M.J. Hyland

Lou Connor wants to escape her emotionally crass family and life of poverty, so she travels from Sydney to the USA as an exchange student. But her host-family, the Hardings – who live in a prefabricated mansion in a nameless Chicago suburb – are in suffocating pursuit of a particular form of suburban perfection. From the very beginning, nothing is as it seems.

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How the Light Gets In

D.W. Wilson

Alison MacLeod

John McGregor

K.J. Orr

‘We are living through a golden moment in the history of the short story,’ wrote The Guardian recently, and the annual BBC National Short Story Award is both a testament to this, and one of the reasons why we are. Now in its sixth year, the Award supports and showcases Britain’s best new short fiction and continues to champion the short story as a central literary form. Themes of desire, envy and disconnection provide recurring motifs for the five shortlisted stories presented here – the extremes that love can endure and what happens when love is not enough. The panel of judges this year included novelist Tessa Hadley, novelist and critic Geoff Dyer, poet and author of Submarine, Joe Dunthorne and BBC Editor of Readings, Di Speirs. The panel was chaired by broadcaster Sue MacGregor who also introduces the selection.

The BBC National Short Story Award 2011

Ireland, 1971, John Egan is a misfit, 'a twelve year old in the body of a grown man with the voice of a giant who insists on the ridiculous truth'. With an obsession for the Guinness Book of Records and faith in his ability to detect when adults are lying, John remains hopeful despite the unfortunate cards life deals him. During one year in John's life, from his voice breaking, through the breaking-up of his home life, to the near collapse of his sanity, we witness the gradual unsticking of John's mind, and the trouble that creates for him and his family.

M.J. Hyland

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