Minsoo Kang

A Novel

Melancholy of Untold History

A beautiful lady who can only be seen from far away, a machine that generates an entire civilization, a king who loves the hidden life of an inanimate statue, a city that appears once a year across a great chasm, an ancient Korean king assassinated in the dark of the night, a ghost that haunts soldiers on the DMZ - these are just some of the marvels you will encounter in these stories from the transcultural and metafictional imagination of Minsoo Kang. In diverse narratives grouped under the titles of Tales from a Lost History, Fables of the Dream World, and Stories from an Imaginary Homeland, Kang explores the nature and possibilities of storytelling itself as he spins out variations on an episodic theme, reinterprets an old myth, and struggles with a past that seeks a voice in the present. The result is a marvelously surrealistic landscape where histories, ideas, and legends freely intermingle and dance to the music of wonder and longing.

Of Tales and Enigmas

One of the most important and popular premodern Korean novels, The Story of Hong Gildong is a fast-paced adventure story about the illegitimate son of a nobleman who becomes the leader of a band of honest outlaws who take from the rich and punish the corrupt. Despite the importance of the work to Korean culture--it is often described as the story of the Korean Robin Hood--studies of the novel have been hindered by a number of myths, namely that it was authored in the early sixteenth century by statesman Heo Gyun, who wrote it not only in protest of Joseon-dynasty laws on the rights of illegitimate children, but also as a manifesto of his own radical political ideas. In Invincible and Righteous Outlaw, the first book-length study of the novel in English, Minsoo Kang reveals that The Story of Hong Gildong was most likely written by an anonymous mid-nineteenth-century writer whose primary concern was appealing to the increasing number of readers in the late Joseon looking to be entertained and that the myth of Heo's authorship can be traced to the writing of literary scholar Kim Taejun in the 1930s. Following a detailed examination of the history and literary significance of the novel--including analysis based on Eric Hobsbawm's work on the universal figure of the noble robber--Kang surveys the many afterlives of the hero Hong Gildong, who throughout the decades has appeared and reappeared in countless revisionist novels, films, television dramas, and comics, even inspiring the creation of a Hong Gildong theme park in South Korea. He shows how the story was altered, distorted, and reinvigorated during and after the Japanese colonial period in both the North and the South for political, social, and literary purposes. While demonstrating the continued relevance of the novel and its hero in Korean culture up to the present day, Kang makes it clear that such narratives have served mostly to distance readers from a better understanding of this classic work.

The Korean Hero Hong Gildong in Literature, History, and Culture

Invincible and Righteous Outlaw

Avrupa Imgeleminde Otomatlar Yasayan Makinelerin Olaganustu Dusleri

Walter Mosley

Christopher Caldwell

John Chu

Nghi Vo

Malka Older

Kathleen Alcalá

Tananarive Due

Rochita Loenen-Ruiz

Jaymee Goh

Hiromi Goto

Alex Jennings

Karin Lowachee

Darcie Little Badger

Tlotlo Tsamaase

Saad Hossain

K. Tempest Bradford

Geetanjali Vandemark

Octavia E. Butler said, “There’s nothing new under the sun, but there are new suns.” New Suns 2 brings you fresh visions of the strange, the unexpected, the shocking—breakthrough stories, stories shining with emerging truths, stories that pierce stale preconceptions with their beauty and bravery. Like the first New Suns anthology (winner of the World Fantasy, Locus, IGNYTE, and British Fantasy awards), this book liberates writers of many races to tell us tales no one has ever told. Many things come in twos: dualities, binaries, halves, and alternates. Twos are found throughout New Suns 2, in eighteen science fiction, fantasy, and horror stories revealing daring futures, hidden pasts, and present-day worlds filled with unmapped wonders. Including stories by Daniel H. Wilson, K. Tempest Bradford, Darcie Little Badger, Geetanjali Vandemark, John Chu, Nghi Vo, Tananarive Due, Alex Jennings, Karin Lowachee, Saad Hossain, Hiromi Goto, Minsoo Kang, Tlotlo Tsamaase, Rochita Loenen-Ruiz, Malka Older, Kathleen Alcalá, Christopher Caldwell and Jaymee Goh with a foreword by Walter Mosley and an afterword by Dr. Grace Dillon.

