Michael A. Sells

The subject of Mystical Languages of Unsaying is an important but neglected mode of mystical discourse, apophasis. which literally means "speaking away." Sometimes translated as "negative theology," apophatic discourse embraces the impossibility of naming something that is ineffable by continually turning back upon its own propositions and names. In this close study of apophasis in Greek, Christian, and Islamic texts, Michael Sells offers a sustained, critical account of how apophatic language works, the conventions, logic, and paradoxes it employs, and the dilemmas encountered in any attempt to analyze it. This book includes readings of the most rigorously apophatic texts of Plotinus, John the Scot Eriugena, Ibn Arabi, Marguerite Porete, and Meister Eckhart, with comparative reference to important apophatic writers in the Jewish tradition, such as Abraham Abulafia and Moses de Leon. Sells reveals essential common features in the writings of these authors, despite their wide-ranging differences in era, tradition, and theology. By showing how apophasis works as a mode of discourse rather than as a negative theology, this work opens a rich heritage to reevaluation. Sells demonstrates that the more radical claims of apophatic writers—claims that critics have often dismissed as hyperbolic or condemned as pantheistic or nihilistic—are vital to an adequate account of the mystical languages of unsaying. This work also has important implications for the relationship of classical apophasis to contemporary languages of the unsayable. Sells challenges many widely circulated characterizations of apophasis among deconstructionists as well as a number of common notions about medieval thought and gender relations in medieval mysticism.

Mystical Languages of Unsaying

The recent atrocities in Bosnia-Herzegovina have stunned people throughout the world. With Holocaust memories still painfully vivid, a question haunts us: how is this savagery possible? Michael A. Sells answers by demonstrating that the Bosnian conflict is not simply a civil war or a feud of age-old adversaries. It is, he says, a systematic campaign of genocide and a Christian holy war spurred by religious mythologies. This passionate yet reasoned book examines how religious stereotyping—in popular and official discourse—has fueled Serbian and Croatian ethnic hatreds. Sells, who is himself Serbian American, traces the cultural logic of genocide to the manipulation by Serb nationalists of the symbolism of Christ's death, in which Muslims are "Christ-killers" and Judases who must be mercilessly destroyed. He shows how "Christoslavic" religious nationalism became a central part of Croat and Serbian politics, pointing out that intellectuals and clergy were key instruments in assimilating extreme religious and political ideas. Sells also elucidates the ways that Western policy makers have rewarded the perpetrators of the genocide and punished the victims. He concludes with a discussion of how the multireligious nature of Bosnian society has been a bridge between Christendom and Islam, symbolized by the now-destroyed bridge at Mostar. Drawing on historical documents, unpublished United Nations reports, articles from Serbian and Bosnian media, personal contacts in the region, and Internet postings, Sells reveals the central role played by religious mythology in the Bosnian tragedy. In addition, he makes clear how much is at stake for the entire world in the struggle to preserve Bosnia's existence as a multireligious society.

Religion and Genocide in Bosnia

The Bridge Betrayed

Emran Qureshi

Not since the Crusades of the Middle Ages has Islam evoked the degree of fear, hostility, and ethnic and religious stereotyping that is evident throughout Western culture today. As conflicts continue to proliferate around the globe, the perception of a colossal, unyielding, and unavoidable struggle between Islam and the West has intensified. These numerous conflicts, both actual and ideological, have revived fears of an ongoing "clash of civilizations"—an intractable and irreconcilable conflict of values between Western cultures and an Islam that is portrayed as hostile and alien. The New Crusades takes head-on the idea of an emergent "Cold War" between Islam and the West. It explores the historical, political, and institutional forces that have raised the specter of a threatening and monolithic Muslim enemy and provides a nuanced critique of much received wisdom on the topic, particularly the "clash of civilizations" theory. Bringing together twelve of the most influential thinkers in Middle Eastern and religious studies—including Edward Said, Roy Mottahedeh, and Fatema Mernissi—this timely collection confronts such depictions of the Arab-Islamic world, showing their inner workings and how they both empower and shield from scrutiny Islamic radicals who operate from similar paradigms of inevitable and absolute conflict.

Michael A. Sells

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