Michelle Arrow

Lively and insightful, Friday on our Minds shows that, far from being trivial or merely entertaining, popular culture reveals a great deal about Australia's history and about social and cultural change. --Book Jacket.

Popular Culture in Australia Since 1945

Friday on Our Minds

In 1970 homosexuality was illegal, God Save the Queen was our national anthem and women pretended to be married to access the pill. By the end of the decade conscription was scrapped, tertiary education was free, access to abortion had improved, the White Australia policy was abolished and a woman read the news on the ABC for the first time.The Seventies was the decade that shaped modern Australia. It was the decade of 'It's Time', stagflation and the Dismissal, a tumultuous period of economic and political upheaval. But the Seventies was also the era when the personal became political, when we had a Royal Commission into Human Relationships and when social movements tore down the boundary between public and private life. Women wanted childcare, equal pay, protection from violence and agency to shape their own lives. In the process, the reforms they sought -- and achieved, at least in part -- reshaped Australia's culture and rewrote our expectations of government.In a lively and engaging style, Michelle Arrow has written a new history of this transformative decade; one that is more urgent, and more resonant, than ever.

The personal, the political and the making of modern Australia

The Seventies

Clare Monagle

Jeannine Baker

There has been a lot happening on Australia's small screens. Neighbours turned 30. Struggle Street was accused of poverty porn. Pete evangelised Paleo. Gina got litigious. Netflix muscled in. The Bachelor spawned The Bachelorette. Peter Allen's maraccas were exhumed. The Labor Party ate itself. Anzac was an anti-climax. And so much more...Join us as we survey the Australian televisual landscape, and try to make sense of the myriad changes transforming what and how we watch. We've come a long way since Bruce Gyngell welcomed us to television in 1956. We now watch on demand and wherever we want, in our lounge rooms and on our devices. But some things stay the same. The small screen is still a place for imagining Australia, for better or for worse. Small Screens challenges and celebrates our contemporary TV worlds.

Essays on Contemporary Australian Television

Small Screens

Angela Woollacott

The 1970s was a decade when matters previously considered private and personal became public and political. These shifts not only transformed Australian politics, they engendered far-reaching cultural and social changes. Feminists challenged ‘man-made’ norms and sought to recover lost histories of female achievement and cultural endeavour. They made films, picked up spanners and established printing presses. The notion that ‘the personal was political’ began to transform long-held ideas about masculinity and femininity, both in public and private life. In the spaces between official discourses and everyday experience, many sought to revolutionise the lives of Australian men and women. Everyday Revolutions brings together new research on the cultural and social impact of the feminist and sexual revolutions of the 1970s in Australia. Gay Liberation and Women’s Liberation movements erupted, challenging almost every aspect of Australian life. The pill became widely available and sexuality was both celebrated and flaunted. Campaigns to decriminalise abortion and homosexuality emerged across the country. Activists set up women’s refuges, rape crisis centres and counselling services. Governments responded to new demands for representation and rights, appointing women’s advisors and funding new services. Everyday Revolutions is unique in its focus not on the activist or legislative achievements of the women’s and gay and lesbian movements, but on their cultural and social dimensions. It is a diverse and rich collection of essays that reminds us that women’s and gay liberation were revolutionary movements.

Michelle Arrow

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