Nancy Armstrong

A Political History of the Novel

Desire and Domestic Fiction

Melissa Wagner

A handbook of more than one hundred body language signs and gestures includes illustrations of each accompanied by a detailed synopsis of their meanings, origins, and more subtle nuances as they vary among cultures and through time. Original.

How to Identify and Interpret Virtually Every Gesture Known to Man

Field Guide to Gestures

Virginia M. Friedman

A step-by-step guide to stain removal is divided into such sections as Fruits and Vegetables, Sauces and Condiments, Garage and Yard, and Office and School Products, in a resource complemented by one hundred cross-referenced photographs for easy identification. Original.

How to Identify and Remove Virtually Every Stain Known to Man

Field Guide to Stains

Nancy Armstrong argues that the history of the novel and the history of the modern individual are, quite literally, one and the same. She suggests that certain works of fiction created a subject, one displaying wit, will, or energy capable of shifting the social order to grant the exceptional person a place commensurate with his or her individual worth. Once the novel had created this figure, readers understood themselves in terms of a narrative that produced a self-governing subject. In the decades following the revolutions in British North America and France, the major novelists distinguished themselves as authors by questioning the fantasy of a self-made individual. To show how novels by Defoe, Austen, Scott, Brontë, Dickens, Eliot, Hardy, Haggard, and Stoker participated in the process of making, updating, and perpetuating the figure of the individual, Armstrong puts them in dialogue with the writings of Locke, Hume, Rousseau, Malthus, Darwin, Kant, and Freud. Such theorists as Althusser, Balibar, Foucault, and Deleuze help her make the point that the individual was not one but several different figures. The delineation and potential of the modern subject depended as much upon what it had to incorporate as what alternatives it had to keep at bay to address the conflicts raging in and around the British novel.

The Limits of Individualism from 1719-1900

How Novels Think

A Collector's Guide

Fans

The Book of Fans

Leonard Tennenhouse

First published in 1989, this collection of essays brings into focus the history of a specific form of violence – that of representation. The contributors identify representations of self and other that empower a particular class, gender, nation, or race, constructing a history of the west as the history of changing modes of subjugation. The essays bring together a wide range of literary and historical work to show how writing became an increasingly important mode of domination during the modern period as ruling ideas became a form of violence in their own right. This reissue will be of particular value to literature students with an interest in the concept of violence, and the boundaries and capacity of discourse.

Literature and the History of Violence

The Violence of Representation (Routledge Revivals)

Nancy Armstrong explores how Daniel Defoe, Jane Austen and Samuel Richardson created unforgettable protagonists who could overcome the limits of their social positions and how later, Victorian authors like Mary Shelley repackaged individuality in monstrous forms that threaten British society with collapse.

The Limits of British Individualism from 1719-1900

"A tour de force that reconceptualizes literary history and repositions British literature to claim the imperial and trans-Atlantic origins of the British novel. "--Carroll Smith-Rosenberg, author of "Disorderly Conduct" "A very exciting piece of work, with important implications for how we conceive projects in literary, intellectual, and cultural history. . . . It is sure to be a controversial study, but it will get serious attention, not just as a study of 'novels' and texts but as a provocative account of English history and of models for studying history."--J. Paul Hunter, author of "Before Novels"

Literature, Intellectual Labor, and the Origins of Personal Life

The Imaginary Puritan

Desire and Domestic Fiction argues that far from being removed from historical events, novels by writers from Richardson to Woolf were themselves agents of the rise of the middle class. Drawing on texts that range from 18th-century female conduct books and contract theory to modern psychoanalytic case histories and theories of reading, Armstrong shows that the emergence of a particular form of female subjectivity capable of reigning over the household paved the way for the establishment of institutions which today are accepted centers of political power. Neither passive subjects nor embattled rebels, the middle-class women who were authors and subjects of the major tradition of British fiction were among the forgers of a new form of power that worked in, and through, their writing to replace prevailing notions of "identity" with a gender-determined subjectivity. Examining the works of such novelists as Samuel Richardson, Jane Austen, and the Brontës, she reveals the ways in which these authors rewrite the domestic practices and sexual relations of the past to create the historical context through which modern institutional power would seem not only natural but also humane, and therefore to be desired.