New Suns 2: Original Speculative Fiction by People of Color

Kang’s central contention is that the automaton, a machine that can move by itself (better known today as the robot), is one of the essential ideas with which people in the West have pondered the very nature of humanity itself. In Kang’s telling, automata are mirrors of the ideas, fears, and anxieties of a given era, in that attitudes towards the machines have always been indicative of a moment’s zeitgeist. The book is historically sweeping, but not comprehensive; the focus is on what Kang takes to be key changes in the representations of and responses to automata. His main interest is on how Europeans in different periods of the past thought about the very notion of a self-moving machine that acted as if it were alive and how they used it for various symbolic and intellectual purposes.

Sublime Dreams of Living Machines

From the dawn of European civilization to the twentieth century, the automaton—better known today as the robot—has captured the Western imagination and provided a vital lens into the nature of humanity. Historian Minsoo Kang argues that to properly understand the human-as-machine and the human-as-fundamentally-different-from-machine, we must trace the origins of these ideas and examine how they were transformed by intellectual, cultural, and artistic appearances of the automaton throughout the history of the West. Kang tracks the first appearance of the automaton in ancient myths through the medieval and Renaissance periods, marks the proliferation of the automaton as a central intellectual concept in the Scientific Revolution and the subsequent backlash during the Enlightenment, and details appearances in Romantic literature and the introduction of the living machine in the Industrial Age. He concludes with a reflection on the destructive confrontation between humanity and machinery in the modern era and the reverberations of the humanity-machinery theme today. Sublime Dreams of Living Machines is an ambitious historical exploration and, at heart, an attempt to fully elucidate the rich and varied ways we have utilized our most uncanny creations to explore essential questions about ourselves.

The Automaton in the European Imagination

Nalo Hopkinson

Assistant Professor of History Minsoo Kang, (Ph

In this, the final issue of Fantastic Stories of the Imagination people of color take over! Special Guest editor Nisi Shawl has assembled a breath taking array of stories by some of the best writers in the science fiction and fantasy field today, and they just happen to be people of color. People of color have been publishing some of the highest quality science fiction and fantasy since the genre's earliest days. Yet, there still persists a perception that science fiction and fantasy is somehow a white field. This special issue of Fantastic Stories should help shatter that illusion as it showcases some of the finest writer's that Science Fiction and Fantasy has to offer. Representation matters and Fantastic Stories is proud to be able to end its run on shut an important and high note. Contributors include: Su-Yee Lin, Stephen Graham Jones, Minsoo Kang, . Lily Yu, Jennifer Marie Brissett, Jermaine McGill, Paul Miles, Christopher Caldwell, Eliza Victoria, Alex Jennings, Nalo Hopkinson, Henry Lien, Tlotlo Tsamaase, Tonya Liburd, Irette Y. Patterson, Alberto YÁÑez, S. Qiouyi Lu, Erin Roberts, Terence Taylor, Darcie Little Badger, and Maurice Broaddus.

People of Color Take Over Fantastic Stories of the Imagination

Assistant Professor of History Minsoo Kang

Historian Minsoo Kang argues that to properly understand the human-as-machine and the human-as-fundamentally-different-from-machine, we must trace the origins of these ideas and examine how they were transformed by intellectual, cultural, and artistic appearances of the automaton throughout the history of the West. Kang tracks the first appearance of the automaton in ancient myths through the medieval and Renaissance periods, marks the proliferation of the automaton as a central intellectual concept in the Scientific Revolution and the subsequent backlash during the Enlightenment, and details appearances in Romantic literature and the introduction of the living machine in the Industrial Age. He concludes with a reflection on the destructive confrontation between humanity and machinery in the modern era and the reverberations of the humanity-machinery theme today. --

Minsoo Kang

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