Michael Landy

Saleem Siddiqui

Jeff Swisher

"JBuilder Developer's Guide" provides comprehensive coverage of JBuilder from the practitioner's viewpoint. The authors develop a consolidated application throughout the chapters, allowing conceptual cohesion and illustrating the use of JBuilder to build 'real-world' applications. The examples can be compiled and run under JBuilder Personal edition, a free edition of JBuilder. "JBuilder Developer's Guide" is not version specific but explains the latest JBuilder 6, 7, and 8 features such as enterprise J2EE application development, CORBA, SOAP, XML tools, Enterprise JavaBeans, JavaServer Pages/Servlets, and JavaBeans technology. JBuilder repeatedly wins "developer's choice" awards as the best visual tool for developing Java applications.

JBuilder Developer's Guide

Ulrich Wilmes

The mechanisms and aesthetics of waste disposal have been of fascination to Michael Landy since research on early projects Scrapheap Services (1995) and Break Down (2001). Throughout his career Landy's interest in mechanical destruction has manifested in many forms - from the shredder, to the (dis)assembly line, to self-destructing kinetic works. In Scaled-Down, the artist's new body of work, he turns to the methods of industrial waste compaction. The process of destruction becomes not one of obliteration, but of transmogrification and renewal, as sculptures and drawings are re-imagined and reshaped in unsparing, compressed sculptural form. -- from press release, https://www.thomasdanegallery.com/usr/documents/exhibitions/press_release_url/210/ml_press-release.pdf.

Michael Landy H2NY

Judith Nesbitt

John Slyce

Marking the return of the artist to the large-scale installation expression, this book highlights the work, to date, of Michael Landy. It includes working drawings, installation shots and contextual texts to give an insight into the work of the artist.

National Gallery (Great Britain)

Richard Cork

Jennifer Sliwka

Colin Wiggins

British artist Michael Landy (b. 1963) is known primarily as an installation artist. His work, along with others associated with the Young British Artists (YBAs), was first catapulted to the world spotlight when it was featured in the notorious Sensation exhibition (1997). His sculptural installations and performances explore political and social themes, such as the nature of consumerism and commodity. In 2009, Landy began a three-year artist residency at the National Gallery, London. He chose to focus his project on representations of saints and their accompanying stories, often gruesome, which were once part of common culture but are now largely unknown. Landy's preoccupation with recycling narratives and repurposing imagery results in Saints Alive, the subject of this book, conceived to include drawings, collages, and a series of kinetic, interactive sculptures with moving parts and sounds.

Michael Landy

About

Books

Join the club