian nightclubs of the 1960s that were created by members of the Radical Design group to the legendary Studio 54 in New York, Philippe Starck's Les Bains Douches in Paris and the more recent Double Club in London, conceived by German artist Carsten Höller for the Prada Foundation. Featuring films and vintage photographs, posters and fashion, Night Fever takes the reader on a fascinating journey through a world of glamour, subculture and the search for the night that never ends.

A Design History of Club Culture

Night Fever

Le Corbusier

Stanislaus von Moos

Arthur Rüegg

Alexander von Vegesack

Le Corbusier is regarded as the most influential architect of the twentieth century. This publication presents an overview of the Le Corbusier;s work not only as an architect but as a designer of comprehensive ideas offeringinsight into his firniture, interior design and art as a catalyst for the creative developments of his time.

The Art of Architecture

Over the past decade, Africa has experienced a tremendous political, economic and technological transformation. Spearheading this shift is a new generation of entrepreneurs and doers who have opened up a fresh view of this vast and diverse continent, using the Internet to make themselves visible. Developed in collaboration with renowned curator Okwui Enwezor, "Making Africa: A Continent of Contemporary Design" embraces this new perspective, seeking to reveal the continent as a thinktank and investigating the intriguing possibility of a new understanding of design. It focuses on a generation of African designers, architects and artists who transcend the boundaries between design, art, photography, architecture and urbanism. Utilizing traditional techniques as comfortably as new media such as Facebook and mobile banking systems, these designers are establishing a new design identity-and thus a new future-for the continent. "Making Africa" examines everyday life through such items as furniture, posters, fashion garments and accessories, including J.D. Okhai Ojejkere's "Nigerian hairstyles" and Cyrus Kabiru's eyewear sculptures as well as the objects of Cheick Diallo, fashion by Buki Akib, the photographs of Mário Macilau and Okhai Ojeikere, the architecture of Francis Kéré, the animation art of Robin Rhode and many other creations of designers from different disciplines. Grounding these new movements in a larger historical context, "Making Africa" also takes a look at the first generation of postcolonial Africa.

A Continent of Contemporary Design

Making Africa

Jolanthe Kugler

Through models, material studies, prototypes and production examples of the Eames estate held at the Vitra Design Museum, the Eames Furniture Sourcebook aims to reconstruct the genesis of the most relevant furniture designs by Charles and Ray Eames and shed light on their influence on the development of new and innovative materials. New insights in thinking processes and work practices of this legendary designer couple are revealed, designers whose work was driven by philosophical ideals that privileged knowledge, discovery and discipline, and embraced the potential of technology and science for the common good.

Eames Furniture Sourcebook

Viviane Stappmanns

The Vitra Design Museum Collection is one of the most important design collections in the world. It totals around 20,000 items, including 7,000 pieces of furniture, over 1,000 lighting objects and archives and estates from designers such as Charles and Ray Eames, Verner Panton and Alexander Girard. In summer 2016, the museum opened a building by architects Herzog & de Meuron to permanently present this collection: the Vitra Schaudepot. The centerpiece of the Schaudepot is a permanent exhibition of more than 400 key objects of modern furniture design from 1800 to the present. This presentation is complemented by smaller temporary exhibitions on themes related to the collection, a material library and an extensive digital catalogue. The Schaudepot constitutes the largest permanent exhibition on modern furniture design and at the same time a 'transparent design museum', making visible the work of the museum in all its facets. The publication sheds light on different aspects of the Schaudepot. The iconic building is illustrated in largescale photographs and drawings. The presentation of the collection in the interior is likewise shown using insightful imagery, augmented by a chronological overview of the exhibited objects. Short essays embed the objects within the context of design history and bring to light the curatorial decision-making behind the presented objects. The book is an attractive field guide through the history of furniture design and act as a portal to understand the Vitra Design Museum's unique collection - at the same time being the publication on one of the latest buildings by star architects Herzog & de Meuron.

