Michael Crummey

Richly imagined and compulsively readable, The Innocents is a riveting story of hardship and survival, and an unflinching exploration of the bond between siblings. SHORTLISTED FOR THE GILLER PRIZE, THE GOVERNOR GENERAL'S PRIZE, AND THE ROGER'S WRITER'S TRUST FICTION AWARD In centuries past, a brother and sister are orphaned in an isolated outport cove on Newfoundland's northern coastline. Their home is a stretch of rocky shore governed by the feral ocean and a relentless pendulum of abundance and murderous scarcity. Still children with only the barest notion of the outside world, they have nothing but their family's boat and the little knowledge passed on haphazardly by their mother and father to help them survive. Muddling through the severe round of the seasons, through years of meagre catches and storms and ravaging illness, it is their fierce loyalty to each other that motivates and sustains them. But as seasons pass and they wade deeper into the mystery of their own natures, even that loyalty will be tested. 'A gripping and credible page-turner about children surviving in the wilderness, but more than that: this Adam and Eve struggle to make sense of a world that's somewhere between Eden and Hell. Michael Crummey writes like an avenging angel, never putting a word wrong' - Emma Donoghue, author of Room 'An extraordinary novel, emotionally precise, vivid in its portrayal of nature, and subtle in its exploration of the relationship between life and story' - Wall Street Journal 'In The Innocents, Mr Crummey, a Newfoundland native, captures in hypnotic prose the force of the driving sea and the ways of a beautiful, barren place where Evered and Ada are cast adrift' - The Economist 'Imagine Into the Wild with prepubescents, told in the voice of a William Blake acolyte as verbally inventive as Tolkien... The Innocents is a survivor narrative and a psychological thriller, a chilling study in isolation' - Vulture

The Innocents

Refusing to leave when the few remaining citizens of his Canadian island shore community are offered resettlement packages, enigmatic Moses Sweetland recalls the town's rugged history and colorful characters. By the award-winning author of Galore.

Sweetland

Galore

From the award-winning, bestselling author of The Innocents, a dark, enthralling novel about love and its limitations, the corruption of power and the power of corruption. In an isolated outport on Newfoundland's northern coastline, Abe Strapp is about to marry the daughter of a rival merchant to cement his hold on the shore when the Widow Caines arrives to throw the wedding and Abe's plans into chaos. That ruthless act of sabotage is the opening salvo in a battle between the man and woman who own Mockbeggar's largest mercantile firms, each fighting for the scarce resources of the north Atlantic fishery, each seeking a measure of revenge on the person they despise most in the world. As their unshakeable animosity spirals further each year into vendettas and violence, the community is increasingly divided and even the innocents in Mockbeggar find themselves forced to take sides, with devastating consequences. Through merciless seasons of uncertainty and want, through predatory storms and pandemics and marauding privateers, it is the human heart that reveals itself to be the most formidable and unpredictable adversary for each person drawn, inevitably and helplessly, into that endless feud. Compulsively readable and uncompromising, The Adversary is a pitch-perfect evocation of a lost time, and a shadowed mirror to our modern politics of grievance and retribution. It is Michael Crummey's finest novel to date.

A Novel

The Adversary

Die Unschuldigen

In Hard Light, Michael Crummey retells and reinvents his father's stories of outport Newfoundland and the Labrador fishery of a half century ago. Speaking through generations of storytellers, he conjures a world of hard toil and heavy weather, shot through with stoicism, grim humour, endurance, and love. This is writing that is supple and charged with intensity, language that vivifies --- electrifies --- whoever and whatever it describes. "Michael Crummey's lucid, dexterous writing shies away from nothing, gives us the concrete particulars of daily life, the burials and butcheries, the night-time thoughts. He knows this world from the inside." -- John Steffler

Hard Light

Set at the turn of the 19th century along Newfoundland's rugged shore, "River Thieves" tells the sad story of the extinction of the Beothuk Indians. The tragedy of miscommunication among colonists living in a crude, violent age prefigures the larger loss, that of an entire people.