A Practical Startup Guide to Wicca Are you curious about Wicca? Have you heard the folklore, fictional tales, and history of people referred to as "witches," but aren't sure where truth and fairy tale collide? Are you searching for a religious practice that honors nature and communes with the Earth? Wicca may be steeped in lore and found in the imaginations of Halloween greeting card writers, but the truth of the matter is very different. Wicca is an Earth-centered religion that focuses on the life-giving and sustaining powers of nature. It is a commitment to living in balance with the Earth through ritual worship of the Goddess and the God. The process of learning about and practicing Wicca is just like any other religion. In this book, we are going to look at just what Wicca is, what its core beliefs are, and how you can start practicing Wicca. I believe that humans are spiritual beings, as in, we can be attuned to the spirit within ourselves, others, and the world around us. The practice of Wicca seeks to celebrate and understand the element of the spirit as well as the power that is called upon in the other Elements of Earth, Wind, Fire, and Water. In this book, I will show you the practical beginnings of Wicca and how you can adapt them to your daily life, even if you choose not to take on the formal teachings. We will discuss: What Wicca is and how it relates to Witchcraft and Paganism The history of Wicca What exactly people who practice Wicca believe What deities Wiccans celebrate How Wiccans use and honor the Classical Elements What the Wiccan Rede is What the Wiccan Wheel of the Year is What are Sabbats and Esbats An in-depth discussion about Magic How to use candles, crystals, herbs, and oils How to conduct rituals How to use spells What tools to use and how to maintain them What a Book of Shadows is and how to use it What the different types of Wicca are And, finally, how to get started with practicing Wicca for yourself This extensive volume is meant to educate you and also to explain exactly what Wicca entails. I encourage you to keep an open mind, and also to explore as many resources as you can while you're gathering the facts about these seeming mystic beliefs. For a limited time, when you purchase the paperback book on Amazon, you can download the Kindle version for FREE! Glad tidings to you. Blessed be.

A Beginner's Guide to Wiccan Beliefs, Witchcraft, Tools, Spells, Rituals, and Magic

A Practical Startup Guide to Wicca

"These days, there are as many ways to do it as there are ways to order a coffee (and as many accoutrements, too!). So this book not only presents some basic information, along with answering questions, but also provides tips for how to get it on in style. There's even some erotic fiction to inspire you to even greater sexual heights. The book is broken down into five parts: o Part 1: Solo Sex (for when even two's a crowd) o Part 2: Duets (one-on-one action) o Part 3: Three's Company (the more the merrier) o Part 4: A Swingin' Party (group sex) o Part 5: Extreme Kink (the stuff that's weird to 99 percent of the population). "--

Big Bad Ass Book of Sex

Desire and Domestic Fiction argues that far from being removed from historical events, novels by writers from Richardson to Woolf were themselves agents of the rise of the middle class. Drawing on texts that range from 18th-century female conduct books and contract theory to modern psychoanalytic case histories and theories of reading, Armstrong shows that the emergence of a particular form of female subjectivity capable of reigning over the household paved the way for the establishment of institutions which today are accepted centers of political power. Neither passive subjects nor embattled rebels, the middle-class women who were authors and subjects of the major tradition of British fiction were among the forgers of a new form of power that worked in, and through, their writing to replace prevailing notions of "identity" with a gender-determined subjectivity. Examining the works of such novelists as Samuel Richardson, Jane Austen, and the Bront?s, she reveals the ways in which these authors rewrite the domestic practices and sexual relations of the past to create the historical context through which modern institutional power would seem not only natural but also humane, and therefore to be desired.

