Jonathan Greenberg

Nathan Waddell

This collection of essays provides new readings of Huxley’s classic dystopian satire, Brave New World (1932). Leading international scholars consider from new angles the historical contexts in which the book was written and the cultural legacies in which it looms large. The volume affirms Huxley’s prescient critiques of modernity and his continuing relevance to debates about political power, art, and the vexed relationship between nature and humankind. Individual chapters explore connections between Brave New World and the nature of utopia, the 1930s American Technocracy movement, education and social control, pleasure, reproduction, futurology, inter-war periodical networks, motherhood, ethics and the Anthropocene, islands, and the moral life. The volume also includes a ‘Foreword’ written by David Bradshaw, one of the world’s top Huxley scholars. Timely and consistently illuminating, this collection is essential reading for students, critics, and Huxley enthusiasts alike.

'Brave New World': Contexts and Legacies

This book offers an introduction to the breadth and diversity of the literary and non-literary work of John Buchan (1875–1940). It stakes a claim for him as an engaged interpreter of twentieth-century modernity, and provides evaluative readings of his output. In addition to demonstrating how Buchan’s work complicates the reductive view of early twentieth-century literature as neatly cordoned-off into “low” and “high” forms of production, this book discusses his theories of empire and imperialism, his account of historiography, and his response to the First World War. In addition to his many roles as a journalist, propagandist, war reporter, editor, civil servant, and statesman, Buchan was a committed literary critic, philosopher, and writer of history. This book explores the many connections between his work and such modernists as Joseph Conrad, Ford Madox Ford, D. H. Lawrence, and Wyndham Lewis, and it situates Buchan as an intellectual figure who provided a distinctive set of readings of his modern times. Running throughout is a consideration of Buchan’s fascination with binaries, doubles, and duality, which his work variously upholds and investigates. It ends with a discussion of Buchan’s most famous work—The Thirty-Nine Steps (1915)—in relation to paranoia and pathology.

A Critical Introduction

Modern John Buchan

Kate Macdonald

Considered a quintessentially 'popular' author, John Buchan was a writer of fiction, journalism, philosophy and Scottish history. By examining his engagement with empire, psychoanalysis and propaganda, the contributors to this volume place Buchan at the centre of the debate between popular culture and the modernist elite.

John Buchan and the Idea of Modernity

Andrzej Gasiorek

Alice Reeve-Tucker

Making a strong case for a revaluation of Wyndham Lewis (1882-1957), this collection argues that significant aspects of Lewis's writing, painting, and thinking have not yet received the attention they deserve. The contributors explore Lewis's contributions to the production and circulation of modernism and assess the links between Lewis's writing and painting and the work of other key contemporary figures, to position Lewis not only as one of the first twentieth-century cultural critics but also as one who anticipated the work of the Frankfurt School and other social theorists. Familiar topics and themes such as Vorticism receive fresh appraisals, and Lewis's significance as a philosopher-critic, novelist, and artist becomes fully realized in the context of his associations with important figures such as John Rodker, Charlie Chaplin, Evelyn Waugh, Naomi Mitchison, and Rebecca West. Lewis emerges as a figure whose writings on politics, corporate patronage, shell shock, anthropology, art, and cinema extend their influence into the late twentieth and early twenty-first centuries.

Wyndham Lewis and the Cultures of Modernity

The first guide to the work of Wyndham Lewis as writer, novelist, and critic Wyndham Lewis (1882-1957) was one of the most innovative writers and painters of his time. An indefatigable critic of ideology, politics, and culture, Lewis was also one of modernism's key creative artists and a unique twentieth-century thinker. This book offers a scholarly companion to his written work. It features dedicated chapters on such novels as Tarr (1918), The Apes of God (1930), The Revenge for Love (1937), The Human Age sequence (1928-55), and Self Condemned (1954). Also included are chapters on Lewis's pre-war writing, cultural criticism, politics, satire, and reputation and legacy. Other chapters consider such varied topics as Vorticism and avant-gardism, war, race and gender, technology and mass media, and modernism. Wyndham Lewis: A Critical Guide is essential reading for scholars working on Lewis, modernism, and twentieth-century socio-cultural history. Key Features * Provides a clear overview of Lewis's literary, critical and non-fictional achievements * Explores Lewis's most important novels in individual chapters * Expert contributors include: Faith Binckes (Bath Spa University), David Bradshaw (University of Oxford), Paul Edwards (University of East Anglia), Ann-Marie Einhaus (Northumbria University), Miranda Hickman (McGill University), Scott W. Klein (Wake Forest University), Ian Patterson (University of Cambridge), and Alan Munton (University of Exeter) Andrzej Gsiorek is a Professor of English Literature at the University of Birmingham. Nathan Waddell is an Assistant Professor of Literary Modernism at the University of Nottingham

