Museum of Contemporary Art (Los Angeles, Calif.)

highlights from the permanent collection of the Museum of Contemporary Art, Los Angeles

This is not to be looked at

Museum of Modern Art (New York, N.Y.)

Cornelia H. Butler

Menil Collection (Houston, Tex.)

Marlene Dumas

In her expressionistic drawings and paintings of the last three decades, acclaimed South African artist Marlene Dumas has focused on the human figure, probing themes of love, despair, desire and confusion in order to critique social and political attitudes towards women, children, people of colour and others who have been historically victimized. This substantial, fully illustrated volume, published on the occasion of Dumas's first major American survey, features a newly commissioned essay by renowned scholar Richard Schiff, placing the artist's work in relation to both American figurative painting since the 1980s and Abstract Expressionism. The book also includes curator Cornelia H. Butler's examination of Dumas's photographic sources and shorter texts by Lisa Gabrielle Mark and Matthew Monahan. Writings by the artist, as well as an extensive illustrated exhibition history and bibliography, complete this comprehensive examination of the work of one of the most thought-provoking artists working today.

Measuring Your Own Grave

Maria Hummel

Alma Ruiz

Henri Focillon

Magdalena Atria

Fernando Bryce

'Poetics of the handmade' presents the work of eight Latin American artists engaged in the timeless practice of making art by hand. Making use of common objects to create a sense of familiarity for the viewer, these artists' interest in transformation and process has led them to make works that are painstakingly handcrafted from a wide range of materials. They find poetry in the depiction of ordinary objects and powerful resonance in small actions.

Poetics of the Handmade

Russell Ferguson

In Memory of My Feelings: Frank O'Hara and American Art is a reexamination of the relationship between art and poetry at a crucial moment in American art. It also offers new insights into the charismatic figure of Frank O'Hara and his world and interests, which included art, music, theater, dance, film, and mass culture.

Frank O'Hara and American Art

In Memory of My Feelings

Takashi Murakami

Dick Hebdige

Paul Schimmel

In conjunction with the first major retrospective of his work, "Murakami" traces artist Takashi Murakamis global impact socially, culturally, and historically. Representing output from original works of art to mass-produced multiples, the volume also considers the implications of his working methods within the tradition of the Western avant-garde.Rizzoli

© Murakami

Rosângela Rennó

Cicatriz

Rebecca Morse

Florian Maier-Aichen

MOCA Focus: Florian Maier-Aichen

Whitney Museum of American Art

Elisabeth Sussman

Gordon Matta-Clark

This comprehensive book incorporates important new information from the Matta-Clark archive, presenting a compelling reappraisal of the unique beauty and radical nature of Matta-Clark's punnings, plans, performances, and interventions evident in the many media in which he worked.

You are the Measure

Gordon Matta Clark

B. H. D. Buchloh

Molly Nesbit

Abraham Cruzvillegas

Gabriel Kuri

Damian Ortega

Museo Rufino Tamayo

Museo de Arte Contemporáneo de Monterrey

The book is the most complete monograph of artist Orozco (b.Jalapa, Veracruz, Mexico,1962) published to date, covering his career with a selection of his most representative works from the late 1980's to the present. Contents include essays by art historians Yve-Alain Bois and Benjamin H. D. Buchloh and a long interview by Briony Fer, where the artist shares his motivations and thoughts regarding conceptual art, culture and the philosophy behind his work. Benjamin H.D. Buchloh refers to the different forms of sculpture during the 20th century and the culture of market economy and their manifestations since the transformations to object-subject. Finally Yve-Alain Bois explores the recent return to painting of Orozco critically analyzing the formal and structural logic of his canvas. With a nomadic lifestyle and a permanent changing and varied artistic practice that includes sculpture, drawing, photography, installation, collage, painting and video, noted Orozco is an artist that defies any categorization.

Ausstellungskat

Hélène Cixous

Alexandra Grant

Edited by Alma Ruiz. Text by Helene Cixous.

MOCA Focus

Kcho

Todo Cambia

Suzaan Boettger

Thomas E. Crow

Lisa Gabrielle Mark

Alexander Alberro

Robert Smithson

Mark Linder

Moira Roth

Museum of Fine Arts (Dallas, Tex.)

Eugenie Tsai

The complex and influential career of Robert Smithson is presented in a richly illustrated study that also includes essays by Smithson scholars and photographs of his works, exploring his artistic output in the context of the 1960s and in subsequent decades. Simultaneous.

