Maureen N. McLane

Combines criticism and memoir to examine the poets that had the greatest effect on the author's life, including Chaucer and Shelley.

My Poets

A collection of poems by award-winning American poet Maureen McLane.

Poems

World Enough

A dazzling collection of poems exploring the mental landscape of our moment Maureen N. McLane’s Some Say revolves around a dazzling “old sun.” Here are poems on sex and death; here are poems testing the “bankrupt idea / of nature.” Some Say offers an erotics of attention; a mind roaming, registering, and intermittently blocked; a mortal poet going “nowhere fast but where / we’re all going.” From smartphones to dead gods to the beloved’s body, Some Say charts “the weather of an old day / suckerpunched” into the now. Following on her bravura Mz N: the serial: A Poem-in-Episodes, McLane bends lyric to the torque of our moment—and of any moment under the given sun. Some Say encompasses full-barreled odes and austere lines, whiplashing discourse and minimal notations. In her fifth book of poems, McLane continues her “songs of a season” even as she responds to new vibrations—political, geological, transpersonal, trans-specific. Moving through forests and cities, up mountains, across oceans, toward a common interior, she sounds out the ecological mesh of the animate and inanimate. These are poems that make tracks in our “unmarked dark” as the poet explores “a cosmos full / of people and black holes.” From its troubled, exhilarated dawns to its scanned night sky, Some Say is both a furthering and a summation by a poet scouring and singing the world “full // as it always was / of wings / of meaning and nothing.”

Some Say

A first full-length volume of poetic works by a Harvard lecturer features sensory pieces that evoke the author's experiences with passion, humor, and understanding, in a collection that explores a wide range of topics, from DNA and history to video porn and mythology.

Same Life

The acclaimed poet, memoirist, and essayist Maureen N. McLane here charts a new path into vital genre-bending territories. Not a verse novel, not a verse memoir, Mz N: the serial: A Poem-in-Episodes offers something else--"life . . . a continual allegory" (to invoke Keats): a life intense, episodic, female, sexual, philosophical, romantic, analytic. Tracking the growth of one poet's mind, switchbacking its way through American English, Mz N toggles between story and song. This is a poetry both "furious / & alive." Alive to the lash of love, the longueurs of adolescence, the limits of identity, Mz N: the serial: A Poem-in-Episodes is a bravura experiment in life-writing--an assaying, a testing, a transforming, an honoring of the tentative and the torqued. What is it to be contemporary, to be "one / among other ones" in a "cracking world"? How does a body vibrate into being? How is a mind made out of other minds? Seizing the queer realities of any life, Mz N explores how one is surprised, seduced, and struck into speech, thought, song, silence. "Then, what is life?" cried Shelley. So too Mz N.

A Poem-in-Episodes

Mz N: the serial

Presents the author's third poetry collection, containing songs for a new century and poems that are both archaic and wholly now.

This Blue

Acclaimed poet and critic Maureen N. McLane offers an experimental work of criticism ranging across Romantic and contemporary poetry. In My Poetics, Maureen N. McLane writes as a poet, critic, theorist, and scholar—but above all as an impassioned reader. Written in an innovative, conversable style, McLane’s essays illuminate her own poetics and suggest more generally all that poetics can encompass. Ranging widely from romantic-era odes and hymns to anonymous ballads to haikus and haibuns to modernist and contemporary poetries in English, My Poetics explores poems as speculative instruments and as ways of registering our very sense of being alive. McLane pursues a number of open questions: How do poems generate modes for thinking? How does rhyme help us measure out thought? What is the relation of poetry to its surroundings, and how do specific poems activate that relation? If, as Wallace Stevens wrote, “poetry is the scholar’s art,” My Poetics flies under a slightly different banner: study and criticism are also the poet’s art. Punctuated with McLane’s poems and drawing variously on Hannah Arendt, Percy Bysshe Shelley, Roland Barthes, Bruno Latour, and other writers and poets, My Poetics is a formally as well as intellectually adventurous work. Its artful arrangement of readings and divagations shows us a way to be with poems and poetics.

My Poetics

Gathering the best of her first five collections, a 'sexy, cerebral and romantic' introduction to one of the US's most charismatic and original poets Loose-limbed, freewheeling and conversational yet musically taut, Maureen N. McLane's poetry has been described as having 'a tonal register somewhere between teenage fangirl and Wordsworth professor' (London Review of Books). What I'm Looking For gathers selections from her first five books of poetry, from the mixture of love poems and breezy skewerings of Great Literature that characterize her debut, Same Life, to the later collections' shadowing of a mind roaming wittily through nature, philosophy, music and sex, and the bravura life-story-in-episodes of Mz N: the serial. Brainy, funny, passionate, uncool and always utterly charming, these 'sexy, cerebral and romantic' poems (The New York Times Book Review) will make you 'laugh, cry and think in quick succession, or all at once' (Sarah Howe).

Selected Poems 2005–2017

What I'm Looking For

"A philosophical and sensual exploration of identity from the National Book Award finalist"--

Mz N: the Serial

More than any other period of British literature, Romanticism is strongly identified with a single genre. Romantic poetry has been one of the most enduring, best loved, most widely read and most frequently studied genres for two centuries and remains no less so today. This Companion offers a comprehensive overview and interpretation of the poetry of the period in its literary and historical contexts. The essays consider its metrical, formal, and linguistic features; its relation to history; its influence on other genres; its reflections of empire and nationalism, both within and outside the British Isles; and the various implications of oral transmission and the rapid expansion of print culture and mass readership. Attention is given to the work of less well-known or recently rediscovered authors, alongside the achievements of some of the greatest poets in the English language: Wordsworth, Coleridge, Blake, Scott, Burns, Keats, Shelley, Byron and Clare.

The Cambridge Companion to British Romantic Poetry

Selected poems of Maureen N. McLane More Anon gathers a selection of poems from Maureen N. McLane’s critically acclaimed first five books of poetry. McLane, whose 2014 collection This Blue was a finalist for the National Book Award, is a poet of wit and play, of romanticism and intellect, of song and polemic. More Anon presents her work anew. The poems spark with life, and the concentrated selection showcases her energy and style. As Parul Seghal wrote in Bookforum, “To read McLane is to be reminded that the brain may be an organ, but the mind is a muscle. Hers is a roving, amphibious intelligence; she’s at home in the essay and the fragment, the polemic and the elegy.” In More Anon, McLane—a poet, scholar, and prizewinning critic—displays the full range of her vertiginous mind and daring experimentation.

Maureen N. McLane

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