River Thieves

Having achieved considerable success with his first novel, River Thieves, Michael Crummey has written a book that is equally stunning and compelling. The Wreckage is a truly epic, yet twisted, romance that unfolds over decades and continents. It engages readers on the austere shores of Newfoundland’s fishing villages and drags them across to Japanese POW camps during some of the worst events of the Second World War. Haunting, lyrical, and deeply intimate, Crummey’s language fully exposes his characters’ vulnerabilities as they struggle to come to terms with their guilt and regret over decisions made during their impulsive youths. In the fishing villages of Newfoundland we come across an itinerant Wish Furey. He’s a drifter and a projectionist, traveling from island to island bringing films to isolated communities. A Catholic in a staunchly Protestant community, working with an alcoholic, gambling partner, Wish is immediately labeled an outsider. On Little Fogo Island, he spots a desirable young woman in the audience and embarks on an unwavering mission to possess her. Mercedes Parsons – Sadie – is equally infatuated and yields to Wish's advances as much as her chaste upbringing will allow. Crummey masterfully captures the ferocity of the young romance, the coiled up sexual tension exploding in instances of pure pleasure and ending often in frustration. The pair can steal only scattered moments alone as Sadie’s mother puts up a formidable defense against Wish, whom she believes will bring only trouble. However intent he seems on winning Sadie, Wish's character remains mysteriously closed. He is painfully silent around her family, which only strengthens their mistrust. Crummey seems to purposefully disclose only the barest of Wish's intimate thoughts and motivations. While the romance intensifies, Crummey casts his lovers in a wider shadow. He brings to life the Newfoundland coastline, its unforgiving waters, the religious fervor and prejudice of its inhabitants, their ceaseless work, and the collective anxiety about the burgeoning war. Unable to defeat Sadie’s mother, and unable to quell his conscience after Sadie's breathless pleading, "Don't make a whore of me," Wish flees to St. John’s and enlists in the British army. Sadie embarks on a frantic pursuit only to find him gone. Defying her family she stays in the capital, building a new life, the reality of Wish's disappearance – the acute, constant ache of it – gradually settling in. Wish lands somewhere in southeast Asia and then, finally, in a Japanese POW camp. He suffers agonizing torture under a particularly cruel guard known initially as the Interpreter. We have met the Interpreter already. Crummey has woven this man's narrative through the novel, slowly revealing the origins of his unique hatred toward the Canadian prisoners. Born in British Columbia, Nishino has experienced a harsh brand of discrimination. It is through Nishino that Crummey provides a chilling example of how prejudice can breed exceptionally brutal cycles of violence. Crummey unveils the depths of his characters’ personalities with slow deliberation. The layers of their pain, suffering, and love are peeled back with each recounted memory as the novel makes its transition into contemporary times. With each memory that is unleashed the reader comes closer to understanding the choices the protagonists made, the consequences they endured, and their subsequent feelings of frustration and guilt. Fifty years after Sadie’s flight from St. John’s, she returns to Newfoundland to scatter the ashes of her dead husband and collides with Wish whom she believed dead. Sadie reflects, “It was like being handed a photograph from a stranger’s collection, one more unexpected glimpse of that face when she thought her memories of it were complete.” Memories can be taken out, tampered with, much like the film of the projectionist. It is here that Crummey cracks open Wish's character. There is a flood of revelations; his sexual exploits as a teenager, the bet made that he could conquer Sadie, Nishino's murder, and his own troubling reaction to it. It's a narrative coup. The reader is left, as Sadie is, stunned and grappling with these revelations and how our perceptions of his character have been altered. Wish is angry, sullen, and paralyzed with guilt. Yet he is still capable of love and being loved and Sadie is the only one left to remind him. It is a testament to Crummey’s gifts as a novelist that he can flow quite easily through time, across landscapes, and between vastly different characters. He vividly captures the mental and physical anguish Wish experienced in the prison camps, and with calm lucidity explores the motives of a Japanese soldier whose actions seem inhumanly cold and calculating. Crummey toys with the readers’ sympathies, suggesting there are few distinctions between the enemy and us. He incorporates heartbreaking tragedy – the dropping of the atom bomb, lynchings in America, murderous revenge – to underscore the darker side of humanity. Crummey shows that we are capable of violence, but in the end he proves we are also capable of redemption, forgiveness, and can be led, unashamed, back to the ones we love. From the Hardcover edition.

The Wreckage

The brilliant new collection from Michael Crummey, bestselling author of Galore. Michael Crummey's first collection in a decade has something for everyone: Love and marriage and airport grief; how not to get laid in a Newfoundland mining town; total immersion baptism; the grand machinery of decay; migrant music and invisible crowns and mortifying engagements with babysitters; the transcendent properties of home brew. Whether charting the merciless complications of childhood, or the unpredictable consolations of middle age, these are poems of magic and ruin. Under the Keel affirms Crummey's place as one of our necessary writers.

