Kendall H. Brown

Minneapolis Institute of Arts

Matthew Welch

Laura W. Allen

Eugene M. Skibbe

Yasunaga Koichi

This major exhibition presents over 160 oil paintings, watercolors and woodblock prints by eight artists from a single family spanning four generations and over 100 years. Featured artists include Kasaburo Yoshida, Hiroshi Yoshida, Toshi Yoshida, Hodaka Yoshida, and the Yoshida women: Fujio, Chizuko, Kiso, and Ayomi, with approximately 20 oil paintings, 15 watercolors, and 100 woodblock prints, several sketchbooks, and other supporting photographs. These fine works are drawn from both public and private collections, most notably The Minneapolis Institute of Arts, the Toledo Museum of Art, Margaret and Eugene Skibbe (Minneapolis), the Tokyo National Museum, The Fukuoka Art Museum, and the Yoshida family.The catalogue features essays by Koichi Yasunaga, chief curator at the Fukuoka Art Museum, Kendall Brown, professor at California State, Long Beach, Laura W. Allen of San Francisco, Eugene M. Skibbe of Minneapolis and Matthew Welch, curator of Japanese art at The Minneapolis Institute of Arts. They provide new insights into each artist as well as a broad view of major issues confronting Japanese art in the late 19th and 20th century. The unique perspective of a single family also offers a rare opportunity to examine how family ties impact artistic creation.

Four Generations of Yoshida Family Artists

A Japanese Legacy

Richard Bresnahan

"Body of Clay, Soul of Fire" will delight art lovers, potters, and collectors, as well as everyone who is interested in Japanese and Benedictine traditions. Richard Bresnahan is a preeminent American potter and an ambassador for the natural environment. Reared on a farm in North Dakota, he graduated from Saint John's University in Collegeville, Minnesota, and apprenticed as a potter in Japan. Returning to Saint John's, where he is an artist in residence, he built a massive wood-burning kiln, which, with its innovative flame flues and water channels, dwarfs all other North American kilns. By digging his own clay, using local seeds and hulls as glazing materials, and firing with deadfall, Bresnahan also practices a brand of environmentalism worthy of his Benedictine surroundings.

Richard Bresnahan and the Saint John's Pottery

Body of Clay, Soul of Fire

The Scottish Highland Bagpipe, now heard around the globe, has long enchanted musicians and listeners for it's brilliant tone, humming drones, and its profoundly stirring music. Mirroring Joseph MacDonald's unprecedented and encyclopedic treatise of staff notations of the Highland bagpipe (1760-1803), Dr. Matthew Welch's A New Compleat Theory for The Highland Bagpipe charts the complete (or the archaic "compleat') trajectory of the use of the Highland Bagpipe up to 2020. Terse and insightful, this treatise will educate both the piper and composer. Included in Part II is a selection of Dr. Welch's original and inventive compositions for the bagpipe in an array of traditional and modern forms."It seems in the world of music connected to the Great Highland Bagpipe a book comes along every 250 years or so that offers up a fresh view of the music - and its place in the world. In his "A New Compleat Theory" noted performer, composer and scholar, Matthew Welch succeeds in doing just that: a remarkable and rare amalgam of ideas that respect tradition while showcasing the broad - and exciting - potential of the instrument. A must-have for anyone who has ever held - or heard - a bagpipe." - Michael Grey, acclaimed composer and piper, Dunaber Music"As a composer of new music for the highland bagpipe, Matthew Welch is a bold pioneer, an explorer of uncharted territories. Many of Matthew's compositions explore ideas new to the world of piping; often unique and exciting, always mindfully crafted and thought-provoking. Although Matthew often builds on the established idioms of the traditional piping repertoire, ranging from jigs and reels to piobaireachd, he produces original new music that progresses piping to new realms. An examination of the music presented in this book will reveal a sense of humour, a sense of madness - a mad genius!" - Mark Saul, composer-piper and electronic musician

A New Compleat Theory for the Highland Bagpipe

Matthew Welch

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