Minrose Gwin

In the aftermath of a devastating tornado that rips through the town of Tupelo, Mississippi, at the height of the Great Depression, two women worlds apart—one black, one white; one a great-grandmother, the other a teenager—fight for their families’ survival in this lyrical and powerful novel “Gwin’s gift shines in the complexity of her characters and their fraught relationships with each other, their capacity for courage and hope, coupled with their passion for justice.” -- Jonis Agee, bestselling author of The River Wife A few minutes after 9 p.m. on Palm Sunday, April 5, 1936, a massive funnel cloud flashing a giant fireball and roaring like a runaway train careened into the thriving cotton-mill town of Tupelo, Mississippi, killing more than 200 people, not counting an unknown number of black citizens, one-third of Tupelo’s population, who were not included in the official casualty figures. When the tornado hits, Dovey, a local laundress, is flung by the terrifying winds into a nearby lake. Bruised and nearly drowned, she makes her way across Tupelo to find her small family—her hardworking husband, Virgil, her clever sixteen-year-old granddaughter, Dreama, and Promise, Dreama’s beautiful light-skinned three-month-old son. Slowly navigating the broken streets of Tupelo, Dovey stops at the house of the despised McNabb family. Inside, she discovers that the tornado has spared no one, including Jo, the McNabbs’ dutiful teenage daughter, who has suffered a terrible head wound. When Jo later discovers a baby in the wreckage, she is certain that she’s found her baby brother, Tommy, and vows to protect him. During the harrowing hours and days of the chaos that follows, Jo and Dovey will struggle to navigate a landscape of disaster and to battle both the demons and the history that link and haunt them. Drawing on historical events, Minrose Gwin beautifully imagines natural and human destruction in the deep South of the 1930s through the experiences of two remarkable women whose lives are indelibly connected by forces beyond their control. A story of loss, hope, despair, grit, courage, and race, Promise reminds us of the transformative power and promise that come from confronting our most troubled relations with one another.

A Novel

Promise

Following the death of their mother from a botched backwoods abortion, the McAlister daughters have to cope with the ripple effect of this tragedy as they come of age in 1950s Mississippi and then grow up to face their own impossible choices—an unforgettable, beautiful novel that is threaded throughout with the stories of mothers and daughters in pre-Roe versus Wade America. Life heads down back alleys, takes sharp left turns. Then, one fine day it jumps the track and crashes.” In the fall of 1957, Olivia McAlister is living in Opelika, Mississippi, caring for her two girls, June and Grace, and her husband, Holly. She dreams of living a much larger life--seeing the world and returning to her wartime job at a landing boat factory in New Orleans. As she watches over the birds in her yard, Olivia feels like an “accidental”—a migratory bird blown off course. When Olivia becomes pregnant again, she makes a fateful decision, compelling Grace, June, and Holly to cope in different ways. While their father digs up the backyard to build a bomb shelter, desperate to protect his family, Olivia’s spinster sister tries to take them all under her wing. But the impact of Olivia’s decision reverberates throughout Grace’s and June’s lives. Grace, caught up in an unconventional love affair, becomes one of the “girls who went away” to have a baby in secret. June, guilt-ridden for her part in exposing Grace’s pregnancy, eventually makes an unhappy marriage. Meanwhile Ed Mae Johnson, an African-American care worker in a New Orleans orphanage, is drastically impacted by Grace’s choices. As the years go by, their lives intersect in ways that reflect the unpredictable nature of bird flight that lands in accidental locations—and the consolations of imperfect return. Filled with tragedy, humor, joy, and the indomitable strength of women facing the constricted spaces of the 1950s and 60s, The Accidentals is a poignant, timely novel that reminds us of the hope and consolation that can be found in unexpected landings.

