Namwali Serpell

Electrifying, playful, ambitious, brilliant - a Zambian debut novel that follows three generations of three families, telling the story of a nation, and the grand sweep of time 'In turns charming, heartbreaking, and breathtaking, The Old Drift is a staggeringly ambitious, genre-busting multigenerational saga with moxie for days... I wanted it to go on forever. A worthy heir to Gabriel García Márquez's One Hundred Years of Solitude." Carmen Maria Machado On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there was once a colonial settlement called The Old Drift. Here begins the epic story of a small African nation, told by a mysterious swarm-like chorus that calls itself man's greatest nemesis. The tale? A playful panorama of history, fairytale, romance and science fiction. The moral? To err is human. In 1904, in a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond. As the generations pass, their lives - their triumphs, errors, losses and hopes - form a symphony about what it means to be human. From a woman covered with hair and another plagued with endless tears, to forbidden love affairs and fiery political ones, to homegrown technological marvels like Afronauts, microdrones and viral vaccines - this gripping, unforgettable novel sweeps over the years and the globe, subverting expectations along the way. Exploding with colour and energy, The Old Drift is a testament to our yearning to create and cross borders, and a meditation on the slow, grand passage of time.

The Old Drift

A Novel

Furrows

Speculative essays that probe the mythology of the face by the author of The Old Drift

Stranger Faces

I don't want to tell you what happened; I want to tell you how it felt. Cassandra Williams is twelve; her little brother Wayne is seven. One day, when they are alone together, there is an accident, and Wayne is lost forever. Though his body is never recovered, their mother is unable to stop searching. The missing boy cleaves the family with doubt: How do you grieve an absence? And how does it feel? As C grows older, she relives and retells her story, and she sees her brother everywhere: in coffee shops, subway cars, cities on both sides of America. Here is her brother's older face, the colour of his eyes, his lanky limbs, the way he seems to recognise her too. But it can't be, of course. Or can it? And then one day, there is another accident, and C meets a man both mysterious and familiar, a man who is also searching for someone, as well as his own place in the world. His name is Wayne. Namwali Serpell's piercing new novel captures the ongoing and uncanny experience of grief, as the past breaks over the present, like waves in the sea. The Furrows is a bold and beautiful exploration of memory and mourning that twists unexpectedly into a masterful story of mistaken identity, slippery reality, black experience, and the wishful and sometimes willful longing for reunion with those we've lost.

The Furrows

Will Williams

How do you grieve an absence? A brilliantly inventive novel about loss and belonging, from the award-winning author of The Old Drift. ONE OF THE MOST ANTICIPATED BOOKS OF 2022—Vulture, Lit Hub, Electric Lit, BookPage I don’t want to tell you what happened; I want to tell you how it felt. Cassandra Williams is twelve, and her little brother Wayne is seven. One day, when they’re alone together, an accident happens and Wayne is lost forever. Or so it seems. Though his body is never recovered, their mother, unable to give up hope, launches an organization dedicated to missing children. Their father simply leaves, starts another family somewhere else. As C grows older, she sees her brother everywhere: in coffee shops, airplane aisles, subways cars, cities on either coast. Here is her brother’s older face, the light in his eyes, his lanky limbs, the way he seems to recognize her too. But it can’t be, of course. Or can it? Disaster strikes again and C meets a man both mysterious and strangely familiar, a man who is also searching for someone, as well as his own place in the world. His name is Wayne. Namwali Serpell’s remarkable novel captures the ongoing and uncanny experience of grief—the past breaking over the present like waves in the sea. The Furrows is a bold and beautiful exploration of memory and mourning that twists unexpectedly into a masterful story of black identity, double consciousness, and the wishful and sometimes willful longing for reunion with those we've lost.

Von der New York Times zu einem der fünf besten Romane des Jahres 2022 gewählt Verloren gehen und verlieren sind zweierlei. Cassandra Williams ist zwölf, ihr kleiner Bruder Wayne sieben. Eines Tages gehen sie an den Strand, um zu schwimmen, doch heim kehrt Cassandra allein. Den Verlust überlebt die Familie nicht. Der Vater beginnt ein neues Leben mit einer anderen Frau, die Mutter klammert sich an die Möglichkeit, dass Wayne wieder auftauchen wird. Denn eine Leiche wird nie gefunden. Cassandra wird älter, aber ihr Bruder verfolgt sie. In unzählige Therapiesitzungen und bis in ihre Träume hinein. In anderen Männern meint sie ihn wiederzuerkennen. Die Furchen ist ein Roman über die vielen Schichten von Trauer, hinter denen sich Zweifel, Leugnung und Wut verbergen und einem noch größerem Gefühl Bahn brechen: Dem Wunsch, trotz allem, weiterleben zu können.

