Michael Issacharoff

One of the first books to apply contemporary linguistic and semiotic research to drama, Discourse as Performance is an investigation into theatrical discourse - the specifically theatrical use of language in the broadest sense, from verbal utterance to non verbal uses comprising the visual elements of gesture, facial expression, movement, costume, players' bodies, properties, and decor. The book is in three parts. In the first part, the author deals with theatrical discourse proper and distinguishes between its two main modes: dialogue and stage directions. Both modes address the problem of the specificity of theatrical discourse in contrast to other types of discourse, both literary and non-literary. The dialogue raises the questions of who speaks in a play (author, characters, actors) and to whom; the stage directions raise the question of reading a play, as opposed to seeing it performed onstage. The author links these issues to speech act theory and intertextuality.

Discourse as Performance

Robin F. Jones

Performing Texts

Anna Whiteside

What is the relationship between the "real" world and fictional constructs? How is referential illusion created? The purpose of this volume is to show the close links between reference and interpretation. It examines types of literary reference, showing what it is and how it works.

Michael Issacharoff

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