The Accidentals

"I need you to understand how ordinary it all was. . . ." In the turbulent southern summer of 1963, Millwood's white population steers clear of "Shake Rag," the black section of town. Young Florence Forrest is one of the few who crosses the line. The daughter of a burial insurance salesman with dark secrets and the town's "cake lady," whose backcountry bootleg runs lead further and further away from a brutal marriage, Florence attaches herself to her grandparents' longtime maid, Zenie Johnson. Named for Zenobia, Queen of Palmyra, Zenie treats the unwanted girl as just another chore, while telling her stories of the legendary queen's courage and cunning. The more time Florence spends in Shake Rag, the more she recognizes how completely race divides her town, and her story, far from ordinary, bears witness to the truth and brutality of her times—a truth brought to a shattering conclusion when Zenie's vibrant college-student niece, Eva Greene, arrives that fateful Mississippi summer. Minrose Gwin's The Queen of Palmyra is an unforgettable evocation of a time and a place in America—a nuanced, gripping story of race and identity.

The Queen of Palmyra

As the first NAACP field secretary for Mississippi, Medgar Wiley Evers put his life on the line to investigate racial crimes (including Emmett Till's murder) and to organize boycotts and voter registration drives. On June 12, 1963, he was shot in the back by white supremacist Byron De La Beckwith as the civil rights leader unloaded a stack of "Jim Crow Must Go" T-shirts in his own driveway. His was the first assassination of a high-ranking public figure in the civil rights movement. While Evers's death ushered in a decade of political assassinations and ignited a powder keg of racial unrest nationwide, his life of service and courage has largely been consigned to the periphery of U.S. and civil rights history. In her compelling study of collective memory and artistic production, Remembering Medgar Evers, Minrose Gwin engages the powerful body of work that has emerged in response to Evers's life and death--fiction, poetry, memoir, drama, and songs from James Baldwin, Margaret Walker, Eudora Welty, Lucille Clifton, Bob Dylan, and Willie Morris, among others. Gwin examines local news accounts about Evers, 1960s gospel and protest music as well as contemporary hip-hop, the haunting poems of Frank X Walker, and contemporary fiction such as The Help and Gwin's own novel, The Queen of Palmyra. In this study, Evers springs to life as a leader of "plural singularity," who modeled for southern African Americans a new form of cultural identity that both drew from the past and broke from it; to quote Gwendolyn Brooks, "He leaned across tomorrow." Fifty years after his untimely death, Evers still casts a long shadow. In her examination of the body of work he has inspired, Gwin probes wide-ranging questions about collective memory and art as instruments of social justice. "Remembered, Evers's life's legacy pivots to the future," she writes, "linking us to other human rights struggles, both local and global." A Sarah Mills Hodge Fund Publication.

Writing the Long Civil Rights Movement

Remembering Medgar Evers

In this brave and beautifully composed tribute to her mother, Minrose Gwin accomplishes something rare in the craft of the memoir: not merely a record of a devastating mother-daughter relationship but a redemptive act of artistic witness as well. In telling the story of her mentally ill poet mother, Erin Taylor Clayton Pitner, Gwin looks backward and forward at a southern family, linking personal and cultural malaise while also attempting to envision the person her mother longed to be, the woman Gwin never knew. Erin Taylor wasn't always crazy. Her childhood diary from 1930 reveals a cheerful, observant Mississippi girl who steadfastly wished for snow, though usually it didn't come. And when it came it didn't stick. From a dreamy college student to a young divorced mother who then remarried, grew middle aged, and began to write and publish poetry, Erin Taylor spiraled deeper and deeper into the psychosis that eventually defined her existence until her death from ovarian cancer. Gwin searches for her mother amid the poetry, letters, recipes, traffic tickets, newspaper clippings, medical reports, and quixotic lists left behind. With humor, intrigue, and sadness, her compelling memo

A Memoir

Wishing for Snow

"Graceful and impassioned, The Woman in the Red Dress offers important new approaches to narratives about father-daughter incest as well as stories that contaminate the myth of home as a safe space and map a geography of sexual violence, victimization, and survival. Gwin situates her analysis of fiction such as Morrison's The Bluest Eye. Alice Walker's The Color Purple, Dorothy Allison's Bastard out of Carolina, and Jane Smiley's A Thousand Acres within contemporary debates concerning survivor discourse, theories of domestic space, and issues of race and class. She also explores books - such as Hulme's The Bone People - that enter a murky and liminal queer space in which gender itself travels and the most claustrophic physical and social spaces can unexpectedly unhinge and open.".

Minrose Gwin

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