Michael Cunningham

The Pulitzer Prize-winning novel becomes a motion picture starring Meryl Streep, Julianne Moore, and Nicole Kidman, directed by Stephen Daldry from a screenplay by David Hare The Hours tells the story of three women: Virginia Woolf, beginning to write Mrs. Dalloway as she recuperates in a London suburb with her husband in 1923; Clarissa Vaughan, beloved friend of an acclaimed poet dying from AIDS, who in modern-day New York is planning a party in his honor; and Laura Brown, in a 1949 Los Angeles suburb, who slowly begins to feel the constraints of a perfect family and home. By the end of the novel, these three stories intertwine in remarkable ways, and finally come together in an act of subtle and haunting grace. The Hours is the winner of the 1999 Pulitzer Prize for Fiction.

A Novel

The Hours

Meg Wolitzer

Jonathan Lethem

Dave Eggers

William Finnegan

Neil Gaiman

Anthony Doerr

Salman Rushdie

Lauren Groff

Marlon James

Andrew Sean Greer

Ann Patchett

Brit Bennett

Yaa Gyasi

Sergio De La Pava

Aleksandar Hemon

George Saunders

Rabih Alameddine

Jesmyn Ward

Jennifer Egan

Louise Erdrich

Morgan Parker

Jacqueline Woodson

Steven Okazaki

Geraldine Brooks

Viet Thanh Nguyen

Scott Turow

Timothy Egan

Victor Lavalle

Moses Sumney

Moriel Rothman-Zecher

Adrian Nicole LeBlanc

Hector Tobar

Li Yiyun

Elizabeth Strout

C.J. Anders

Brenda J. Childs

David Handler

To mark its 100-year anniversary, the American Civil Liberties Union partners with award-winning authors Michael Chabon and Ayelet Waldman to bring together many of our greatest living writers, each contributing an original piece inspired by a historic ACLU case. On January 19, 1920, a small group of idealists and visionaries, including Helen Keller, Jane Addams, Roger Baldwin, and Crystal Eastman, founded the American Civil Liberties Union. A century after its creation, the ACLU remains the nation’s premier defender of the rights and freedoms guaranteed by the Constitution. In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays about landmark cases in the organization’s one-hundred-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in—Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona—need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now. Familiar or little-known, each case springs to vivid life in the hands of the acclaimed writers who dive into the history, narrate their personal experiences, and debate the questions at the heart of each issue. Hector Tobar introduces us to Ernesto Miranda, the felon whose wrongful conviction inspired the now-iconic Miranda rights—which the police would later read to the man suspected of killing him. Yaa Gyasi confronts the legacy of Brown v. Board of Education, in which the ACLU submitted a friend of- the-court brief questioning why a nation that has sent men to the moon still has public schools so unequal that they may as well be on different planets. True to the ACLU’s spirit of principled dissent, Scott Turow offers a blistering critique of the ACLU’s stance on campaign finance. These powerful stories, along with essays from Neil Gaiman, Meg Wolitzer, Salman Rushdie, Ann Patchett, Viet Thanh Nguyen, Louise Erdrich, George Saunders, and many more, remind us that the issues the ACLU has engaged over the past one hundred years remain as vital as ever today, and that we can never take our liberties for granted. Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.

Writers Reflect on 100 Years of Landmark ACLU Cases

Fight of the Century

"A twisted retelling of classic fairy tales from the novelist Michael Cunningham"--

And Other Tales

A Wild Swan

As the world changes around them, a family weathers the storms of growing up, growing older, falling in and out of love, losing the things that are most precious—and learning to go on—from the Pulitzer Prize–winning author of The Hours

April 5, 2019 : In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, troubled husband and wife, are both a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, has created a glamorous avatar online; Robbie, who now has to move out of the house—and whose departure threatens to break the family apart. Meanwhile Nathan, age ten, is taking his first uncertain steps toward independence, while Violet, five, does her best not to notice the growing rift between her parents.

April 5, 2020: As the world goes into lockdown, the brownstone is feeling more like a prison. Violet is terrified of leaving the windows open, obsessed with keeping her family safe, while Nathan attempts to skirt her rules. Isabel and Dan communicate mostly in veiled jabs and frustrated sighs. And beloved Robbie is stranded in Iceland, alone in a mountain cabin with nothing but his thoughts—and his secret Instagram life—for company.

April 5, 2021: Emerging from the worst of the crisis, the family reckons with a new, very different reality—with what they’ve learned, what they’ve lost, and how they might go on.

From the brilliant mind of Pulitzer Prize winner Michael Cunningham, Day is a searing, exquisitely crafted meditation on love and loss and the struggles and limitations of family life—how to live together and apart.

Prophetic poet Walt Whitman presides over each interlinked episode in a visionary novel set in the city of New York, featuring the same group of characters--a young boy, an older man, and a young woman--that range from "In the Machine," which takes place at the height of the Industrial Revolution, through the twenty-first-century "Children's Crusade," to "Like Beauty," set in a city of the future. Reprint. Reader's Guide available.