Mike Davis

Distributed for the Los Angeles Museum of Contemporary Art.With essays by Mike Davis, Maria Patricia Fernandez-Kelly, Richard Sennett, Elizabeth A. T. Smith, and Gwendolyn Wright.

Current Projects for the Public Realm

Urban Revisions

John Carlin

Paul Karasik

Stanley Crouch

Brian Walker

Hammer Museum

Presents the work of America's most popular and influential comic artists, and includes critical essays accompanying each artist's drawings.

Masters of American Comics

Adam Gopnik

Kirk Varnedoe

Art institute (Chicago, Ill.).

Modern Art, Popular Culture

High & Low

Michael Asher

Writings 1973-1983 on Works 1969-1979

Jessica Bronson

The term "process art" describes a moment of radical, a formal experimentation in postwar American sculpture. Through the medium of drawing, Afterimage revisits process art in terms of the artists who defined the movement and suggests a transitional moment when many of its practitioners anticipated the feminist and postminimalist art of the 1970s. Nancy Grossman's use of language, for example, suggests a kind of material abstraction, and Nancy Holt's earth works and related drawings introduced content into a minimalist vocabulary. The book also explores the drawing as a residual object in works in which the process of making dictates the form of the drawing. Examples include Gordon Matta-Clark's stacked cuttings, Robert Morris' "blind time" drawings, and Sol Lewitt's folded construction drawings. Other works, such as those by Bruce Nauman and Robert Smithson, record a particular approach to body-based and process-oriented sculpture. The book, which accompanies an exhibition, contains an essay by Cornelia H. Butler on the historical ambiguity surrounding process art and one by Pamela M. Lee on temporality in work of the late1960s. The artists included in the book are William Anastasi, Richard Artschwager, Mel Bochner, Agnes Denes, Nancy Grossman, Robert Grosvenor, Marcia Hafif, Eva Hesse, Nancy Holt, Barry LeVa, SolLewitt, Lee Lozano, Sylvia Plimack Mangold, Gordon Matta-Clark, Robert Morris, Bruce Nauman, Yvonne Rainer, Dorothea Rockburne, Alan Saret, Joel Shapiro, Robert Smithson, Michelle Stuart, Richard Tuttle, and Jack Whitten. Copublished with The Museum of Contemporary Art. Los Angeles.

Drawing Through Process

Afterimage

Norman M. Klein

Lane Relyea

L.A. Art in the 1990s

Helter Skelter

Jeff Wall

Ann Goldstein

Lucy R. Lippard

Stephen Melville

Anne Rorimer

Reconsidering the Object of Art examines a generally underexposed (and therefore often misunderstood) period in contemporary art and highlights artists whose practices have inspired much of the most significant art being produced today. It illustrates and discusses many crucial, ground-breaking works that have not been seen within their proper historical context, if they have been individually seen at all. By 1969 such artists as Michael Asher, John Baldessari, Marcel Broodthaers, Dan Graham, Douglas Huebler, Joseph Kosuth, Lawrence Weiner and others had begun to create works using a variety of media that sought to reevaluate certain fundamental premises about the formal, material, and contextual definitions of art. This first comprehensive overview of Conceptual art in English documents the work of fifty-five artists, work that marked a significant rupture with traditional forms and concepts of painting, sculpture, photography, and film. Also included are essays that elucidate the significant aesthetic issues that gave rise, in both America and Europe, to the highly individual, but related, modes of Conceptual art. Lucy Lippard (art historian) writes on the broader sociopolitical milieu in which this work was made; Stephen Melville (Professor of Art History, Ohio State University) probes the theoretical and philosophical underpinnings of Conceptual art; and Jeff Wall (artist) discusses the relationship between Conceptual art and photography. Anne Rorimer and Ann Goldstein (curators of the exhibition the book accompanies) respectively take up the role of language in this work, and discuss each of the artists. Copublished with the Museum of Contemporary Art, Los Angeles

1965-1975

Reconsidering the Object of Art

Museum of contemporary art (Los Angeles, Calif.).

The publication accompanies the exhibition "The experimental exercise of freedom: Lygia Clark, GEGO, Mathias Geortiz, Helio Oiticica and Mira Schendel." organized by Rina Carvajal and Alma Ruiz and presented at the Museum of Contemporary Art, Los Angeles, October 17, 1999-January 23, 2000.

Lygia Clark, Gego, Mathias Goeritz, Hélio Oiticica, Mira Schendel

The Experimental Exercise of Freedom

Museum of Contemporary Art (Los Angeles, Calif.)

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