Matthew Cheung Salisbury

This study considers what Christian worship has meant to its contemporaries across the centuries. It treats different episodes in the history of the Christian Church and applies to each episode the questions: Why did Christians go to church? Why worship? What happened to Christians there, substantively and otherwise, and how did they respond? With these particular queries as well as passages from contemporary theological and liturgical texts as a starting-point, Cheung Salisbury carefully explores the evidence for the functions of Christian worship. He argues that the purpose and function of worship in Christian life has never been static and the particular approach of different periods to the liturgy has been moderated by wider cultural influences, by theological developments and changes, and by the particular circumstances in which the worship was carried out. Cheung Salisbury proposes that the various forms of worship through the centuries and the understanding of liturgy and worship among and upon Christians demonstrates the variety of ways that Christian living operates in service of God.

Functional Dimensions of Christian Worship

Hear My Voice, O God

Andrew Hughes

Heather Robbins

Cataloguing Discrepancies reviews the description and cataloguing, from the early eighteenth century to the present day, of an early English Breviary, printed in 1493. With a critical eye, Andrew Hughes summarizes the work that has been done on this liturgical book, of which two complete copies and a number of fragments are extant. How these copies have been described - and more importantly how these accounts differ - is a central question of this volume. Based on the discrepancies and errors in the existing catalogues of medieval liturgical books, many of which repeat erroneous information for generations, the authors illustrate the defects, problems, and opportunities encountered when technologies of the fifteenth and the twenty-first centuries converge. Not only questioning existing bibliographical practices, Cataloguing Discrepancies suggests practical means for improvements to the future description of early printed books of this kind.

The Printed York Breviary of 1493

Cataloguing Discrepancies

In this volume, readers experience, in English translation, the colorful and varied textual fabric of the most important literary and creative repertory of the Middle Ages. The public, organized worship of the Church had a central role in medieval life. Studying its forms and genres allows readers not only to become aware of one of the most important influences on culture and religion, but also to consider these texts, which were widely disseminated and had fundamental effects on daily life.

Matthew Cheung Salisbury

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