Mel Gordon

This sourcebook of hundreds of rare visual delights from pre-Nazi, Cabaret-period of Weimar Berlin has the distinction of being praised both by scholars and avatars of contemporary culture, inspiring hip club-goers, filmmakers, gay historians, graphic designers and musicians like the Dresden Dolls and Marilyn Manson. This expanded edition includes the new illustrated chapter Sex, Magic and the Occult, documenting German pagan cults and their bizarre erotic rituals, including instructions for entering into the Sexual Fourth Dimension.

The Erotic World of Weimar Berlin

Voluptuous Panic

Rediscover the Paris stage sensation devoted to gruesome depictions of violence and sex, now with a color insert of posters.

The Grisly Spectacle of the Grand Guignol of Paris, 1897-1962

Theater of Fear and Horror

The Theatre of the Grand Guignol, which began in turn-of-the-century Paris, celebrated horror and fear. Innocent victims, mangled beauty, insanity, mutilation, depravity and guilt were its primary themes. This text examines its history, themes and methods and summarizes its plots.

The Grand Guignol

The well-illustrated biography of Weimar Berlin's sordid and influential artist, dancer, playwright and actress.

Weimar Berlin's Priestess of Depravity

The Seven Addictions and Five Professions of Anita Berber

The first victim of the Holocaust also supported the Third Reich.

Hitler's Jewish Clairvoyant

Erik Jan Hanussen

"An important addition to the literature on Italian Commedia dell'Arte."--Choice This best-selling PAJ volume presents over 250 comedy routines used by commedia performers in Europe from 1550 to 1750. Includes an introduction, two complete commedia scenarios, and a glossary of commedia characters.

The Comic Routines of the Commedia Dell'arte

Lazzi

One of the most controversial and ironic of twentieth-century modernisms, Dada swept through the arts after the shock of World War I, when poets, painters, filmmakers, and performers joined forces to challenge conventions of society and art. The only collection of its kind, this volume includes writings by leading Dadaists: Hugo Ball, Kurt Schwitters, Richard Huelsenbeck, Roger Vitrac, Tristan Tzara, Emmy Hennings, Francis Picabia, and others.

Dada Performance

Jerry Siegel and Joe Shuster created two superheroes. One is Superman. The other is Funnyman, and this book details his amazing back story. Inside find reproductions from Funnyman, s rare comic books, Sunday funnies and daily strips. Revealed by au..

The First Jewish Superhero, from the Creators of Superman

Siegel and Shuster's Funnyman

Thomas Andrae

Here is a kaleidoscopic analysis of Jewish humor as seen through Funnyman, a little-known super-heroic invention by the creators of Superman. Included are complete comic-book stories and daily and Sunday newspaper panels from Jerry Siegel and Joe Shuster’s creative fiasco. Siegel and Shuster, two Jewish teenagers from Cleveland, sold the rights to their amazing and astonishingly lucrative comic book superhero to Detective Comics for $130 in 1938. Not only did they lose the ownership of the Superman character, they also agreed to write and illustrate it for ten years at ten dollars per page. Their contract with the DC publishers was soon heralded as the most foolish agreement in the history of American popular culture. After toiling on workman’s wages for a decade, Siegel and Shuster struggled to come up with a new superhero, one that would right their wrongs and prove that justice, fair-play, and zany craftsmanship was the true American way and would lead to ultimate victory. But when the naïve duo launched their new comic character Funnyman in 1947, it failed miserably. All the turmoil and personal disasters in Siegel and Shuster’s postwar life percolated into the comic strip. This book tells the back story of the unsuccessful strip and Siegel and Shuster’s ambition to have their funny Jewish superhero trump Superman. Mel Gordon is the author of Voluptuous Panic: The Erotic World of Weimar Berlin. Thomas Andrae is the author of Batman and Me.

Tom Andrae

Documenting the amazing back story of the world's first Jewish superhero, Siegel and Shuster's Funnyman is an important document of comics and Jewish history. Funnyman, aka Larry Davis, is a red-haired television comedian whose agent talks him into performing a superhero-like stunt in order to obtain publicity. This stunt goes wrong when Larry finds himself in a real crime scene. Larry stops this criminal, not knowing what he is doing is real until after the fact. Discovering that he enjoys fighting crime, Larry begins a career as the costumed crime fighter Funnyman.

"Bloodcurdling shrieks, fiendish schemes, deeds of darkness, mayhem and mutilation—we all have a rough idea of what Grand Guignol stands for. But until now it has been hard to find out much more about it than that. According to the American theater historian Mel Gordon, no major history of the theater so much as mentions it, although it is a form of entertainment that held its own on the Paris stage for more than half a century. But Mr. Gordon has made a thorough job of filling the gap."—John Gross, The New York Times Here is the expanded edition of classic outré book, The Grand Guignol, first published in 1988 and now long out of print. Like the original anthology, it includes an illustrated introduction to the theater of Paris and abroad, a breakdown of its stage tricks, a summary of one hundred plots, extensive photo documentation, André de Lord's essay, "Fear in Literature," and two originally produced Grand Guignol scripts. The expanded edition also contains additional graphic and textual material including a color insert of Grand Guignol posters; the 1938 autobiographical account of Maxa, the company's leading female performer entitled "I Am the Maddest Woman in the World"; and the controversial playscript Orgy in the Lighthouse.

Mel Gordon

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