Matthew De Abaitua

Part satire, Part literary thriller, The Red Men is the story of former radical journalist turned technologist, Nelson Millar. After years drifting comfortably through a powerful corporation, Nelson finds himself at the helm of a grand project whose goals appear increasingly authoritarian and potentially catastrophic.

The Red Men

James has a scar in the back of his head. It's where he was wounded in the Battle of Suvla Bay in August 1915. Or is the scar the mark of his implant that allows the Process to fill his mind with its own reality? In IF, the people of a small English town cling on after an economic collapse under the protection of the Process. But sometimes people must be evicted from the town. That's the job of James, the bailiff. While on patrol, James discovers the replica of a soldier from the First World War wandering the South Downs. This strange meeting begins a new cycle of evictions in the town, while out on the rolling downland, the Process is methodically growing the soldiers and building the weapons required to relive a long lost battle. In THEN, it is August 1915, at the Battle of Suvla Bay in the Dardanelles campaign. Compared to the thousands of allied soldiers landing on this foreign beach, the men of the 32nd Field Ambulance are misfits and cranks of every stripe: a Quaker pacifist, a freethinking padre, a meteorologist, and the private (once a bailiff) known simply as James. Exposed to constant shellfire and haunted by ghostly snipers, the stretcher-bearers work day and night on the long carry of wounded men. One night they stumble across an ancient necropolis, disturbed by an exploding shell. What they discover within this ancient site will make them question the reality of the war and shake their understanding of what it means to be human... File Under: Science Fiction [ Trust the Process | A Debate With Bullets | Algorithms For War | Omega John ]

If Then

Theodore Drown is a"destructive." A recovering addict to weirdcore, he s keeping his head down lecturing at the university of the Moon. Twenty years after the appearance of the first artificial intelligence, and humanity is stuck. The AIs or, as they preferred to be called, emergences have left Earth and reside beyond the orbit of Mercury in a Stapledon Sphere known as the university of the sun. The emergences were our future but they chose exile. All except one. Dr Easy remains, researching a single human life from beginning to end. Theodore s life. One day, Theodore is approached by freelance executive Patricia to investigate an archive of data retrieved from just before the appearance of the first emergence. The secret living in that archive will take him on an adventure through a stunted future of asylum malls, corporate bloodrooms and a secret off-world colony where Theodore must choose between creating a new future for humanity or staying true to his nature, and destroying it. "File Under" Science Fiction[ Fatal Loop / Emergent See / Lunar Lunatics / Dr Easy ]"

The Destructives

--For the next six months, De Abaitua and Self share a remote cottage in Suffolk, working on their literary ambitions. They are distracted by hikes to Sizewell nuclear power station, opium tea and the allure of Soho. Thanks to Self and his library of bad influences, from JG Ballard to William Burroughs, De Abaitua undergoes a rite of passage that changes him forever.--Self et I'If you love--Lauren Elkin, author of Fla?neuseSelf et I Matt ThorneWill Ashon, author of Strange Labyrinth.

A Memoir of Literary Ambition

Self Et I

'The Art of Camping' is a witty and philosophical blend of 'how to', history and personal anecdotes - a must for every camper. Beautiful line illustrations, practical camping tips are included.

The History and Practice of Sleeping Under the Stars

The Art of Camping

Joanna Kavenna

Tim Maughan

Ned Beauman

Adam Rothstein

Marek Kohn

Jane Rogers

Brendan Byrne

The second volume of Arc continues with an issue that wants to peel back the futuristic shine. So we bettered ourselves, had us a couple of revolutions - agricultural, industrial - and then before we knew it our inventions had raised the seas and fried the atmosphere, reshuffled our knowledge and commodified our pleasures; they even stole our privacy. Our lives are good, but not fair at all - and signs are we’re coming to a stormy end. Our masters tell us they’ll figure things out. With predictions and scenarios, models and forecasts, they’ll find a way through the coming storms and shortages. But what if they can’t? What if it’s all moonshine, and they’re just slapping on chromewash to cover their panic and powerlessness? In Chromewash original stories scratch and scuff the oh-so-shiny prediction business. Ned Beauman plays the markets, Jane Rogers puts a market price on identity, Tim Maughan games the art market, and Matthew De Abaitua wonders what happens when creatives get destructive. Also in this issue, Joanna Kavenna learns to mistrust Al Gore’s first-person plural, and M. John Harrison examines the special weapons and tactics of English Heritage. Medical ethicist Peter Hajek’s modest proposal tackles an ageing planet; Adam Rothstein spins a ghost story out of vapourware; Marek Kohn decides that the past has a future, too; and Brendan Byrne recalls the moment modern statecraft went cyberpunk.

Matthew De Abaitua

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