Neville Agnew

Janet Bridgland

Conservation is a core value for most archaeological societies. It is highlighted in their codes of ethics, statements of mission, and governance. In recognition of this, the World Archaeological Congress, with the Getty Conservation Institute and a consortium of other conservation organizations, brought together scholars working throughout the globe to discuss vital issues that affect archaeological heritage today. This volume presents the proceedings of the Conservation Theme at the Congress, held in Washington, D.C., June 22–26, 2003. Among the topics discussed are: Innovative Approaches to Policy and Management of Archaeological Sites; Finding Common Ground: The Role of Stakeholders in Decision Making; Archaeology and Tourism: A Viable Partnership?; Preserving the Cultural Heritage of Iraq and Afghanistan; Archaeology and Conservation in China Today; and Managing Archaeological Sites and Rock Art Sites in Southern Africa. These proceedings should do much to promote and strengthen the relationship between the disciplines of conservation and archaeology.

Integrating Archaeology and Conservation, Proceedings of the Conservation Theme at the 5th World Archaeological Congress, Washington, D.C., 22–26 June 2003

Of the Past, for the Future

Neville Agnew, senior principal project specialist at the GCI, is the author of numerous publications in research chemistry and conservation, including (with two coauthors) the book Cave Temples of Mogao: Art and History on the Silk Road. --Book Jacket.

Proceedings of the Second International Conference on the Conservation of Grotto Sites, Mogao Grottoes, Dunhuang, People's Republic of China, June 28–July 3, 2004

Conservation of Ancient Sites on the Silk Road

Roderick Whitfield

Susan Whitfield

The Mogao grottoes in China, situated near the town of Dunhuang on the fabled Silk Road, constitute one of the world’s most significant sites of Buddhist art. The hundreds of caves carved into rock cliffs at the edge of the Gobi desert preserve one thousand years of exquisite art. Founded by Buddhist monks as an isolated monastery in the late fourth century, Mogao evolved into an artistic and spiritual mecca whose renown extended from the Chinese capital to the Western Kingdoms of the Silk Road. Among its treasures are miles of stunning wall paintings, more than two thousand statues, magnificent works on silk and paper, and thousands of ancient manuscripts, such as sutras, poems, and prayer sheets. In this new expanded edition, Cave Temples of Mogao at Dunhuang, first published in 2000, combines lavish color photographs of the caves and their art with the fascinating history of the Silk Road to create a vivid portrait of this remarkable site. Chapters narrate the development of Dunhuang and the Mogao cave temples, the iconography of the wall paintings, and the extraordinary story of the rare manuscripts—including the oldest printed book in existence, a ninth-century copy of the Diamond Sutra. The book also discusses the collaboration between the Getty Conservation Institute and Chinese authorities in conservation projects at Mogao, and the ways in which the site can be visited today.

Art History on the Silk Road: Second Edition

Cave Temples of Mogao at Dunhuang

At the Mogao grottoes, a World Heritage Site near Dunhuang in the Gobi Desert, generations of Buddhist monks created hundreds of rock temples. Nearly five hundred of these grottoes remain, lined with painted clay sculptures and wall paintings that depict legends, portraits, customs, and the arts of China over a one-thousand-year period. This volume of symposium proceedings marks the culmination of the first phase of the Getty Conservation Institute’s collaborative project with the State Bureau of Culture Relics of the People’s Republic of China and the Dunhuang Academy.

Proceedings of an International Conference on the Conservation of Grotto Sites

Marcia Reed

Tevvy Ball

The Mogao grottoes in northwestern China, located near the town of Dunhuang on the fabled Silk Road, constitute one of the world’s most significant sites of Buddhist art. Preserved in some five hundred caves carved into rock cliffs at the edge of the Gobi Desert are one thousand years of exquisite wall paintings and sculpture. Founded by Buddhist monks in the late fourth century, Mogao grew into an artistic and spiritual center whose renown extended from the Chinese capital to the far western kingdoms of the Silk Road. Among its treasures are 45,000 square meters of murals, more than 2,000 statues, and over 40,000 medieval silk paintings and illustrated manuscripts. This sumptuous catalogue accompanies an exhibition of the same name, which will run from May 7 through September 4, 2016, at the Getty Center. Organized by the Getty Conservation Institute, Getty Research Institute, Dunhuang Academy, and Dunhuang Foundation, the exhibition celebrates a decades-long collaboration between the GCI and the Dunhuang Academy to conserve this UNESCO World Heritage Site. It presents, for the first time in North America, a collection of objects from the so-called Library Cave, including illustrated sutras, prayer books, and other exquisite treasures, as well as three full-scale, handpainted replica caves. This volume includes essays by leading scholars, an illustrated portfolio on the replica caves, and comprehensive entries on all objects in the exhibition.

Buddhist Art on China's Silk Road

Cave Temples of Dunhuang

Martha Demas

The Valley of the Queens Project is a collaboration of the Supreme Council of Antiquities and the Getty Conservation Institute from 2006-2011. The project involved comprehensive research, planning and assessment culminating in the development of detailed plans for conservation and management of the site. Volume 2 of the report is the condition summary of the 111 tombs from the 18th,19th, and 20th Dynasties in the Valley of the Queens. This includes a summary of tomb architectural development, the geological and hydrological context, wall painting technique and condition assessment of the paintings and structural stability of the tombs.

Assessment of the 18th, 19th, and 20th Dynasty Tombs

Valley of the Queens Assessment Report

Corresponding Fellow of the Dunhuang Academy Percival David Professor of Chinese and East Asian Art School of Oriental Studies Roderick Whitfield

The Mogao grottoes in China, situated near the oasis town of Dunhuang on the fabled Silk Road, constitute one of the world's most significant sites of Buddhist art. In some five hundred caves carved into rock cliffs at the edge of the Gobi desert are preserved one thousand years of exquisite murals and sculpture. Mogao, founded by Buddhist monks as an isolated monastery in the late fourth century, evolved into an artistic and spiritual center whose renown extended from the Chinese capital to the far western kingdoms of the Silk Road. Among its treasures are miles of stunning wall paintings, more than two thousand statues, magnificent works on silk and paper, and thousands of ancient manuscripts, such as sutras, poems, and prayer sheets, which in 1900 were found sealed in one of the caves and then dispersed to museums throughout the world. Illustrated in color throughout, Cave Temples of Mogao combines lavish photographs of the caves and their art with the fascinating history of Mogao, Dunhuang, and the Silk Road to create a vivid portrait of this remarkable site. Chapters discuss the development of the cave temples, the iconography of the wall paintings, and the extraordinary story of the rare manuscripts, including the oldest printed book in existence, a ninth-century copy of the Diamond Sutra. The book also describes the long-term collaboration between the Getty Conservation Institute and Chinese authorities in conservation projects at Mogao as well as the caves and the museum that can be visited today. The publication of this book coincides with the centenary of the discovery of the manuscripts in the Library Cave.

Neville Agnew

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