Matthew Salesses

A groundbreaking resource for fiction writers, teachers, and students, this manifesto and practical guide challenges current models of craft and the writing workshop by showing how they fail marginalized writers, and how cultural expectations inform storytelling. The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing--including plot, character, conflict, structure, and believability--and aspects of workshop--including the silenced writer and the imagined reader-- Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces? Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, "When we write fiction, we write the world."

Craft in the Real World: Rethinking Fiction Writing and Workshopping

From the bestselling author of The Hundred-Year Flood comes an incredibly entertaining and profoundly affecting tour de force about a Korean American man's strange and ordinary attempts to exist. Matt Kim is always tired. He keeps passing out. His cat is dead. His wife and daughter have left him. He's estranged from his adoptive family. People bump into him on the street as if he isn't there. He is pretty sure he's disappearing. His girlfriend, Yumi, is less convinced. But then she runs into someone who looks exactly like her, and her doppelgänger turns out to have dated someone who looks exactly like Matt. Except the other Matt was superior in every way. He was clever, successful, generous, and beloved--until one day he suddenly and completely vanished without warning. How can Matt Kim protect his existence when a better version of him wasn't able to? Or is his worse life a reason for his survival? Set in a troubling time in which a presidential candidate is endorsed by the KKK and white men in red hats stalk Harvard Square, Disappear Doppelgänger Disappear is a haunting and frighteningly funny novel about Asian American stereotypes, the desires that make us human, puns, and what happens to the self when you have to become someone else to be seen.

Disappear Doppelgänger Disappear

Sense of Wonder

From the author of Pen/Faulkner finalist Disappear Doppelgänger Disappear and Craft in the Real World comes a searing masterwork on the ways Asian Americans navigate the thorny worlds of sports and entertainment when everything is stacked against them. An Asian American basketball star walks into a gym. No one recognizes him, but everyone stares anyway. It is the start of a joke but who is the punchline? When Won Lee, the first Asian American in the NBA, stuns the world in a seven-game winning streak, the global media audience dubs it “The Wonder”—much to Won’s chagrin. Meanwhile, Won struggles to get attention from his coach, his peers, his fans, and most importantly, his hero, Powerball!, who also happens to be Won’s teammate and the captain of the team. Covering it all is sportswriter Robert Sung, who writes about Won's stardom while grappling with his own missed hoops opportunities as well as his own place as an Asian American in media. And to witness it all is Carrie Kang, a big studio producer, who juggles a newfound relationship with Won while attempting to bring KDrama to an industry not known to embrace anything new or different. The Sense of Wonder follows Won and Carrie as they chronicle the human and professional tensions exacerbated by injustices, fighting to be seen and heard on some of the world’s largest stages. An incredibly funny and heart rendering dive into race and our “collective imagination that lays bare our limitations before blasting joyfully past them.” (Catherine Chung) This is the work of a gifted storyteller at the top of his game.

The Sense of Wonder

The Hundred-Year Flood

Different Racisms

"I'm Not Saying, I'm Just Saying," a novel in flash fiction, is a raw, honest look at parenting, commitment, morality, and the spaces that grow between and within us when we don't know what to say. In these 115 titled chapters, a man, who learns he has a 5-year-old son, is caught between the life he knows and a life he may not yet be ready for. This is a book that tears down the boundaries in relationships, sentences, origin and identity, no matter how quickly its narrator tries to build them up. "Matthew Salesses' "I'm Not Saying, I'm Not Saying" is an absolute stunner of a novel. Told in short, sharp vignettes with prose that is taut, yet overflowing with meaning, this is the story of a year in the life of a complex and haunted, cobbled together family. The beauty of Salesses' writing here lies in his fearlessness, the emotional blows to the heart and head and gut he's willing to deliver, as if to say: This, this is life And we are all, in one way or another, survivors." -Kathy Fish, author of "Together We Can Bury It" "Matthew Salesses has written an extraordinary and startlingly original novel that explores connection and disconnection, the claims and limitations of the self, and the shifting terrain of truth. Poetic, unforgettable, shot through with fury and yearning, "I'm Not Saying, I'm Just Saying" captures in clear and chilling flashes our capacity for the cruelty and tenderness of love." -Catherine Chung, author of "Forgotten Country" "In Matt Salesses's smart novel-in-shorts, a newly-minted father flees telling his own story by any means necessary-by sarcasm, by denial, by playful and precise wordplay-rarely allowing space for his emerging feelings to linger. But the truth of who we might be is not so easily escaped, and it is in the accumulation of many such moments that our narrator, like us, is revealed: both the people we have been, and the better people we might be lucky enough to one day hope to become." -Matt Bell, author of "In the House upon the Dirt between the Lake and the Woods" ""I'm Not Saying, I'm Just Saying" renders the messiness of life, family, love in its myriad complex forms-romance lost and found, blood ties, squandered, unrequited-via 115 micro-stories that add up to a pointillist masterpiece." -Marie Myung-Ok Lee, author of "Somebody's Daughter" "Through a series of provocative, beautiful, and at times, brutally raw shorts, Matthew Salesses creates a complex, vulnerable portrait of modern fatherhood and masculinity. Narrated by our seemingly reckless, yet hyper-observant narrator, these vignettes build with tension and trepidation, until we, like the members of this reluctant, fractured family, realize the weight, burden and comfort that only comes from finally belonging." -Aimee Phan, author of "The Reeducation of Cherry Truong"