Architecture, Ideas, Objects

The Vitra Schaudepot

Tanja Cunz

Surrealism expanded our reality by drawing upon myths, dreams, and the subconscious as sources of artistic inspiration. Beginning in the 1930s, the movement made a crucial impact on design, and it continues to inspire designers to this day. »Objects of Desire: Surrealism and Design« is the first book to document this fascinating conversation. It includes numerous essays and a comprehensive selection of images which traces these reciprocal exchanges by juxtaposing exemplary artworks and design objects. Among the featured artists and designers are Gae Aulenti, Achille Castiglioni, Giorgio de Chirico, Le Corbusier, Salvador Dalí, Marcel Duchamp, ntoni Gaudí, Frederick Kiesler, René Magritte, Carlo Mollino, Meret Oppenheim, and many others. The book is rounded off with historical text material as well as short texts and statements by contemporary designers. This in- depth examination makes one thing abundantly clear: form does not always follow function -- it can also follow our obsessions, our fantasies, and our hidden desires.

Surrealism and Design in Dialogue

Objects of Desire

A mammoth history of interior design and the way it shapes our lives, in 20 iconic interiors Our homes are an expression of how we want to live; they shape our everyday routines and fundamentally affect our well-being. Interior design for the home sustains a giant global industry and feeds an entire branch of the media. However, the question of dwelling, or how to live, is found increasingly to be lacking in serious discourse. This book sets out to review the interior design of our homes. It discusses 20 iconic residential interiors from the present back to the 1920s, by architects, artists and designers such as Assemble, Cecil Beaton, Lina Bo Bardi, Arno Brandlhuber, Elsie de Wolfe, Elii, Josef Frank, Andrew Geller, IKEA, Finn Juhl, Michael Graves, Kisho Kurokawa, Adolf Loos, Claude Parent, Bernard Rudofsky, Margarete Schütte-Lihotzky, Alison and Peter Smithson, Jacques Tati, Mies van der Rohe and Andy Warhol. Including historic and recent photographs, drawings and plans, the book explores these case studies as key moments in the history of the modern interior. Penny Sparke provides a concise history of the discipline of interior design, Alice Rawsthorn investigates the role of gender, and Mark Taylor discusses the discourse on interior design in the 21st century. Adam Stech offers insights into the use of colour in residential interiors and Matteo Pirola offers a detailed and richly illustrated chronology of significant events in the history of interior design. In a portfolio of photographs selected exclusively for this book, Jasper Morrison explores what makes a good interior. In addition to interviews with contemporary interior design practitioners, experts in the fields of the sociology of living and psychology provide further insight. This book is a valuable resource for anyone interested in interior design.

100 Years, 20 Visionary Interiors

Home Stories

The last decade has seen a growing social movement towards collectivity, sharing and participation. This paradigm shift is reflected in architecture as well: In recent years, increasingly innovative collective housing projects, organized around the principle of trading in private spaces for larger, more luxurious shared spaces, have been emerging across the globe - many of them realized through bottom-up grassroots initiatives. The return of the collective in architecture has resulted in surprising architectural solutions that also create new urban spaces. The publication Together! The New Architecture of the Collective presents around twenty international building projects from Europe Japan, and the US that provide innovative platforms for collective living in the present day. A selection of projects are discussed in detail, ad extensive photo essays offer rich and vivid impressions of the daily collective and private lie and everyday routines in these buildings. Interviews with movers and shakers from the collective housing scene, written by international journalists, offer insights and background information on the processes and people that have made each project possible. All that is complemented by theoretical and historical context, including analytical essays by experts in the field, info graphics providing facts and figures, diagrams explaining how different collective housing models work, and an extensive timeline detailing genealogy of the collective housing movement in the twentieth century.

Together! the New Architecture of the Collective

Vitra Design Museum

Issei Miyake

Dai Fujiwara

Issey Miyake, known for his brilliant skills in manipulating fabric, has joined forces with Dai Fujiwara to create a line of clothing that revolutionizes the process of making a garment. Rich illustrations show how an innovative computerized knitting-and-design system not only weaves the cloth but makes the garment at the same time. A must for lovers of fashion and design.

