John Milton

James Davies

Moschus

John Phelps Fruit

Lycidas

Angelo Campanella

Giuseppe Garofalo

Theocritus

Anacreon

Cesare Gaetani

Giovanni Battista Ghigi

Le Odi di Anacreonte e gli idillj ed epigrammi di Teocrito Bione e Mosco poeti greci tradotti in rime italiane dal conte Cesare Gaetani della Torre patrizio siracusano

Idillj di Mosco, Bione e Teocrito recati in versi latini dal conte Bernardo Zamagna, volgarizzati, e forniti di annotazioni da Luigi Maria Buchetti

John Bacon Sawrey 1772?-1843 Morritt

Grammaticus Musaeus

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

MISC TRANSLATIONS & IMITATIONS

Bion

Theocritus (early third century BCE) was the inventor of the bucolic genre, also known as pastoral. The present edition of his work, along with that of his successors Moschus (fl. mid-second century BCE) and Bion (fl. around 100 BCE), replaces the earlier Loeb Classical Library volume of Greek Bucolic Poets by J. M. Edmonds (1912).

Theocritus. Moschus. Bion

Sappho

Hesiod

Bion (of Phlossa near Smyrna.)

Lycophron

Musaeus (Grammaticus.)

Helena Petrovna Blavatsky

Plutarch

Eastern Occult Philosophy transcends the perceptive faculties of human reason and speculations, which are illusive emanations of strict logic. Though the deific Essence is Unknown and ever unknowable (yet supreme Causality, emanating from the concealed point), its action can be apprehended in the universe of effects. The symbol of the Great Unknown is letter X. The Fullness of Valentinus is the Space of Occult Philosophy. The Theogony of Wisdom-Religion is the Aletheia of Occult Science. The Bull stands for the seed of life, generative as well as destructive. It’s horns are the emblem of eternal divine power. The Solar Gods are heroes, warriors, and shepherds, followed by their faithful herds of cows and bulls. Moschus’ Arcadian Hymn to Europa. Plutarch directs love to the soul, not to the beauty. The science of the gods is mastered by violence.

The Gods adore The One Dark Truth.

Delight in the beauty of the soul, not in worldly beauty.

Bion (of Phlossa near Smyrna)

Theocritus (third century BCE) was the founder of bucolic poetry. The extant poems of Moschus (second century BCE) and Bion (probably second and first centuries BCE) are not really bucolic, but Bion's Lament for Adonis is floridly brilliant. Pattern poems are found in the Greek Anthology, a work of many centuries. Theocritus of the third century BCE, born at Syracuse, travelled widely in the Greek world. Having studied poetry at Cos with poet and critic Philitas, he composed poetry under patronage, chiefly perhaps at Syracuse and Cos; and then went to Alexandria in Egypt, whose King Ptolemy II (died 246 BCE), pupil of Philitas, befriended him. Here (and at Cos?) he spent the rest of his life. Most lovable of Greek versemakers, Theocritus was the founder of bucolic or pastoral poetry. Of his so-called "Idylls," "little forms" or pieces (not all are genuine), ten are about pastoral life real or idealised; several are small epics (three are hymns); two are beautiful "occasional" poems (one about a country walk, one to accompany a gift of a distaff for the wife of his friend Nicias); six are love-poems; several are mimes, striking pictures of common life; and three are specially expressive of his own feelings. The 24 "Epigrams" were apparently inscribed on works of art. Moschus of Syracuse, 2nd century BCE, came next. As a grammarian he wrote a (lost) work on Rhodian dialect. Though he was classed as bucolic, his extant poetry (mainly Runaway Love and the story of Europa) is not really pastoral, the Lament for Bion not being Moschus's work. Megara may be by Theocritus; but The Dead Adonis is much later. Bion of Phlossa near Smyrna lived in Sicily, probably late 2nd and early 1st century BCE. Most of the extant poems are not really bucolic, but Lament for Adonis is floridly brilliant. The so-called "Pattern-Poems," included in the bucolic tradition, are found also in the Greek Anthology.

Moschus

About

Books

Join the club