I'm Not Saying, I'm Just Saying

"An insightful guide for readers, writers, and instructors from all walks of life," this manifesto and practical guide challenges current models of craft and the writing workshop by showing how they fail marginalized writers, and how cultural expectations inform storytelling (Kirkus Reviews). The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing--including plot, character, conflict, structure, and believability--and aspects of workshop--including the silenced writer and the imagined reader-- Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces? Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, "When we write fiction, we write the world."

Rethinking Fiction Writing and Workshopping

Craft in the Real World

To Grieve Is To Carry Another Time

Adam Peterson

Kyle Hemmings

Miah Arnold

Chantel Tattoli

NANO Fiction (print ISSN 1935-844X; digital ISSN 2160-939X) is non-profit literary journal that publishes flash fiction—a form of short story also known as micro fiction, micro narrative, micro-story, microrrelatos, postcard fiction, the short short, the short short story, kürzestgeschichten, and sudden fiction—of 300 words or fewer. Featuring twenty to thirty authors in each issue, NANO Fiction has roots that draw from Aesop’s Fables and Zen Koans. Notable practitioners of this prose form include Lydia Davis, Franz Kafka, Italo Calvino, Ignacio Martínez de Pisón, Naguib Mahfouz, and Linor Goralik, among others. This issue of NANO Fiction features works by: Miah Arnold, Carroll Beauvais, Sonya L. Bilocerkowycz, Christopher Citro, Shome Dasgupta, Jesse DeLong,Erik Doughty, Meredith K. Gray, Lauren Hall, Sarah E. Harris, Joshua R. Helms, Kyle Hemmings, Judy Huddleston, Paul Kavanagh, Lindsey Kempton, Meghan Lamb, Robert Lunday, Meggie Monahan, Kevin O’Cuinn, Erica Olsen, Adam Peterson, Jason Poland, Matthew Salesses, Chantel Tattoli, Elizabeth Wade, Joshua Ware, David Wirthlin, Nicholas Y.B. Wong, Brennen Wysong, Matthew Yeager, David Yost, and Jessica Young.

NANO Fiction Volume 5 Number 1

Fiction. Asian American Studies. In 1953, after the end of the Korean War, 23 POWs refused to repatriate to America. THE LAST REPATRIATE tells the story of Theodore Dickerson, a prisoner who eventually returns to his home in Virginia in the midst of the McCarthy Era. He is welcomed back as a hero, though he has not returned unscathed. The lasting effects of the POW camp and troubles with his ex-fiancée complicate his new marriage as he struggles to readjust to the Virginia he holds dear. "A harrowing story rendered in balletic prose, THE LAST REPATRIATE draws us inside a war of the body and of the heart-a confirmation of Salesses's inventive, ambitious, big-hearted brilliance."—Laura van den Berg "Matthew Salesses is a writer to embrace. In their beauty, strangeness, and heart, his fictions are a gift."—Paul Yoon "Salesses's examination of the troubled mind of a Korean War POW returning home is pensive and brooding. A subtly painful psychological journey."—James Franco

Matthew Salesses

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