Matthew Lewis

'He was deaf to the murmurs of conscience, and resolved to satisfy his desires at any price.' The Monk (1796) is a sensational story of temptation and depravity, a masterpiece of Gothic fiction and the first horror novel in English literature. The respected monk Ambrosio, the Abbot of a Capuchin monastery in Madrid, is overwhelmed with desire for a young girl; once having abandoned his monastic vows he begins a terrible descent into immorality and violence. His appalling fall from grace embraces blasphemy, black magic, torture, rape, and murder, and places his very soul in jeopardy. Lewis's extraordinary tale drew on folklore, legendary ghost stories, and contemporary dread inspired by the terrors of the French Revolution. Its excesses shocked the reading public and it was condemned as obscene. The novel continues to beguile and shock readers today with its gruesome catalogue of iniquities, while at the same time giving a profound insight into the deep anxieties experienced by British citizens during one of the most turbulent periods in the nation's history. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Monk

Il monaco

Lewis, Matthew Gregory is a famous British novelist and playwright. The Monk: A Romance is his most famous so called “gothic novel” that he wrote only in ten days. Ambrosio, once an exemplary Spanish monk, is passionate about his student: there is a beautiful woman Matilda under the monk robe. After his passion is satisfied he shifts his attention to an innocent Antonia. With Matilda’s help he rapes and kills the young woman. Later it is discovered that Antonia was hid sister and Matilda is Satan’s messenger whose aim was to seduce the devout hermit and lead him to the sin. In the end, he falls under inquisition, but...

THE MONK

When Matthew Lewis’s The Monk was published in 1796, readers were shocked by this gripping and horrific novel. Lewis’s story, which drove the House of Commons—of which he was a member—to deem him licentious and perverse, follows the abbot Ambrosio as he is tempted into a world of incest, murder, and torture by a young girl who has concealed herself in his monastery disguised as a boy. As Ambrosio spirals into hell, the reader encounters an array of haunting characters: the innocent virgin, the Bleeding Nun, the Wandering Jew, an evil prioress, and Lucifer himself. This Modern Library Paperback Classic, set from the unexpurgated first edition of 1796, brings to a new generation of readers a timeless classic of gothic fiction that has influenced writers from Byron and Emily Brontë to Poe and Hawthorne.

The murder of the Princes in the Tower is the most famous cold case in English or British history. Traditionally considered victims of a ruthless uncle, there are other suspects too often and too easily discounted. There may be no definitive answer, but by delving into the context of their disappearance and the characters of the suspects, Matthew Lewis will examine the motives and opportunities afresh as well as ask a crucial but often overlooked question: what if there was no murder? What if Edward V and his brother Richard, Duke of York, survived their uncle's reign and even that of their brother-in-law Henry VII? There are glimpses of their possible survival and compelling evidence to give weight to those theories which is considered alongside the possibility of their deaths to provide a rounded and complete assessment of the most fascinating mystery in history.

Murder, Mystery and Myth

The Survival of the Princes in the Tower

Horace Walpole

William Beckford

Mary W. Shelley

Macabre and melodramatic, set in haunted castles or fantastic landscapes, Gothic tales became fashionable in the late eighteenth century with the publication of Horace Walpole's The Castle of Otranto (1764). Crammed with catastrophe, terror, and ghostly interventions, the novel was an immediate success, and influenced numerous followers. These include William Beckford's Vathek (1786), which alternates grotesque comedy with scenes of exotic magnificence in the story of the ruthless Caliph Vathek's journey to damnation. The Monk (1796), by Matthew Lewis, is a violent tale of ambition, murder, and incest, set in the sinister monastery of the Capuchins in Madrid. Frankenstein (1818, 1831) is Mary Shelley's disturbing and perennially popular tale of young student who learns the secret of giving life to a creature made from human relics, with horrific consequences. This collection illustrates the range and the attraction of the Gothic novel. Extreme and sensational, each of the four printed here is also a powerful psychological story of isolation and monomania.

The Castle of Otranto; Vathek; The Monk; Frankenstein

Four Gothic Novels

The Monk: A Romance is a Gothic novel by Matthew Gregory Lewis, published in 1796. A quickly written book from early in Lewis's career (in one letter he claimed to have written it in ten weeks, but other correspondence suggests that he had at least started it, or something similar, a couple of years earlier[1]), it was published before he turned twenty. It is a prime example of the male Gothic that specialises in the aspect of horror. Its convoluted and scandalous plot has made it one of the most important Gothic novels of its time, often imitated and adapted for the stage and the screen.

