Neil Hilborn

"When you're dumb enough for long enough, you're gonna meet someone too smart to love you, and they're gonna love you anyway, and it's gonna go so poorly," Neil Hilborn writes in his debut full-length collection, OUR NUMBERED DAYS. In 2013, Hilborn's poem "OCD" went viral, and has amassed over 11 million views to date. While this collection ruminates on love, heartbreak, and mental illness, these poems are anything but saccharine. Hilborn uses the same humor and self-deprecation that propelled "OCD" to success in order to make his unmatched vulnerability all the more powerful. Ultimately, Hilborn is a poet of the people: his work is accessible, honest, and entertaining; a revitalizing entry in contemporary poetry.

Our Numbered Days

"Filled with nostalgia, love, heartbreak, and the author's ... examinations of mental health, this book helps explain what lives inside us, what we struggle to define"--Amazon.com.

The Future

Clatter is a chapbook by Neil Hilborn, produced in the aftermath of his severe concussion in a bicycle accident. Written in museums, ex-girlfriends’ kitchens, and Mexico, the chapbook showcases Hilborn’s breadth of style as well as his humor, and represents a unique glimpse into the writer's early work.

Clatter

Mlekoday

Where You Are Is Magnificent

Filled with nostalgia, love, heartbreak, and the author’s signature wry examinations of mental health, Neil Hilborn’s second book helps explain what lives inside us, what we struggle to define. Written on the road over two years of touring, The Future is rugged, genuine, and relatable. Grabbing attention like gravity, Hilborn reminds readers that no matter how far away we get, we eventually all drift back together. These poems are fireworks for the numb. In the author’s own words, The Future is a blue sky and a full tank of gas, and in it, we are alive. This limited-edition re-release of Neil Hilborn’s beloved sophomore collection The Future includes a look inside of Neil’s days on tour, liner notes from the author, and alternative cover.

Neil Hilborn

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