Jon Wozencroft

Neville Brody

Neville Brody is perhaps the best known graphic designer of his generation. This book, originally published in 1988, is a bible in the world of graphic design: the seminal expression of his early, ground-breaking typography. Brody first made his way into the public eye through his record cover designs and his involvement in the British independent music scene in the early 1980s. It was his work on magazines that firmly established his reputation as one of the world's leading graphic designers. In particular, his artistic contribution to The Face completely revolutionized the way in which designers and readers approached the medium. His unique designs soon became much-imitated models for magazines, advertising and consumer-oriented graphics. Brody also won much public acclaim through his highly innovative ideas on incorporating and combining typefaces into design and he later took this a step further and began designing his own typefaces, thus opening the way for the advent of digital type design. His contributions to the world of graphic design and digital typography are invaluable. Often referred to as a "star typographer," Brody has designed a number of well-known typefaces. With over 450 illustrations, this book provides a wide-ranging introduction to a crucial period in graphic design. The original expression of one of the pioneers for the digital age, The Graphic Language of Neville Brody is at once a historical document, a classic of graphic design, and a relevant tool for designers working today.

The Graphic Language of Neville Brody

Brody

Lewis Blackwell

Features 1996 entrants and winners. 460 illustrations, 400 in color.

New Dimensions in Graphic Design

Adrian Shaughnessy

A follow-up to two highly successful monographs on the work of one of the most important designers of his generation, showcasing projects completed since the mid-1990s. Neville Brody defined the look of the 1980s music scene as art director of The Face. Since then, Brody consistently proved that he is one of most innovative and shape-shifting graphic designers of the era. While his second monograph was published in 1994, over the last almost three decades Brody has produced a new body of editorial, typographic, information, and interface design of unparalleled boldness and sophistication for global clients that include Samsung, Shiseido, Coca-Cola, the UK’s Channel 4, and Dom Perignon. The Graphic Language of Neville Brody 3 brings this work together in thematic sections that address the key fields of his vibrant design projects, including typographic experimentation, information graphics, cultural subversion, and design systems. Richly illustrated, each project is explored in detail, revealing the work that defined Brody’s recent career across six chapters, from major brands to magazine editorials and features, showing how his design language has evolved since the 1990s. Creating a new generation of fans, this volume shares Brody’s design genius at a time when the originality of work from the 1980s and 1990s across many creative disciplines is finding a new audience. This inspirational volume is essential reading for anyone interested in the evolution of graphic design over the past three decades.

The Graphic Language of Neville Brody 3

Steve Taylor

Showcasing a vast range of titles, from fashion to reportage, and high-end design to counter-cultural fanzines, this collection offers an insight not only into the work of the most influential art directors, publishers and designers of the last century, but into the way that we perceive and represent ourselves and the culture in which we live; our interests, concerns, and aspirations.

100 Years of Magazine Covers

'FUSE' fue la publicación que llevó el diseño y la tipografía a espacios radicalmente nuevos e imprevistos. Todavía reverbera la influencia de su aproximación al lenguaje tipográfico, y veinte años después de su lanzamiento destacan como futuristas y adelantadas a su época las exploraciones llevadas a cabo por algunos nombres famosos e influyentes de la industria. Tomando el alfabeto como base, 'FUSE' se convirtió en un laboratorio para nuevas ideas y riesgos, así como en un invernadero de pensamientos novedosos. Publicados a lo largo de veinte ediciones, cada número era temático e incluía fuentes y pósters por colaboradores especialmente comisionados, todo lo cual se muestra aquí. Incluido en esta edición - 10 pósters exclusivos de las ediciones de 'FUSE19' y 'FUSE20'; Pósters diseñados por diseñadores tipográficos innovadores y renombrados; Los números agotados 1 a 18 completos y compilados en un libro diseñado por Neville Brody.

Fuse 1-20. Ediz. italiana, spagnola e portoghese

This collection of graphics includes magazine and book designs, posters, typography, music, film and television and corporate graphics, packaging and signage. The work is organized into three sections, according to whether it operates essentially as a two-, three-, or four-dimensional graphic, and an introductory essay examines key themes and trends in the contemporary graphics scene.

Neville Brody

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