Michael J. Arlen

In Passage to Ararat, which received the National Book Award in 1976, Michael J. Arlen goes beyond the portrait of his father, the famous Anglo-Armenian novelist of the 1920s, that he created in Exiles to try to discover what his father had tried to forget: Armenia and what it meant to be an Armenian, a descendant of a proud people whom conquerors had for centuries tried to exterminate. But perhaps most affectingly, Arlen tells a story as large as a whole people yet as personal as the uneasy bond between a father and a son, offering a masterful account of the affirmation and pain of kinship.

Passage to Ararat

Alice Arlen

"The ... biography of the maverick newspaperwoman, equestrian, aviatrix, and intrepid adventurer Alicia Patterson, which follows her ... exploits through the first half of the 20th century, from her troublemaking days as the middle child of complicated parents to her successes as publisher of the Pulitzer Prize-winning Newsday"--

The Adventures, Escapades, and Triumphs of Alicia Patterson: Aviatrix, Sportswoman, Journalist, Publisher

The Huntress

Say Goodbye to Sam

It will come as no surprise that Michael J. Arlen's first novel is at once romantic, disturbing, and original, an artistic achievement of impressive subtlety and force. A famous father and his estranged son meet for the first time in many years on the father's ranch in New Mexico. Tom Avery, a New York-based journalist on the edge of turning forty, thinks it's time for his new wife, Catherine, to meet his father, a celebrated Hollywood director Sam Avery. At seventy-two, Sam is still full of hell and larger than life--imperious, charming, catankerous, seductive, and dangerous. When the three come together, father and son seem doomed to increasing and potentially deadly conflict. At the same time, Tom's love for his pretty, somewhat unworldly wife is gradually transmuted by the threat of a strange, erotic triangle involving his father. The drama is enacted in a stark, real world--eagles soar in the mountains, a rider is thrown in a treacherous race--but it is also a dream world, the kind that sometimes takes over when men and women are caught up in unexpected feelings. Does Catherine, for instance, really abandon Tom for Sam? Or does Tom somehow "offer" his wife as a gift to his unapproachable father? And, for that matter, can Sam ever care about anyone but himself? Say Goodbye to Sam is concerned, in the end, with the dangers of love, and with the bravery required not only in loving someone but in being loved.

A Novel

"One doesn't have to be a panjandrum of Communications to realize that television does something to us," Michael Arlen (former TV critic of The New Yorker) writes in the Introduction to Living-Room War. He continues, "Television has a transforming effect on events. It has a transforming effect on the people who watch the transformed events-it's just hard to know what that is." Living-Room War is Arlen's valiant-and entertaining-attempt to figure out exactly what exactly television does to us. This timeless collection of essays provides a poetic look at 1960s television culture, ranging from the Vietnam war to Captain Kangaroo, from the 1968 Democratic convention to televised sports.

Living-Room War

Een 40-jarige schrijver probeert tijdens een bezoek de verhouding met zijn vader van wie hij vervreemd is, te verbeteren.

An American Verdict

From National Book Award–winner Michael J. Arlen and screenwriter Alice Arlen, here is the fascinating, adventurous life of Alicia Patterson, who became, at age thirty-four, one of the youngest and most successful newspaper publishers in America when she founded Newsday. With The Huntress, the Arlens give us a revealing picture of the lifestyle and traditions of the Patterson-Medill publishingdynasty—one of the country’s most powerful and influential newspaper families—but also Alicia’s rebellious early years and her dominating father, Joseph Patterson. Founder and editor of the New York Daily News, Patterson was a complicated and glamorous figure who in his youth had reported on Pancho Villa in Mexico and had outraged his conservative Chicago family by briefly espousing socialism. Not once but twice, first at age twenty, Alicia agreed to marry men her father chose, despite having her own more interesting suitors. He encouraged her to do the difficult training required for an aviation transport license; in 1934 she became only the tenth woman in America to receive one. Patterson brought her along to London to meet with Lord Beaverbrook, to Rome to meet Mussolini, and to Moscow in 1937, at the time of Stalin’s “show trials,” where a young George Kennan took her under his wing. Alicia caught the journalism bug writing for Liberty magazine, an offshoot of the Daily News. A trip to French Indochina highlighted her hunting skills and made the sultan of Johor an ardent admirer; another trip would involve India,the dangerous sport of pigsticking, several maharajas, and a tiger hunt. A third marriage, to Harry Guggenheim, blew hot and cold but it did last; it was with him that she started Newsday in a former car dealership on Long Island. Governor Adlai E. Stevenson, two-time Democratic candidate for president, would be one of her last admirers. With access to family archives of journals and letters, Michael and Alice Arlen have written an astonishing portrait of a maverick newspaperwoman and an intrepid adventurer, told with humor, compassion, and a profound understanding of a time and place. (With black-and-white illustrations throughout)

Michael J. Arlen

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