A-Piece of Cloth Making

This volume offers the most comprehensive overview of the extended concept of design that was initiated at the Bauhaus. Alongside rare exhibits from design, architecture, art, film and photography--some of which have never previously been published--the book documents the development processes as well as the socio-political concepts behind the Bauhaus. To underline their relevance for today's creative practice, these ideas are contrasted to current themes in design such as the digital revolution, and the works of numerous present-day artists and designers.The lavishly illustrated publication features essays by renowned authors such as Arthur Rüegg and Jan Boelen, a glossary of the basic ideas behind design at the Bauhaus, as well as a detailed catalogue section. Among others, Olaf Nicolai, Adrian Sauer, Wilfried Kühn and Joseph Grima have created artistic works on the topic especially for the exhibition. Numerous short articles by distinguished designers, artists and architects from all over the world, who, with their ideas, projects and theories reflect on the topicality of the Bauhaus and its influence on 21st-century design, form part of this new and contemporary look at the movement. With works by Josef Albers, Marcel Breuer, Walter Gropius, Marianne Brandt, Wassily Kandinsky, Ludwig Mies van der Rohe, Herbert Bayer and many others.

The Bauhaus: #redefinedesign

Alexander Girard: a Designer's Universe

The fertile dual evolution of design under socialism and capitalism in postwar Germany The cheap, colorful plastic designs of East Germany pitted against the cool functionalism of West German design: German Design 1949-1989: Two Countries, One Historydoes away with such clichés. More than 30 years after German reunification, it presents a comprehensive overview of German design history of the postwar period for the first time ever. With over 300 illustrations and numerous examples from the fields of design--fashion, furniture, graphics, automobile, industrial and interiors--the book shows how design featured in daily life on both sides of the Wall, the important part it played in the reconstruction process and how it served as a propaganda tool during the Cold War. Key objects and protagonists--from Dieter Rams or Otl Aicher in the West to Rudolf Horn or Renate Müller in the East--are presented alongside formative factors such as the Bauhaus legacy and important institutions such as the Hochschule für Gestaltung (HfG) Ulm. The exceptional case of the division of Germany allows a unique comparative perspective on the role design played in promoting socialism and capitalism. While in the Federal Republic to the West, it became a generator of the export economy and the "Made in Germany" brand, in the East it was intended to fuel the socialist planned economy and affordability for broad sections of the population was key. While the book highlights the different realities of East and West, the many cross references that connected design in both are also examined. It impressively illustrates the many facets of German design history in the postwar period: from the domestic sphere to global politics, from industrial products to design's role as a tool of protest that foreshadowed the fall of the Berlin Wall in 1989.

Two Countries, One History

German Design 1949-1989

Der Architekt und Designer Alvar Aalto (1898-1976) war einer der wichtigsten Vertreter organischer Gestaltung im 20. Jahrhundert. Seine Architektur fasziniert bis heute durch natürliche Materialien und skulpturale, geschwungene Formen. Für das Sanatorium in Paimio entwarf Aalto 1932 den ersten Freischwinger aus Holz, seine Savoy Vase (1936) gilt heute als das Symbol finnischen Designs schlechthin. Die Ausstellung gibt einen umfassenden Einblick in das Werk Aaltos, präsentiert seine wichtigsten Bauten, Möbeln und Leuchten und geht den Inspirationen nach, die sein Werk prägten. Schlüsselthemen sind Aaltos Dialog mit wichtigen Künstlern wie Hans Arp, Alexander Calder oder Laszlo Moholy-Nagy, seine intensiven internationalen Verbindungen, seine Auseinandersetzung mit Fragen des rationalen Bauens, aber auch seine Suche nach einer Gestaltung, die stets den Menschen in den Mittelpunkt stellt. 0Exhibition: Vitra Design Museum, Weil am Rhein, Germany (27.09.2014-03.01.2015).

Second Nature

Alvar Aalto

Rolf Fehlbaum

Heinz Bütler

CHAIR TIMES takes viewers on a journey through a »sea of chairs:« 124 objects dating from 1807 to the latest 3D printed designs are arranged in the order of their production year to create a timeline of modern furniture design. Which objects would professionals in the design field want to talk about, bringing their expert knowledge to the respective topic? Serving as guide on this excursion into the history of seating design: Rolf Fehlbaum, Chairman Emeritus of Vitra. Film by Heinz Bütler. With contributions by Rolf Fehlbaum, Mateo Kries, Franco Audrito, Ronan Bouroullec, Christian Brändle, David Chipperfield, Antonio Citterio, Pierre de Meuron, Jochen Eisenbrand, Ulrich Fiedler, Susanne Graner, Jacques Herzog, Hella Jongerius, Maira Kalman, Amelie Klein, Serge Mauduit, Peter Noever, Arthur Rüegg, Leonie Samland and Ruggero Tropeano.

Mateo Kries

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