Roman | ein Roman über Trauer und Identität, der aus der Bahn wirft

Die Furchen

Old Drift

Una coloratissima saga familiare intrisa di atmosfere che ricordano Cent’anni di solitudine e I figli della mezzanotte, dove tante piccole storie, una più bella dell’altra, si uniscono per dare vita alla grande storia della nascita di una nazione. 1904. Sulle rive del fiume Zambezi, a pochi chilometri dalle maestose Cascate Vittoria, c’è un insediamento coloniale. In una stanza fumosa dell’hotel dall’altra parte del fiume, un esploratore di nome Percy M. Clark, annebbiato dalla febbre, commette un errore che fa sì che il destino di un albergatore italiano si intrecci con quello di un garzone locale. A partire da questo momento si innesca un ciclo di eventi che travolge tre famiglie dello Zambia (una nera, una bianca, una mista) i cui membri si scontrano e s’incontrano nel corso del secolo, nel presente e oltre. Con il susseguirsi delle generazioni, le vicende di queste famiglie, i loro trionfi, i loro errori, le perdite e le speranze, emergono sullo sfondo di un panorama di fiaba, romanticismo e fantascienza. Questo avvincente e indimenticabile romanzo – in cui compaiono una donna completamente ricoperta di peli e un’altra afflitta da una cascata infinita di lacrime, storie d’amore proibite e ardenti battaglie politiche, meraviglie tecnologiche nostrane come afronauti, microdroni e vaccini virali – è una testimonianza del nostro desiderio di creare e attraversare i confini e una meditazione sul lento e grandioso passare del tempo. Definito «il grande romanzo africano del ventunesimo secolo», Capelli, lacrime e zanzare è lo strabiliante esordio di Namwali Serpell. «Straordinario, ambizioso, evocativo... Capelli, lacrime e zanzare è un libro impressionante. Un esordio strepitoso che ha proiettato la scrittrice Namwali Serpell sulla scena letteraria mondiale». Salman Rushdie, «The New York Times» «Una saga multigenerazionale che va oltre il genere, incredibilmente ambiziosa e grintosa. Avrei voluto che andasse avanti per sempre. Un degno erede di Cent’anni di solitudine di Gabriel García Márquez». Carmen Maria Machado «Un’epopea fondante, come l’Eneide di Virgilio... Anche se, nella sua mole tentacolare, nel suo sapore di commedia picaresca e nella sua fusione di tradizione familiare e politica nazionale, ricorda di più I figli della mezzanotte di Salman Rushdie». «The Wall Street Journal» «Una narrazione intima, intelligente e scintillante. Questo è un libro stupefacente, il romanzo d’esordio più ambizioso pubblicato in questo decennio». «The New York Times» «Nel suo essere il ritratto di un luogo a volte magico, a volte orribilmente reale, il romanzo di Serpell richiama l’opera di Toni Morrison e Gabriel García Márquez. Brillantemente costruito e sbalorditivo nella sua portata, questo è un romanzo sorprendente». «Publishers Weekly – Starred Review»

Capelli, lacrime e zanzare

Masande Ntshanga

Elnathan John

Segun Afolabi

F. T. Kola

Now in its sixteenth year, the Caine Prize for African Writing is Africa’s leading literary prize, and is awarded to a short story by an African writer published in English, whether in Africa or elsewhere. This collection collects the five 2015 shortlisted stories, along with stories written at the Caine Prize Writers’ Workshop, which took place in April 2015.

Lusaka Punk and Other Stories: The Caine Prize for African Writing 2015

Per festeggiare i 200 anni della nascita di Charlotte Brontë, Tracy Chevalier ha chiesto alle migliori autrici in lingua inglese di scrivere una storia ispirata alla celebre battuta di Jane Eyre: «L’ho sposato, lettore mio». Questo racconto fa parte della raccolta dedicata a Charlotte Brontë: L’ho sposato, lettore mio a cura di TRACY CHEVALIER

Namwali Serpell

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