Nick Groom

Nicholas Allen

Jos Smith

In all the complex cultural history of the islands of Britain and Ireland the idea of the coast as a significant representative space is critical. For many important artists coastal space has figured as a site from which to braid ideas of empire, nation, region, and archipelago. They have been drawn to the coast as a zone of geographical uncertainty in which the self-definitions of the nation founder; they have been drawn to it as a peripheral space of vestigial wildness, of island retreats and experimental living; as a network of diverse localities richly endowed with distinctive forms of cultural heritage; and as a dynamically interconnected ecosystem, which is at the same time the historic site of significant developments in fieldwork and natural science. This collection situates these cultures of the Atlantic edge in a series of essays that create new contexts for coastal study in literary history and criticism. The contributors frame their research in response to emerging conversations in archipelagic criticism, the blue humanities, and island studies, the essays challenging the reader to reconsider ideas of margin, periphery and exchange. These twelve case studies establish the coast as a crucial location in the imaginative history of Britain, Ireland and the north Atlantic edge. Coastal Works will appeal to readers of literature and history with an interest in the sea, the environment, and the archipelago from the 18th century to the present. Accessible, innovative and provocative, Coastal Works establishes the important role that the coast plays in our cultural imaginary and suggests a range of methodologies to represent relationships between land, sea, and cultural work.

Cultures of the Atlantic Edge

Coastal Works

David Walker

Gary Phillips

Hannibal Tabu

Brandon Thomas

Greg Burnham

Melody Cooper

Dorphise Jean

Greg Anderson Elysée

Roxxy Haze

A collection of fifteen Noir Stories written and illustrated by some of the most best black creators from the comic book industry as well as a new generation of talents. Stories of hope, despair, love and much more. The Kickstarter sensation of 2020 comes, at last, to a book store or library near you.

Deluxe Edition

Noir Is the New Black

Sarah Birch

Drawing on original data, this book is the first account of popular understandings of political ethics in contemporary British politics.

Ethics and Integrity in British Politics

George Russell (1867-1935), poet and author, was a central figure of the Irish literary revival. He was editor of early 20th-century Ireland's two most important journals, the Irish Homestead (1905-23) and the Irish Statesman (1923-30). Russell published work across four decades by Joyce, Kavanagh, O'Casey, O'Connor, Ã? FaolÃ¡in, O'Flaherty, Shaw, Stuart and Yeats. He was a radical intellectual involved with anarchism, labor and Sinn FÃ©in, his passions evidencing a revival in Irish thought that merged literature and culture with politics and revolution. This book brings the reader to a world of constant controversy, of journals, little magazines, pamphlets and propaganda, narrated here in one major synthesis.

George Russell (AE) and the New Ireland, 1905-30

Culture of the Atlantic Edge

Ireland is home to one of the world's great literary and artistic traditions. This book reads Irish literature and art in context of the island's coastal and maritime cultures, setting a diverse range of writing and visual art in a fluid panorama of liquid associations that connect Irish literature to an archipelago of other times and places.

Seatangled

Ireland, Literature, and the Coast

The first two decades of Irish independence were fraught and the formation of the post-imperial state was a continual controversy. The conditional perception of what Ireland was, should, or might be coincided with a revolution in the arts. Now forgotten cultures flared and disappeared, little magazines, cabaret clubs, riots and theatres erupting in a fluctuating public sphere. Nicholas Allen reads the crisis of Irish independence as formative of newly experimental relations between novels, poems, paintings, artists and audiences. The conditional, unfinished spaces of the modernist artwork were an unfinished civil war. In connecting these texts and times, Allen locates Joyce, Beckett, Jack and W. B. Yeats in the controversies surrounding the Irish state after 1922. With its interdisciplinary perspective on artists and contexts, this book is a major contribution to the study of Irish culture of the 1920s and 30s and of modernism's histories.

Nicholas Allen

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