The writer has only personal observation to offer in support of her claim that in regard to the specific problem of American whites and Negroes there really is not time left for any processes of education to undermine the beliefs which bridge over the illogicalities between the Creed and the lower caste position in which whites hold Negroes ; the initiative is being taken out of the hands of those who would educate alone because parts of the Creed itself are being thrown aside by individual Americans. There remains the hope of strengthening the Creed by some positive and concrete action in support or in furtherance of it ; by some large sign of faith in it. The fact that this paper is being written in 1946-47, a year after the victory, and three years after the failure of the editorial campaign by the Richmond Times-Dispatch to secure the repeal of the state law requiring segregation of the races on busses [sic] and streetcars, does not invalidate the statement that it would have proved a good thing for the strengthening of the Creed's hold upon the American public if the campaign had succeeded. It does not invalidate, either, the statement that such a move would still have the same strengthening effect upon a Creed entering upon a probably long-drawn-out battle for its life. Virginia might lead the nation in a renaissance of confidence in and devotion to the principles, common to the tradition of all Americans of every race, creed and station, of liberty, equality, justice and fair opportunity for everybody. -- Pg. 11.

The Study of an Attempt Made in 1943 to Abolish Segregation of the Races on Common Carriers in the State of Virginia

In this study of British realism, Armstrong explains how fiction entered into a relationship with the new popular art of Victorian photography that transformed the world into a picture.

The Legacy of British Realism

Fiction in the Age of Photography

Fans have a long history in the decorative arts in Spain. This book concentrates on the infinite variety of materials used to make fans; both the importation of those materials and their handling. Some fans were grand and gem-encrusted emblems of authority; others were mass-produced paper trifles with political advertisements on them. Spanish-dominated Central and South American countries provided brilliantly colored fans made from iridescent feather-mosaics, yet, just as important in their own time, were classical paintings on fans of vellum or ""chicken-skin."" Spain's history, trading exploits, and crafting of expensive and unusual materials to make fans, together with her religious, social and sartorial habits, are combined in this comprehensive and highly illustrated book, which includes collector's information about fan associations.

Fans in Spain

In The Ideology of Conduct, first published in 1987, scholars from various fields, from the medieval period to the present day, discuss literature in which the sole purpose is to instruct women in how to make themselves desirable. This collection investigates how middle-class writers who had long emulated the behaviour of the aristocracy began to criticise that behaviour by formulating an alternative object of desire. They did so without appearing to breed political controversy because it seemed to concern only the female. But writing for and about women in fact became a powerful instrument of hegemony as it introduced a whole new vocabulary for social relations, induced certain forms of economic behaviour as desirable in men and women respectively, and insured the reproduction of the nuclear family. It is argued, therefore, that the literature of conduct not only recorded but also assisted the production of our contemporary gender-based culture.

Essays in Literature and the History of Sexuality

The Ideology of Conduct (Routledge Revivals)

Si una de las conquistas principales del feminismo de los años 70 fue el reconocimiento de que “lo privado es público”, el libro de Nancy Armstrong convierte lo que era un eslogan político en un presupuesto epistemológico y un punto de partida analítico: su trabajo pretende demostrar que la historia del desarrollo de la novela (de los siglos XVIII y XIX) no puede entenderse si se prescinde de la historia de la sexualidad y de la producción de esa nueva tipología de mujer, que encarnó una idea de intimidad funcional para una clase media en posición de dominio y poder.

una historia política de la novela

Deseo y ficción doméstica

Desire and Domestic Fictionargues that far from being removed from historical events, novels by writers from Richardson to Woolf were themselves agents of the rise of the middle class. Drawing on texts that range from 18th-century female conduct books and contract theory to modern psychoanalytic case histories and theories of reading, Armstrong shows that the emergence of a particular form of female subjectivity capable of reigning over the household paved the way for the establishment of institutions which today are accepted centers of political power. Neither passive subjects nor embattled rebels, the middle-class women who were authors and subjects of the major tradition of British fiction were among the forgers of a new form of power that worked in, and through, their writing to replace prevailing notions of "identity" with a gender-determined subjectivity. She also examines the works of such novelists as Richardson, Jane Austen, and the Bront s to reveal the ways in which these authors rewrite the domestic practices and sexual relations of the past to create the historical context through which modern institutional power would seem not only natural but also humane, and therefore to be desired.

Nancy Armstrong

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