The Monk Illustrated

The Monk: A Romance is a Gothic novel by Matthew Gregory Lewis, published in 1796. A quickly written book from early in Lewis's career, it was published before he turned twenty. It is a prime example of the male Gothic that specialises in the aspect of horror

The Monk: a Romance-Classic Original Edition(Annotated)

The Monk by Matthew Lewis The Monk is remembered for being one of the more lurid and "transgressive" of Gothic novels. It is also the first book to feature a priest as the villain. The story concerns Ambrosio - a pious, well-respected monk in Spain - and his violent downfall. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Large Print

A definitive new biography of one of British history's most controversial figures, that seeks to bring peace to Richard III's reputation.

Loyalty Binds Me

Richard III

Richard, Duke of York, was one of the most powerful men of his age. Descended from Edward III and the father of Edward IV and Richard III, he was known after his death as 'King by Right'. This is the story of the man who almost became king

King by Right

Richard, Duke of York

Spain during the Inquisition is the setting for a novel first published in the eighteenth century, depicting the adventures of a monk corrupted by lust.

Savaged by critics for its supposed profanity and obscenity, and bought in large numbers by readers eager to see whether it lived up to its lurid reputation, The Monk became a succès de scandale when it was published in 1796 - not least because its author was a member of parliament and only twenty years old. It recounts the diabolical decline of Ambrosio, a Capuchin superior, who succumbs first to temptations offered by a young girl who has entered his monastery disguised as a boy, and continues his descent with increasingly depraved acts of sorcery, murder, incest and torture. Combining sensationalism with acute psychological insight, this masterpiece of Gothic fiction is a powerful exploration of how violent and erotic impulses can break through the barriers of social and moral restraint. This edition is based on the first edition of 1796, which appeared before Lewis's revisions to avoid charges of blasphemy. In his introduction, Christopher MacLachlan discusses the novel's place within the Gothic genre, and its themes of sexual desire and the abuse of power.

The Monk Matthew Lewis Illustrated

The Monk: A Gothic Romance is a thought-provoking Gothic novel by Matthew Gregory Lewis, first published in 1796. This dark Gothic tale depicts the downfall of a religious monk from the highest of grace into "sin". This Gothic literature combined elements such as romance, mysticism, ghosts, murder, mystery, horror.

A Gothic Romance Novel

The Monk: A Romance is a Gothic novel by Matthew Gregory Lewis, published in 1796. A quickly written book from early in Lewis's career (in one letter he claimed to have written it in ten weeks, but other correspondence suggests that he had at least started it, or something similar, a couple of years earlier), it was published before he turned twenty. It is a prime example of the male Gothic that specialises in the aspect of horror. Its convoluted and scandalous plot has made it one of the most important Gothic novels of its time, often imitated and adapted for the stage and the screen.The Monk is remembered for being one of the more lurid and "transgressive" of Gothic novels. It is also the first book to feature a priest as the villain.The story concerns Ambrosio - a pious, well-respected monk in Spain - and his violent downfall.

Annotated Classic Edition

A Romance by Matthew Lewis

"The whole work is distinguished by the variety and impressiveness of its incidents; and the author every-where discovers an imagination rich, powerful, and fervid." -Samuel Taylor Coleridge "Situations of torment, and images of naked horror, are easily conceived; and a writer in whose works they abound deserves our gratitude almost equally with him who should drag us by way of sport through a military hospital, or force us to sit at the dissecting table of a natural philosopher. . . . The romance writer possesses an unlimited power over situations; but he must scrupulously make his characters act in congruity with them. Let him work physical wonders only, and we will be content to dream with him for a while; but the first moral miracle which he attempts, he disgusts and awakens us." -Samuel Taylor Coleridge, The Critical Review, February 1797 Written in ten weeks when the author was nineteen and published in 1796 when he was twenty, Matthew Gregory Lewis's The Monk is the most lurid of the Gothic novels and one of the most vividly written. Savaged by critics for its supposed profanity and obscenity, The Monk became a succès de scandale when it was published in 1796 - not least because its author was a member of parliament. The novel attracted many readers who were eager to see whether it lived up to its macabre and racy notoriety. It recounts the diabolical decline of Ambrosio, a Capuchin superior, who succumbs first to temptations offered by a young girl who has entered his monastery disguised as a boy, and continues chronicling his descent with increasingly depraved acts of sorcery, murder, incest and torture. Combining sensationalism with acute psychological insight, this masterpiece of Gothic fiction is a powerful exploration of how violent and erotic impulses can break through the barriers of social and moral restraint.

A Romance

The Monk Annotated

This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. Ambrosio is an extremely devout monk about 30 years old. He was found left at the Abbey doorstep when he was too young to tell his tale and monks took him and raised him in the monastery. When his constant companion, a novice named Rosario, admits that he is a woman named Matilda, who disguised herself so that she could be near him, begins a struggle in Ambrosio between his religious vows and his personal temptations and ambitions, which leads to abuse, violence, incest and murder.

Matthew Lewis

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