Anonymous Hedge Fund Manager

Keith Gessen

“Diary of a Very Bad Year is a rarity: a book on modern finance that’s both extraordinarily thoughtful and enormously entertaining.” — James Surowiecki, author of The Wisdom of Crowds “A great read. . . . HFM offers a brilliant financial professional’s view of the economic situation in real time, from September 2007, when problems in financial markets began to surface, until late summer 2009.” — Booklist “n+1 is the rightful heir to Partisan Review and the New York Review of Books. It is rigorous, curious and provocative.” — Malcolm Gladwell A profoundly candid and captivating account of the economic crisis and subprime mortgage collapse, from an anonymous hedge fund manager, as told to the editors of New York literary magazine n+1.

Interviews with an Anonymous Hedge Fund Manager

Diary of a Very Bad Year

n+1 Number Sixteen

Reconstruction

n+1, Number Four

Reality Principle

n+1, Number Three

Elif Batuman

Daniel Smith

Rachel Sherman

Alexander Kluge

Pankaj Mishra

Mark Greif

Peter Gizzi

Benjamin Kunkel

Marco Roth

Peter Frankel

Happiness

n+1, Number 2

Decivilizing Process

n+1, Number Five

N+1 Issue 37: Transmission

Who was the turn-of-the-century hipster? Who is free enough of the hipster taint to write this history without contempt or nostalgia? Why are we tempted to declare the neo-hipster moment over, when the hipster's "global brand" has just reached its apotheosis? A panel of n+1 writers, including Mark Greif, Christian Lorentzen, and Jace Clayton (aka dj/rupture) invited the public to join an investigation into the rise and fall of the contemporary hipster. Their debate took place at the New School University in New York City, and was followed by articles, responses, and essays, all printed here for the first time. "The hipster is that person, overlapping with declassing or disaffiliating groupings—the starving artist, the starving graduate student, the neo-bohemian, the vegan or bicyclist or skatepunk, the would-be blue-collar or post-racial individual—who in fact aligns himself both with rebel subculture and with the dominant class, and opens up a poisonous conduit between the two." "Isn't hipsterism, like, the best thing that's happened at the end of the Bush years?" "The truth was that there was no culture worth speaking of, and the people called hipsters just happened to be young, and more often than not, funny looking."

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