Nell Stevens

A playful and daring tale about a teenage ghost who falls in love with the writer George Sand.

In 1473, fourteen-year-old Blanca dies in a hilltop monastery in Mallorca. Nearly four hundred years later, when George Sand, her two children, and her lover Frederic Chopin arrive in the village, Blanca is still there: a spirited, funny, righteous ghost, she’s been hanging around the monastery since her accidental death, spying on the monks and the townspeople and keeping track of her descendants.

Blanca is enchanted the moment she sees George, and the magical novel unfolds as a story of deeply felt, unrequited longing—a teenage ghost pining for a woman who can’t see her and doesn’t know she exists. As George and Chopin, who wear their unconventionality, in George’s case, literally on their sleeves, find themselves in deepening trouble with the provincial, 19th-century villagers, Blanca watches helplessly and reflects on the circumstances of her own death (which involved an ill-advised love affair with a monk-in-training).

Charming, original, and emotionally moving -- gorgeous and surprising exploration of artistry, desire, and life after death.

Briefly, a Delicious Life

On a frozen island in the Falklands, with only penguins for company, a young would-be writer struggles to craft a debut novel...and instead writes a funny, clever, moving memoir that heralds the arrival of a fresh new literary talent. Twenty-seven-year-old Nell Stevens was determined to write a novel, but somehow life kept getting in the way. Then came an irresistible opportunity: she won a fellowship to spend three months, all expenses paid, anywhere in the world to research and write a book. Did she choose a glittering metropolis, a romantic village, an exotic paradise? Um, no. Nell chose Bleaker Island, a snowy, windswept pile of rock off the Falklands. There, in a guesthouse where she would be the only guest, she imagined she could finally rid herself of distractions and write her 2,500 words a day. In three months, surely she'd have a novel, right? It's true that there aren't many distractions on Bleaker, other than sheep, penguins, paranoia and the weather. But as Nell gets to work on her novel--a delightful Dickensian fiction she calls Bleaker House--she discovers that an excruciatingly erratic Internet connection and 1100 calories a day (as much food as she could carry in her suitcase, budgeted to the raisin) are far from ideal conditions for literary production. With deft humour, this memoir traces Nell's island days and slowly reveals details of the life and people she has left behind in pursuit of her art. They pop up in her novel, as well, as memoir and novel start to reflect one another. It seems that there is nowhere Nell can run--neither a remote island nor the pages of her notebook--to escape herself. A whimsical, entertaining, thought-provoking blend of memoir and travelogue, laced with tongue-in-cheek writing advice, Bleaker House brilliantly captures the hopes, fears, self-torture and humour of being young and yearning to make a creative life. With winning honesty and wit, Nell's race to finish her book emerges as a fascinating narrative in its own right.

Chasing My Novel to the End of the World

Bleaker House

"History meets memoir in two true-life love stories between two sets of writers--one unfolding in nineteenth century Rome, one in present-day Paris and London--which both reveal the longings and ambitions of the very contemporary Nell Stevens. In 1857, English novelist Elizabeth Gaskell completed her most famous work: the biography of her dear friend, the recently deceased Charlotte Bront. As publication loomed Elizabeth was keen to escape the reviews and, leaving her wholesome, dull minister husband at home, traveled with her daughters to Rome. And it was there that she met the American writer and critic, Charles Eliot Norton. Seventeen years her junior, he was the love of her life. She knew they could never be together--it would be an unthinkable breach--but when she returned home to Mr. Gaskell, she discovered to her horror that while she was gone he had betrayed her--betrayed her work--in a way that she is not sure she can ever forgive. In 2013 Nell Stevens is in a PhD program in London, halfheartedly pursuing a post in academia to keep her afloat while she follows her true vocation as a writer. Her dissertation on the artistic expatriate community of nineteenth-century Rome isn't quite coming together. But questions of scholarly methodology take a back seat to her budding romance with Max, a soulful American with an unfinished screenplay. That is, until their relationship begins to founder, and the echoes between Nell's life and that of her historical subject become too strong to ignore. As these two storylines meet up in delightful, funny, and unexpected ways, The Victorian and the Romantic evokes the bittersweet ache of lost love and the consolations of female writerly ambition"--

A Memoir, a Love Story, and a Friendship Across Time

The Victorian and the Romantic

Sarah Hall

Ingrid Persaud

Kerry Andrew

Kiare Ladner

Hung-over and grief-stricken, a man contemplated suicide at the edge of a cliff, until he is unexpectedly distracted by the sight of a woman emerging from the water below... A group of art students protesting the demolition of a housing block decide to turn its destruction into a creative act... Waiting in her car for the rain to pass after her mother's funeral, a woman nurses her child and reflects on a world outside that remains headless of her sorrow... The stories shortlisted for the BBC National Short Story Award with Cambridge University 2018 pivot around the theme of loss, and the different ways that individuals, and communities, respond to it. From the son caring for his estranged father, to the widow going out for her first meal alone, the characters in these stories are trying to find ways to repair themselves, looking ahead to a time when grief will eventually soften and sooth. Above all, these stories explore the importance of human connection, and salutary effect of companionship and friendship when all else seems lost.

Nell Stevens

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