Neil Mitchell

"Essays exploring key directors, themes, and historical periods are complemented by reviews of important scenes that offer particular insignt into London's relationship to cinema."--Back cover.

London

World Film Locations

An illuminating and visually led guide to a selection of the films set wholly or in part in Melbourne, World Film Locations: Melbourne covers the big screen representations of life in the city from the Victorian era to the present day. Short analyses of iconic scenes and themed essays focusing on key directors and recurring themes and locations combine to highlight the city's relationship to cinema. Illustrated throughout with full colour film stills and photographs of the locations as they are now – from architectural landmarks to largely unexplored outer-suburbs – the book also contains city maps for those wishing to explore Melbourne's richly diverse cinematic streets. From visions of Ned Kelly, via tales of sporting drama to the coming-of-age films of the 1980s and beyond, this accessible trip around the birthplace of the Australian film industry will both firmly cement Melbourne's reputation as a richly diverse creative hotbed and enhance the standing of the films and filmmakers associated with the city.

World Film Locations: Melbourne

Emma Bell

Bringing to mind rockers and royals, Buckingham Palace and the Scottish Highlands, Britain holds a special interest for international audiences who have flocked in recent years to quality exports likeFish Tank, Trainspotting, and The King's Speech. A series of essays and articles exploring the definitive films of Great Britain, this addition to Intellect's Directory of World Cinema series turns the focus on England together with Northern Ireland, Scotland, and Wales.With a focus on the most cerebral and critically important films to have come out of Britain, this volume explores the diversity of genres found throughout British film, highlighting important regional variations that reflect the distinctive cultures of the countries involved. Within these genres, Emma Bell and Neil Mitchell have curated a rich collection of films for review—from Hitchcock's spy thrillerThe 39 Steps to Emeric Pressburger's art classic The Red Shoes to the gritty but heartfeltThis is England. Interspersed throughout the book are critical essays by leading experts in the field providing insight into shifting notions of Britishness, important industry developments, and the endurance of the British film industry. For those up on their Brit film facts and seeking to test their expertise, the book concludes with a series of trivia questions.A user-friendly look at the cultural and artistic significance of British cinema from the silent era to the present,Directory of World Cinema: Britain will be an essential companion to the country's bright and resurgent film industry.

Britain

Emme Bell

Bringing to mind rockers and royals, Buckingham Palace and the Scottish Highlands, Britain holds a special interest for international audiences who have flocked in recent years to quality British exports like Fish Tank, Trainspotting and The King’s Speech. A series of essays and articles exploring the definitive films of Great Britain, this addition to Intellect’s Directory of World Cinema series turns the focus on England together with Northern Ireland, Scotland, and Wales.With a focus on the most successful, cerebral and critically important films to have come out of Britain, this volume explores the diversity of and genres found throughout British film, highlighting important regional variations that reflect the distinctive cultures of the countries involved. Within these categories, Emma Bell and Neil Mitchell have curated a diverse and rich collection of films for review—from Hitchcock’s spy thriller The 39 Steps to Powell and Pressburger’s art classic The Red Shoes to the gritty and heartfelt This is England. Interspersed throughout the book are critical essays by leading experts in the field providing insight into shifting notions of Britishness, important industry developments and the endurance of the British film industry. For those up on their Brit film facts and seeking to test their expertise, the book concludes with a helpful ‘test Your Knowledge’ section.A user-friendly look at the cultural and artistic significance of British cinema from the silent era to the present, Directory of World Cinema: Britain will be an essential companion to the country’s bright and resurgent film industry.

Directory of World Cinema: Britain

Brian De Palma's adaptation of Stephen King's debut novel, Carrie (1976), is one of the defining films of 1970s New Hollywood style and a horror classic. The story of a teenage social outcast who discovers she possesses latent psychic powers that allow her to deliver retribution to her peers, teachers, and abusive mother, Carrie was an enormous commercial and critical success and is still one of the finest screen adaptations of a King novel. This contribution to the Devil's Advocates series not only breaks the film down into its formal componenets--its themes, stylistic tropes, technical approaches, uses of color and sound, dialogue, and visual symbolism--but also considers a multitude of other factors contributing to the work's classic status. The act of adapting King's novel for the big screen, the origins of the novel itself, the place of Carrie in De Palma's oeuvre, the subsequent versions and sequel, and the social, political, and cultural climate of the era (including the influence of second wave feminism, loosening sexual norms, and changing representations of adolescence), as well as the explosion of interest in and the evolution of the horror genre during the decade, are all shown to have played an important part in the film's success and enduring reputation.--

Carrie

Volume 1 was very much an 'overview' of British cinema, from its earliest days to the present. In this, the second volume, the essays will be more specific to certain periods and will encompass the evolutions of individual genres and directors. This will make for complimentary essays to volume 1 rather than simply an updating of them. The section on silent cinema and melodrama is replaced in this volume by War and Family Films the former being an interesting genre that has periodically appeared in British films in differing ways, and the latter because Britain has always produced hugely successful movies that appeal to family audiences. Rather than have three individual essays pertaining to Scotland, Northern Ireland and Wales, the volume will include examples of films made or set in those countries within the genre reviews. The volume will include information on established British directors such as Ken Loach and Danny Boyle as well as writing about avant-garde newcomer Ben Wheatley, who directed the fabulously strange, "A Field in England" (2013). This volume will also shine the spotlight on the British Film Institute, and its role in funding, preservation and education in relation to British cinema. This book takes a different angle to the first volume and as such would make an excellent companion to "Directory of World Cinema: Britain.""

Directory of World Cinema Britain 2

Brian De Palma's adaptation of Stephen King's debut novel, Carrie (1976), is one of the defining films of 1970s "New Hollywood" style and a horror classic. The story of a teenage social outcast who discovers she possesses latent psychic powers that allow her to deliver retribution to her peers, teachers, and abusive mother, Carrie was an enormous commercial and critical success and is still one of the finest screen adaptations of a King novel. This contribution to the Devil's Advocates series not only breaks the film down into its formal componenets--its themes, stylistic tropes, technical approaches, uses of color and sound, dialogue, and visual symbolism--but also considers a multitude of other factors contributing to the work's classic status. The act of adapting King's novel for the big screen, the origins of the novel itself, the place of Carrie in De Palma's oeuvre, the subsequent versions and sequel, and the social, political, and cultural climate of the era (including the influence of second wave feminism, loosening sexual norms, and changing representations of adolescence), as well as the explosion of interest in and the evolution of the horror genre during the decade, are all shown to have played an important part in the film's success and enduring reputation.

Neil Mitchell

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