Specimen Days

Barrett Meeks, having lost love yet again, is walking through Central Park when he is inspired to look up; he sees a pale, translucent light that seems to regard him in a distinctly godlike way. At the same time, in Brooklyn, Tyler, Barrett's older brother, a struggling musician, is trying to write a song for Beth, his wife-to-be, who is seriously ill. Barrett, haunted by the light, turns unexpectedly to religion, while Tyler grows increasingly convinced that only drugs can release his creative

The Snow Queen

From the Pultizer Prize-winning author of ‘The Hours’, comes the story of a marriage thrown off course by a moment of mistaken identity.

By Nightfall

By nightfall

Virginia Woolf

Michael Cunningham brings together his Pulitzer Prize–winning novel with the masterpiece that inspired it, Virginia Woolf’s Mrs. Dalloway. In The Hours, the acclaimed author Michael Cunningham draws inventively on the life and work of Virginia Woolf and the story of her novel, Mrs. Dalloway, to tell the story of a group of contemporary characters struggling with the conflicting claims of love and inheritance, hope and despair. In this edition, Cunningham brings his own Pulitzer Prize–winning novel together with Woolf’s masterpiece, which has long been hailed as a groundbreaking work of literary fiction and one of the finest novels written in English. The two novels, published side by side with a new introduction by Cunningham, display the extent of their affinity, and each illuminates new facets of the other in this joint volume. In his introduction, Cunningham re-creates the wonderment of his first encounter with Mrs. Dalloway at fifteen—as he writes, “I was lost. I was gone. I never recovered.” With this edition, Cunningham allows us to disappear into the world of Woolf and into his own brilliant mind.

The Hours / Mrs. Dalloway

Solo la letteratura può restituire un senso alle nostre vite confuse e sghembe. Anzi, la letteratura è il solo specchio dentro cui la vita, riflettendosi, giunge per un momento a dire se stessa. È l'idea centrale di questo romanzo. Tre donne lo abitano. La prima è una donna famosa, una scrittrice famosa: Virginia Woolf, ritratta a un passo dal suicidio, nel 1941, e poi, a ritroso nel tempo, mentre gioca col dèmone della sua scrittura. Le altre due sono donne che abitano luoghi e tempi diversi. Clarissa Vaughan, un editor newyorkese di oggi e Laura Brown, una casalinga californiana dell'immediato dopoguerra.

Le ore

Dünyanin Sonundaki Ev

‘Unsparing and tender’ Colm Tóibín, author of Brooklyn ‘A brilliant novel from our most brilliant of writers’ Colum McCann, author of Apeirogon ‘A quietly stunning achievement’ Ocean Vuong, author of On Earth We’re Briefly Gorgeous

Hodiny

Saatler

Fairy tales for our times from the Pulitzer Prize–winning author of The Hours Named a Best Book of the Year by NPR, Slate, and Bustle A poisoned apple and a monkey’s paw with the power to change fate; a girl whose extraordinarily long hair causes catastrophe; a man with one human arm and one swan’s wing; and a house constructed of gumdrops and gingerbread. In A Wild Swan and Other Tales, the people and the talismans of lands far, far away—the mythic figures of our childhoods and the source of so much of our wonder—are transformed by Michael Cunningham into stories of sublime revelation. Here are the moments that our fairy tales forgot or deliberately concealed: the years after a spell is broken, the rapturous instant of a miracle unexpectedly realized, or the fate of a prince only half cured of a curse. Reimagined by one of the most gifted storytellers of his generation, and exquisitely illustrated by Yuko Shimizu, rarely have our bedtime stories been this dark, this perverse, or this true.

Beautifully written, sweetly melancholic and sharply observed, A Home at the End of the World is the story of people living life without a blueprint. They are outsiders, misfits in several ways: Bobby, kind and open, but haunted; clever, gay Jonathan, unhappy with his directionless life; and fiercely independent Clare, searching for a future to match her dreams. Could it be that together they might make a life for themselves, and perhaps even find love, of a strange kind?

A Home at the End of the World

A trio of stories around the writer, Virginia Woolf. In the first, set in 1923, Woolf is writing her novel, Mrs. Dalloway. The second story is on a woman reading the novel in 1949 Los Angeles, while the third is on a woman in present-day New York who has been nicknamed Mrs. Dalloway by her boyfriend.

Godziny

Ganhador do prêmio Pulitzer de Literatura de 1999, este livro de Michael Cunningham pode ser definido como a saga da consciência de três mulheres - uma real, duas fictícias - em busca de algum tipo de inserção no mundo 'normal'. A personagem real, espécie de matriz iluminadora de todo o livro, é Virginia Woolf, cujo suicídio, em 1941, é narrado de forma comovente e realista logo nas primeiras páginas. Ela, mais Laura Brown, uma dona de casa angustiada num subúrbio de Los Angeles, em 1949, e Clarissa Vaughn, editora de sucesso na Manhattan de hoje, são as protagonistas deste livro surpreendente.

As horas

In a novel of love, family inheritance, and desperation, the author offers a fictional account of Virginia Woolf's last days and her friendship with a poet living in his mother's shadow.

De komst van zijn zwager leidt bij een kunsthandelaar van middelbare leeftijd tot grote innerlijke verwarming.

Michael Cunningham

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