Matsuo Basho

芭蕉·松尾

Matsuo Basho stands today as Japan's most renowned writer, and one of the most revered. Yet despite his stature, Basho's complete haiku have never been collected under one cover. Until now. To render the writer's full body of work in English, Jane Reichhold, an American haiku poet and translator, dedicated over ten years to the present compilation. In Barbo: The Complete Haiku she accomplishes the feat with distinction. Dividing the poet's creative output into seven periods of development, Reichhold frames each period with a decisive biographical sketch of the poet's travels, creative influences, and personal triumphs and defeats. Supplementary material includes two hundred pages of scrupulously researched notes, which also contain a literal translation of the poem, the original Japanese, and a Romanized reading. A glossary, chronology, index of first lines, and explanation of Basho's haiku techniques provide additional background information. Finally in the spirit of Basho, elegant semi-e ink drawings by well-known Japanese artist Shiro Tsujimura front each chapter.

The Complete Haiku

Basho

'It was with awe That I beheld Fresh leaves, green leaves, Bright in the sun' When the Japanese haiku master Basho composed The Narrow Road to the Deep North, he was an ardent student of Zen Buddhism, setting off on a series of travels designed to strip away the trappings of the material world and bring spiritual enlightenment. He writes of the seasons changing, the smell of the rain, the brightness of the moon and the beauty of the waterfall, through which he sensed the mysteries of the universe. These writings not only chronicle Basho's travels, but they also capture his vision of eternity in the transient world around him. Translated with an Introduction by Nobuyuki Yuasa

The Narrow Road to the Deep North and Other Travel Sketches

Sam Hamill

Presents translations of more than two hundred Japanese haiku.

Haiku by Bashō, Buson, Issa, and Other Poets

The Sound of Water

A masterful translation of one of the most-loved classics of Japanese literature—part travelogue, part haiku collection, part account of spiritual awakening Bashō (1644–1694)—a great luminary of Asian literature who elevated the haiku to an art form of utter simplicity and intense spiritual beauty—is renowned in the West as the author of Narrow Road to the Interior, a travel diary of linked prose and haiku recounting his journey through the far northern provinces of Japan. This edition, part of the Shambhala Pocket Library series, features a masterful translation of this celebrated work. It also includes an insightful introduction by translator Sam Hamill detailing Bashō’s life and the art of haiku, three other important works by Bashō—Travelogue of Weather-Beaten Bones, The Knapsack Notebook, and Sarashina Travelogue—and two hundred and fifty of his finest haiku, making this the most complete single-volume collection of Bashō’s writings. The Shambhala Pocket Library is a collection of short, portable teachings from notable figures across religious traditions and classic texts. The covers in this series are rendered by Colorado artist Robert Spellman. The books in this collection distill the wisdom and heart of the work Shambhala Publications has published over 50 years into a compact format that is collectible, reader-friendly, and applicable to everyday life.

And Other Writings

Narrow Road to the Interior

Basho, one of the greatest of Japanese poets and the master of haiku, was also a Buddhist monk and a life-long traveller. His poems combine 'karumi', or lightness of touch, with the Zen ideal of oneness with creation. Each poem evokes the natural world - the cherry blossom, the leaping frog, the summer moon or the winter snow - suggesting the smallness of human life in comparison to the vastness and drama of nature. Basho himself enjoyed solitude and a life free from possessions, and his haiku are the work of an observant eye and a meditative mind, uncluttered by materialism and alive to the beauty of the world around him.

Haiku of Basho

On Love and Barley

Jane Reichhold

Basho stands today as Japans most renowned writer, and one of the most revered. Wherever Japanese literature, poetry or Zen are studied, his oeuvre carries weight. Every new student of haiku quickly learns that Basho was the greatest of the Old Japanese Masters. Yet despite his stature, Bashos complete haiku have not been collected into a single volume. Until now. To render the writers full body of work into English, Jane Reichhold, an American haiku poet and translator, dedicated over ten years of work. In Basho: The Complete Haiku, she accomplishes the feat with distinction. Dividing his creative output into seven periods of development, Reichhold frames each period with a decisive biographical sketch of the poets travels, creative influences and personal triumphs and defeats. Scrupulously annotated notes accompany each poem; and a glossary and two indexes fill out the volume. Reichhold notes that, Basho was a genius with words. He obsessively sought out the right word for each phrase of the succinct seventeen-syllable haiku, seeking the very essence of experience and expression. With equal dedication, Reichhold sought the ideal translations. As a result, Basho: The Complete Haiku is likely to become the essential work on this brilliant poet and will stand as the most authoritative book on the subject for many years to come. Original sumi-e ink drawings by artist Shiro Tsujimura complement the haiku throughout the book.