A Critical Guide

Wyndham Lewis

Alexandra Seidel

Alex Hernandez

Henry Herz

Sam Muller

asch

Carina Bissett

Lark Cerulean

Sarah Lyn Eaton

Gabriel Ertsgaard

Kayla J. Espinoza

Rebecca Hardy

Bettina Juszak

Evergreen Lee

Lex T. Lindsay

Jenni Meade

L. P. Melling

Hari Navarro

Leo Otherland

Taylor Rae

Milton Rookwood

Upon a Twice Time is the sequel collection to Upon a Once Time and gathers another diverse array of authors who continue to bring new focus to fairy tales by combining two well known stories with a literary genre of their choice.Upon a Twice Time contains the following tales re-imagined: The Adventures of Pinocchio, Alice in Wonderland, Bearskin, Beauty and the Beast, The Boy Who Drew Cats, The Bronze Ring, Chang'e - Goddess of the Moon, Cinderella, The Elder-Tree Mother, The Fisherman and His Wife, Frau Holle, The Frog Prince, The Giant Who Had No Heart in His Body, Godfather Death, Goldilocks and the Three Bears, Grandaunt Tiger, Hansel and Gretel, Jack and the Beanstalk, The King of the Cats, The Little Mermaid, Little Red Riding Hood, Maid Maleen, The Nightingale and the Rose, The Nue Who Stole the Emperor's Sleep, Petrosinella, The Princess and the Pea, The Princess Who Was Hidden Underground, The Queen Bee, The Queen of Planets, Rapunzel, The Selfish Giant, The Shadow, Sinbad the Sailor, The Six Swans, Snow White, The Story of the Eagles, Tanglewood Tales, The Three Little Pigs, The Twa Sisters, The Twelve Dancing Princesses, The Water Nixie.

Upon a Twice Time

How and why did the life and music of Ludwig van Beethoven (1770-1827) matter to experimental writers in the early twentieth century? Previous answers to this question have tended to focus on structural analogies between musical works and literary texts, charting the many different ways in which poetry and prose resemble Beethoven's compositions. This book takes a different approach. It focuses on how early twentieth-century writers--chief among them E. M. Forster, Aldous Huxley, Wyndham Lewis, Dorothy Richardson, Rebecca West, and Virginia Woolf--profited from the representational conventions associated in the nineteenth century and beyond with Beethovenian culture. The emphasis of Moonlighting falls for the most part on how modernist writers made use of Beethovenian legend. It is concerned neither with formal similarities between Beethoven's music and modernist writing nor with the music of Beethoven per se, but with certain ways of understanding Beethoven's music which had long before 1900 taken shape as habit, myth, cliche, and fantasy, and with the influence they had on experimental writing up to 1930. Moonlighting suggests that the modernists drew knowingly and creatively on the conventional. It proposes that many of the most experimental works of modernist literature were shaped by a knowing reliance on Beethovenian consensus; in short, that the literary modernists knew Beethovenian legend when they saw it, and that they were eager to use it.

Beethoven and Literary Modernism

Moonlighting

The Cambridge Companion to Nineteen Eighty-Four is aimed at undergraduates, postgraduates, and academics. Situating the novel in multiple frameworks, including contextual considerations and literary histories, the book asks new questions about the novel's significance in an age in which authoritarianism finds itself freshly empowered.

The Cambridge Companion to Nineteen Eighty-Four

Nathan Waddell

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