Meredith Hambrock

A darkly comic suspense in the vein of All’s Well and Yellowface, She’s a Lamb! is an edgy and incisive novel that marches toward showtime with a growing unease about the dangers of magical thinking and the depths of delusion

Jessamyn St. Germain is meant to be a star. Not an actor who occasionally books yogurt commercials and certainly not a lowly usher at one of Vancouver’s smallest regional theaters. No, she is bound for greatness, and that’s why the part of Maria in the theater’s upcoming production of The Sound of Music is hers. Or it’s going to be.

Jessamyn may have been relegated to the position of childminder for the little brats playing the von Trapp children, but it’s so obvious she’s there for a different reason — the director wants her close to the role so when Samantha, the lead, inevitably fails, Jessamyn will be there to take her place in the spotlight.

This must be it. Because if it isn’t, well, then every skipped meal, every brutal rehearsal, every inch won against a man attempting to drag her down will have all been for nothing.

Sharp, relentless, and darkly funny, She’s a Lamb! is a cutting satire about the grotesque pall patriarchy casts over one woman’s delusional quest to achieve her dreams and the depths she will sink to for a chance at the life she’s convinced she deserves.

She's a Lamb!

Baby’s down—and could be out for good—when she faces off with forces bent on turning her lakeside paradise into a living hell, for fans of Alissa Nutting and Amy Engel. Baby’s heart is in the right place, but she’s got problems—namely, a fierce taste for booze and an on-again, off-again boyfriend who can't commit. She’s living and working at Oakwood Hills, a crumbling lakeside resort, with her friends, Crystal Nugget and DJ Overalls, reeling since her step-mom died of a stroke. And now, the return of the local drug kingpin, Bad Mike, is about to throw her already unstable summer into full-blown chaos. To make matters worse, the owner of Oakwood Hills announces plans to sell the resort to Amelia, her boyfriend's wealthy twin sister, who plans to renovate it, sucking the life out of the only home Baby's ever known. Desperate to thwart the sale, Baby and her friends decide to try to recover a sunken treasure rumored to be sitting at the bottom of the lake. But Bad Mike also has his eyes on the prize and when the search gets criminal, Baby will be forced to walk down a road full of hidden secrets that will change how she sees herself—and her life—forever.

A Novel

Other People's Secrets

A darkly comic suspense in the vein of All’s Well and Yellowface, She’s a Lamb! is an edgy and incisive novel that marches toward showtime with a growing unease about the dangers of magical thinking and the depths of delusion Jessamyn St. Germain is meant to be a star. Not an actor who occasionally books yogurt commercials and certainly not a lowly usher at one of Vancouver’s smallest regional theaters. No, she is bound for greatness, and that’s why the part of Maria in the theater’s upcoming production of The Sound of Music is hers. Or it’s going to be. Jessamyn may have been relegated to the position of childminder for the little brats playing the von Trapp children, but it’s so obvious she’s there for a different reason — the director wants her close to the role so when Samantha, the lead, inevitably fails, Jessamyn will be there to take her place in the spotlight. This must be it. Because if it isn’t, well, then every skipped meal, every brutal rehearsal, every inch won against a man attempting to drag her down will have all been for nothing. Sharp, relentless, and darkly funny, She’s a Lamb! is a cutting satire about the grotesque pall patriarchy casts over one woman’s delusional quest to achieve her dreams and the depths she will sink to for a chance at the life she’s convinced she deserves.

She’s a Lamb!

This young adult novel is about a sixteen year old girl named Sia. Every morning when Sia wakes up she drags her canoe to the river and paddles south. She has no idea who she is and has been traveling for four hundred eleven days alone, seeing no one, chasing a dream of a brother she isn't sure exists. On day four hundred twelve she meets Noah, a boy whose circumstances are strikingly similar to her own and everything starts to change. The novel follows Sia on a quest for her identity as she is captured and thrust into a conflict that has been brewing between a group of humans living on space ships in the sky and a group of rebel freedom fighters who will do anything to keep them off the ground.

Meredith Hambrock

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