"Estos Diarios de viaje provocan en nosotros un sentimiento extraño. Ciudadanos como somos del siglo xxi, nos transportan a un pasado remoto, en tiempo y espacio: datan del período premoderno de un Japón cultivado (por rural, y también por estudioso). Ilustran las andanzas de un plebeyo que se sabe famoso pero que, sin embargo, deja lo que tuvo —un oficio bien rentado— y lo que era —por formación, un urbanita—, para lanzarse al camino apenas con lo puesto, como detalla en numerosos pasajes. Quiere ver, sentir, palpitar, para, a continuación, relatarlo. Es ese impulso suyo, justamente, lo que de inmediato atrae la atención sobre estos escritos de poeta y a la vez nos invita a hacernos testigos de sus extenuantes caminatas. Porque la voz narrativa de esos textos habla de algo vivo: en cada línea se refiere a lo que late, dentro de sí y en su entorno. Bashô narra lo que experimenta a cada paso (nunca mejor dicho). Esa capacidad suya de transmitir experiencia lo sitúa de cuajo en nuestra actualidad de lectores deseosos, como él, de vivir a fondo lo que nos toca y, en lo posible, certificarlo, exteriorizarlo, de alguna manera enunciarlo, con palabras y en actos. 'Se trata de seguir los pasos de los antiguos, no de repetir lo que ellos hicieron': así definía Matsuo Bashô su proyecto de vida. Se trata, en nuestro caso, de revivir su experiencia" (Alberto Silva y Masateru Ito).

Diarios de viaje

Offers the most comprehensive collection of Basho's prose available, beautifully translated into English.

The Literary Prose of Matsuo Basho

Basho's Journey

A wonderful new translation of the poetry of Basho—Zen monk, poet of nature, and master of the haiku form.

Selected Poems of Matsuo Basho

Basho's Haiku

'Nothing more lonely -' A selection of Basho's most magical haiku Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions Basho (1644-1694). Basho's On Love and Barley and The Narrow Road to the Deep North and Other Travel Sketches are available in Penguin Classics.

Lips too Chilled

Matsuo Bashô (1644-1694) staat bekend als een van de grootste Japanse dichters; zijn haikai-poëzie is over de hele wereld geliefd. In De herfstwind dringt door merg en been is al het lyrisch proza verzameld dat Bashô in de periode 1680-1688 schreef. Eind zeventiende eeuw besloot Bashô het literaire wereldje de rug toe te keren en zich als kluizenaar af te zonderen in een simpele hut in een buitenwijk van Edo (het huidige Tokyo). Op die manier hoopte hij de grote Chinese dichters uit het verleden in de geest te benaderen. Bashô's proza uit zijn jonge jaren getuigt van eenzaamheid, maar geeft ook uiting aan de diepe vriendschap van de dichter met zijn leerlingen en weldoeners. Bashô toont zich een meester in het hanteren van beknopt maar beeldend proza, waarin haikai-gedichten op ingenieuze wijze zijn verwerkt. Zijn geschriften kenmerken zich door sublieme landschapsbeschrijvingen, onverwachte overgangen en associaties, en goedgeluimde zelfspot. In naakte onverbloemde taal stelt hij vragen over de schrijnende menselijke conditie.

De herfstwind dringt door merg en been

Poems that were written by Matsuo Basho in 1689. Ostensibly a travel diary, th book is rich in allusions to literature and Zen.-Stone Bridge Press. In this remarkable translation we find the elliptical, allusive, suggestive richness of the original. [This is] the most accessible version in English.-Cor van den Heuvel.

Spring and Autumn Passages

Basho's Narrow Road

The most famous poet of the Edo period in Japan, Matsuo Basho was of samurai descent and a Zen Buddhist, who became a master of haiku. He helped create a new style of poetry, capturing the meaning of the world into simple poetry. His work is celebrated for contrasting two separate experiences, reflecting the environment and emotions of a single moment, taken directly from nature. Haiku is a short form of poetry, composed of three phrases and 17 syllables. It has been employed by Basho and his fellow haikuists throughout the last five hundred years to convey an extraordinary depth of expression and ornate beauty. The Delphi Poets Series offers readers the works of literature’s finest poets, with superior formatting. This volume presents a wide selection of haiku by the leading poets of the last five centuries, with new translations, illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Basho’s life and works * Comprehensive introduction to the haiku form * Concise introduction to the life and poetry of Basho and other prominent haikuists * Original translations by Michael Haldane * Excellent formatting of the poems * Includes a wide selection of haikuists * Features two analytical works on the development of the haiku form Please visit www.delphiclassics.com to see our wide range of poet titles CONTENTS: Introduction Introduction to Haiku by Michael Haldane The Haiku Prominent Haikuists Other Haikuists Analysis Poetry of the Seventeenth Century by William George Aston Japanese Poetry by Basil Hall Chamberlain Please visit www.delphiclassics.com to browse through our range of poetry titles or buy the entire Delphi Poets Series as a Super Set

Delphi Collected Works of Basho and the Haikuists (Illustrated)