Under the Keel

Lisa Moore

Carmelita McGrath

Mary Dalton

Mark Callanan

Robin McGrath

Agnes Walsh

Writers' Alliance of Newfoundland and Labrador

Riddle Fence

Arguments with Gravity

Surviving Poetry in the 21st Century

Burn Barrel

Stan Dragland

"A retrospective look at the career of NL artist Gerald Squires, fully illustrated, with essays by the renowned critic Stan Dragland and creative writer Michael Crummey."--

Gerald Squires

Poems by Michael Crummey; Wood Engravings by Alan Stein [prospectus].

Viewfinder

At the turn of the nineteenth century, naval officer David Buchan arrives in the Bay of Exploits with orders to establish contact with the Beothuk or "Red Indians," the aboriginal inhabitants of Newfoundland facing extinction. When Buchan approaches the area's most influential white settlers, the Peytons, for advice and assistance, he enters a shadowy world of allegiances and old grudges that he can only dimly apprehend. His closest ally, John Peyton Jr., maintains an uneasy balance between duty to his father—a domineering patriarch with a reputation as a ruthless persecutor of the Beothuk—and his troubled conscience. When Buchan's peace expedition into "Indian country" goes awry, the rift between father and son deepens and begins to divide those closest to them. Years later, a second expedition leads to the kidnapping of an Indian woman and the murder of her husband and Buchan returns to investigate. As the officer attempts to uncover what really happened on the Red Indians' lake, a delicate web of obligation and debt slowly unravels. An enthralling story of great passion and suspense, vividly set in the stark Newfoundland landscape and driven by an extraordinary cast of characters, River Thieves captures both the vast sweep of history and the intimate lives of those caught in its wake.

Salvage is a beautifully crafted new book of poems. It opens with a signpost alerting the reader to “Poems about Loss/ Next 100 Pages,” poems about loved ones, relationships, innocence, faith – all gone. But paradoxically people and events in Michael Crummey’s embrace are too vivid to fade away. Summer and winter visits to a Finnish cemetery in Northern Ontario, the aftermath of a mysterious act of arson in Kingston, Ontario, a run around fogged-in Quidi Vidi Lake, St. John’s, Newfoundland – these experiences and others are rendered indelible in spare, luminous poems infused with conscience and heightened attention. Michael Crummey will break your heart and mend it too.

Salvage

Twenty years after the publication of his debut, Little Dogs: New and Selected Poems brings together selections from Michael Crummey’s first four books of poetry with a significant offering of new work. In this collection, Crummey emerges not only as the master storyteller we know him to be, but also as one of our great poets of connection. Whether reporting from a solitary room or a shared bed, recalling the barbed delirium of adolescence, the subtler negotiations of mature love, or the generational echoes between fathers and sons, these poems are deeply engaged in the business of living with others. Of living with the absence of those who have shaped and sometimes scarred us. Unafraid of confronting the darker corners of desire or of digging into the past to make sense of the present, Crummey has already given us a tremendous body of work. Little Dogs showcases the evolution of one the most distinct and celebrated Canadian writers of his generation.

New and Selected Poems

Little Dogs

The epic tale of an endangered Newfoundland community and the struggles of one man determined to resist its extinction. The scarcely populated town of Sweetland clings to the shore of a remote Canadian island. Its slow decline has finally reached a head, with the mainland government offering each islander a generous resettlement package— the only stipulation being that everyone must leave. Fierce and enigmatic Moses Sweetland, whose ancestors founded the island, is determined to refuse. As one by one his neighbors relent, he recalls the town’s rugged history and its eccentric cast of characters. For fans of The Shipping News, Michael Crummey’s prose conjures up the mythical, sublime world of Sweetland’s past amid a storm-battered landscape haunted by local lore. In a spare style that belies “huge emotional depth and heart” (Celeste Ng, author of Everything I Never Told You), Crummey masterfully weaves together the past and present, creating in Sweetland a spectacular portrait of one man’s battle to survive as his world vanishes around him. Winner of Newfoundland Book Award Short-listed for the Governor’s General Award Winner of the CBC Bookie Award for Fiction Finalist for the Winterset Prize

Sweetland: A Novel

"In Hard Light Michael Crummey retells and reinvents his father's stories of outport Newfoundland and the Labrador fishery of a half century ago. Speaking through generations of storytellers, he conjures a world of hard toil and heavy weather, shot through with stoicism, grim humour, endurance, and love."--Publisher's website.

Michael Crummey

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