Neil Cornwell

Pushkin's The Queen of Spades (Critical Studies in Russian Literature) (Critical Studies in Russian Literature)

A Special Issue

Irish-Russian Contacts

Surveys the fantastic in literature from the rise of the Gothic in the second half of the 18th century, through its heyday in the horror classics of the 19th century - from Frankenstein to Dracula - to its appearance in the postmodernist fiction of the present.

From Gothic to Postmodernism

The Literary Fantastic

Odoyevsky (1804-1869) was a leading writer, musicologist, popular educator and public servant in Russia, close to the major historical events of his period and acquainted with many of the leading personalities, from Pushkin to Glinka, to Turgenev, Tolstoy and Tchaikovsky, as well as Berlioz and Wagner. Based upon published and unpublished sources in Russia and the West, Cornwell paints a portrait of one of Russia's central figures, though little known in the West.

His Life, Times and Milieu

V.F. Odoevsky

This volume of essays and other materials offers an assessment of the short prose, verse and drama of Daniil Kharms, Leningrad absurdist of the 1920s and 1930s, who was one of the last representatives of the Russian literary avante-garde.

Essays and Materials

Daniil Kharms and the Poetics of the Absurd

University Prof of Russian and Comparative Literature Neil Cornwell

An engaging and accessible guide to Russian writing of the past thousand years covering the entire span of Russian literature, from the Middle Ages to the post-Soviet period, and exploring all the forms that have made it so famous.

The Routledge Companion to Russian Literature

From the contents: From Pantheon to Pandemonium (Richard Peace). - Karamzin's Gothic tale: The Island of Bornholm (Derek Offord). - Alessandra TOSI: At the origins of the Russian Gothic novel: Nikolai Gnedich's Don Corrado de Gerrera (1803) (Alessandra Tosi). - Does Russian Gothic verse exist? The Case of Vasilii Zhukovskii (Michael Pursglove). - The fantastic in Russian Romantic prose: Pushkin's The Queen of Spades (Claire Whitehead).

The Gothic-fantastic in Nineteenth-century Russian Literature

Perspectives on "Doctor Zhivago"

Pasternak's Novel

Vladimir Odoevsky (1804-1869) was a fascinating and encyclopedic figurein nineteenth-century Russian culture, who in his day was mentioned in the same breath as Pushkin and Gogol. Thinker, pedagogue, musicologist, amateur scientist and public servant, he is now undergoing a revival as a virtually rediscovered writer of Romantic and Gothic fiction. The author, a leading specialist on Odoevsky, analyses the contribution of Odoevsky to Russian prose fiction and in particular his influential approach to Romanticism, his Gothic novellas and his proto-science fiction, as well as his critical reception.

Collected Essays

Vladimir Odoevsky and Romantic Poetics

Vladimir Nabokov's extraordinary literary career, as a master of Russian and English prose, is unique. Acclaimed in the limited Russian emigre world, under the name of Sirin, Nabokov switched to writing in English and settled in America, a refugee from Hitler's Europe. Exile, memory, lost love and the magic of childhood are among his themes. Neil Cornwell's study, published for the Nabokov centenary, examines five of Nabokov's major novels, plus his short stories and critical writings, situating his work against the ever-expanding mass of VN scholarship, and noting his cultural debt to Russia, Europe, America and the British Isles.

Vladimir Nabokov

Vladimir Nabokov's extraordinary literary career, as a master of Russian and English prose, is unique. Acclaimed in the limited Russian émigré world, under the name of Sirin, Nabokov switched to writing in English and settled in America, a refugee from Hitler's Europe. Exile, memory, lost love and the magic of childhood are among his themes; stylistic and structural dexterity are his hallmarks; Lolita (ranked number 4 in the 1998 New York Modern Library list of 100 best novels of the century published in English) enabled him to retire to a final and productive period of European residence. Film versions of his most controversial novel keep Nabokov's name before the public, while almost his entire oeuvre remains currently available in paperback. Neil Cornwell's study, published for the Nabokov centenary, examines five of Nabokov's major novels, plus his short stories and critical writings, situating his work against the ever-expanding mass of VN scholarship, and noting his cultural debt to Russ

This collection of essays is the first book to appear on the society tale in nineteenth-century Russian fiction. Written by a team of British and American scholars, the volume is based on a symposium on the society tale held at the University of Bristol in 1996. The essays examine the development of the society tale in Russian fiction, from its beginnings in the 1820s until its subsumption into the realist novel, later in the century. The contributions presented vary in approach from the text or author based study to the generic or the sociological. Power, gender and discourse theory all feature strongly and the volume should be of considerable interest to students and scholars of nineteenth-century Russian literature. There are essays covering Pushkin, Lermontov, Odoevsky and Tolstoi, as well as more minor writers, and more general and theoretical approaches.

From Odoevskii to Tolstoi

The Society Tale in Russian Literature

The Routledge Companion to Russian Literature is an engaging and accessible guide to Russian writing of the past thousand years. The volume covers the entire span of Russian literature, from the Middle Ages to the post-Soviet period, and explores all the forms that have made it so famous: poetry, drama and, of course, the Russian novel. A particular emphasis is given to the nineteenth and twentieth centuries, when Russian literature achieved world-wide recognition through the works of writers such as Pushkin, Dostoevsky, Tolstoy, Chekhov, Nabokov and Solzhenitsyn. Covering a range of subjects including women's writing, Russian literary theory, socialist realism and émigré writing, leading international scholars open up the wonderful diversity of Russian literature. With recommended lists of further reading and an excellent up-to-date general bibliography, The Routledge Companion to Russian Literature is the perfect guide for students and general readers alike.

Maggie Malone

This volume covers a range of different critical approaches to Henry James's The Turn of the Screw. A controversy over the reality or otherwise of the ghosts has given way to a general recognition of textual ambiguity, and developments in criticism, including feminist, materialist and poststructuralist readings, have brought out fundamental underlying issues of gender, class and sexuality. Also included in this book are essays on What Maisie Knew, one of James's most morally complicated novels.

The Turn of the Screw and What Maisie Knew

This original three-part study examines Russia, Russians and their culture in Joyce's life and establishes a Russian theme running through his work as a whole, from the earliest writings to Finnegans Wake. It discusses contacts and parallels between Joyce and three Russian figures: Bely, Nabokov and Eisenstein (and, more briefly, Pasternak). Thirdly, it details the Soviet reception of Joyce from 1922 until publication of the first Russian Ulysses in 1989, as well as surveying Marxist approaches to Joyce. A full bibliography of Russian and western sources is included.

James Joyce and the Russians

This is the first book to offer a comprehensive survey of the phenomenon of the absurd in a full literary context (that is to say, primarily in fiction, as well as in theatre).

The Absurd in Literature

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Neil Cornwell

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