'De zon en de maan zijn eeuwig op reis en ook de jaren die komen en gaan zijn reizigers.' Matsuo Bashõ (1644-1694) staat bekend als een van de grootste Japanse dichters; zijn haikai-poëzie is over de hele wereld geliefd. Maar ook als prozaschrijver heeft hij een aantal klassiek geworden teksten nagelaten. In 1689 maakte Bashõ een voettocht van tweeduizend kilometer door het noordoosten van Japan. Enkele jaren nadien beschreef hij zijn reis in De smalle weg naar het noorden, het populairste meesterwerk uit de klassieke Japanse literatuur. De smalle weg naar het verre noorden is geen dagboek maar een door en door literaire creatie waarin Bashõ zijn oorspronkelijke belevenissen op ingrijpende wijze heeft omgewerkt. Het sublieme en het aardse wisselen elkaar af. Bashõ portretteert zichzelf als een gedreven pelgrim die in de voetstappen treed van de zwervende, vrije dichters uit het verre verleden. Hij gaat op zoek naar tal van tempels en shintõschrijnen uit de Japanse geschiedenis zich hebben afgespeeld, of die een inspiratie vormden voor oude dichters. Voor de ogen van de lezer wekt hij geesten uit vervlogen eeuwen tot leven. Op bevlogen landschapsbeschrijvingen volgen ontmoetingen met vlooien, hoeren en eenvoudige landlieden. Behalve De smalle weg naar het verre noorden bevat deze bundel, opnieuw nauwgezet vertaald en uitvoerig geannoteerd door Jos Vos, ook een rijke selectie proza en poëzie uit de laatste vijf jaar van Bashõ's leven, met als hoogtepunt het Dicht van de Onwerkelijke Kluis, de evocatie van een idyllische zomer aan het Biwa-meer. Uitvoerig, onderhoudend geschreven commentaar werpt licht op de historische achtergrond en de vele literaire allusies in Bashõ's werk.

De smalle weg naar het verre noorden

In the account which he named The Narrow Road to Oku, Basho makes a journey lasting 150 days, in which he travels, on foot, a distance of 600 ri. This was three hundred years ago, when the average distance covered by travelers was apparently 9 ri per day, so it is clear that Basho, who was forty years old at the time, possessed a remarkably sturdy pair of walking legs. Nowadays with the development of all sorts of means of transportation, travel is guaranteed to be pleasant and convenient in every respect, so it's almost impossible for us to imagine the kind of journey Basho undertook, "drifting with the clouds and streams," and "lodging under trees and on bare rocks." During my countless re-readings of The Narrow Road to Oku, I would bear that in mind, and the short text, which takes up less than 50 pages even in the pocket-book edition, would strike me as much longer than that, and I would feel truly awed by Basho's 2,450-kilometer journey. I chose The Narrow Road to Oku as the theme of the exhibition marking the thirtieth anniversary of my career as an artist. As somebody who has been illustrating works from Japanese literature for many years, the subject naturally attracted and interested me. But once I'd embarked on the project, it wasn't long before I realized I'd chosen a more difficult and delicate task than I ever imagined, and I wanted to reprove myself for my naivete. Last year, to mark the centenary of Tanizaki Jun'ichiro's birth, I produced a set of 54 pictures for his translation of The Tale of Genji. This was a formidable undertaking, as I had to grapple with the achievement of a literary genius whom I had personally known. But if producing a single picture to represent each chapter in The Tale of Genji was a matter of selecting a particular "face," or "plane" to represent the whole, producing a picture to represent each haiku in The Narrow Road to Oku was without a doubt a matter of having to select one tiny "point"-a mere "dot." One misjudgment in my reading, and the picture would lose touch with the spirit of Basho's work, and end up simply as an illustration that happened to be accompanied by a haiku. I had to meticulously consider every word in those brief 17-syllable poems. Then, if I was fortunate, from the vast gaps and the densely packed phrases a numinous power would gather and inspire me: at times I felt as if I was experiencing what ancient people called the "kotadama," the miraculous power residing in words. A self-styled "beggar of winds and madness," Basho originated and refined a unique genre of fictional travel literature, which used poetry that enabled one to render, empty-handedly, all of creation. But Basho also left us the following poem: Journeying is the flower of elegance Elegance, the spirit of travelers long gone: The places seen and recorded by Saigyo and Sogi - All those are the heart of haikai. I believe that I could ask for no greater favor from my painter's brush than that I too be able to glean the merest fragment of what the saint of haiku Basho saw, and be able to reproduce it in my work. Miyata Masayuki

The Narrow Road to Oku

Matsuo Basho (1644-94) is considered Japan's greatest haiku poet. Narrow Road to the Interior (Oku no Hosomichi) is his masterpiece. Ostensibly a chronological account of the poet's five-month journey in 1689 into the deep country north and west of the old capital, Edo, the work is in fact artful and carefully sculpted, rich in literary and Zen allusion and filled with great insights and vital rhythms. In Basho's Narrow Road: Spring and Autumn Passages, poet and translator Hiroaki Sato presents the complete work in English and examines the threads of history, geography, philosophy, and literature that are woven into Basho's exposition. He details in particular the extent to which Basho relied on the community of writers with whom he traveled and joined in linked verse (renga) poetry sessions, an example of which, A Farewell Gift to Sora, is included in this volume. In explaining how and why Basho made the literary choices he did, Sato shows how the poet was able to transform his passing observations into words that resonate across time and culture.

Matsuo Basho

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